Exuberant In A Sentence Quotes

I was born in a house with a million rooms, built on a small, airless world on the edge of an empire of light and commerce that the adults called the Golden Hour, for a reason I did not yet grasp. ~ Alastair Reynolds

But the secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long words that could be a short word, every adverb that carries the same meaning that's already in the verb. every passive construction that leaves the reader unsure of who is doing what-these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to education and rank. ~ William Zinsser

It's strange how a plan can unfold sometimes - an umbrella shooting up at the touch of a button and extending out in all directions quickly, effortlessly. ~ Elissa Janine Hoole

Ooh!" Willy pipes up. "Maybe he'll write a story about Santa and Mrs. Claus getting caught with their pants down with other people. If we get lucky, maybe he'll kill-"

"Don't finish that sentence, elf."

"Randy, you're such a spoilsport. You can't say you haven't conjured up that scenario in your big head a time or a dozen. Continue. Maybe I'll write that story."

"No, you won't. Your idea of a good story is nothing but sex, sex, and more sex. You'd never make it through writing a chapter because you'd have to stop and jerk off a half dozen times."

"Ew! Not about Santa and Mrs. Claus. Yuck," Willy comes back at him with a sour look on his face. "That's not even funny, Randy. ~ Candi Kay

I had then, and at other times, the greatest delight in the holy scriptures, of any book whatsoever. Oftentimes in reading it, every word seemed to touch my heart. I felt a harmony between something in my heart, and those sweet and powerful words. I seemed often to see so much light exhibited by every sentence, and such a refreshing food communicated, that I could not get along in reading; often dwelling long on one sentence, to see the wonders contained in it; and yet almost every sentence seemed to be full of wonders. ~ Timothy Keller

Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time. ~ Hilary Mantel

Is that you, Sergeant Angua?" said a voice in the gloom. A lantern was open, and lit the approaching face of Constable Visit. As he drew near, she could just make out the thick wad of pamphlets under his other arm.
"Hello, Washpot," she said. "What's up?"
" ... looks like a twist of lemon ... " said a damp voice from the shadows.
"Mister Vimes sent me to search the bars of iniquity and low places of sin for you," said Visit.
"And the literature?" said Angua. "By the way, the words "nothing personal" could have so easily been added to that last sentence. ~ Terry Pratchett

I think Yelena Akhtiorskaya is a genius. What she manages to do, linguistically and emotionally, in the span of a single sentence, is astonishing. ~ Keith Gessen

Another bad cure is the sentence awkwardly stretched out by a "that" or "which" clause. For example, "Leaping from the couch he seized the revolver from the bookshelf that stood behind the armchair," or, "She turned, shrieking, throwing up her arms in terror at the sight of the gorilla that had arrive that morning from Africa, which had formerly been its home." What happens in such sentences, obviously, is that they tend to trail off, lose energy. ~ John Gardner

In another landscape, a line of spruce in the distance would appear an inkblot, a punctuation to the endless grey sentence of the morning. ~ Kate Walbert

Ask yourself what you like to think about. Problems associated with your technical specialty? Would you be unhappy making a career shift into a new area? Do you see yourself, in the future, as more of an individual contributor or a manager?

If you do think you want to specialize, here is the acid test: Your skills and talents are sufficiently deep and leading-edge for you to be able to complete a sentence that sounds something like this: "I am uniquely qualified for this because I am one of a handful of people who have the depth of knowledge to… ~ Barbara Moses

One Christmas was so much like another, in those years around the sea-town corner now and out of all sound except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve nights when I was six. ~ Dylan Thomas

We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse; we carry a museum inside our heads, each day we commemorate peoples of whom we have never heard. More than that, we speak volumes – our language is the language of everything we have read. Shakespeare and the Authorised Version surface in supermarkets, on buses, chatter on radio and television. I find this miraculous. I never cease to wonder at it. That words are more durable than anything, that they blow with the wind, hibernate and reawaken, shelter parasitic on the most unlikely hosts, survive and survive and survive. ~ Penelope Lively

I've been accused of not really paying attention to a sentence unless my name comes up in it twice. ~ Matthew Perry

But what is it, to be an artist? Nothing shows up the general human dislike of thinking, and man's innate craving to be comfortable, better than his attitude to this question. When these worthy people are affected by a work of art, they humbly say that that sort of thing is a 'gift.' And because in their innocence they assume that beautiful and uplifting results must have beautiful and uplifting causes, they never dream that the 'gift' in question is a very dubious affair and rests upon extremely sinister foundations.
[...]
Listen to this. I know a banker, grey-haired business man, who has a gift for
writing stories. He employs this gift in his idle hours, and some of his stories are of the
first rank. But despiteI say despite-this excellent gift his withers are by no means
unwrung: on the contrary, he has had to serve a prison sentence, on anything but trifling
grounds. Yes, it was actually first in prison that he became conscious of his gift, and his
experiences as a convict are the main theme in all his works. One might be rash enough
to conclude that a man has to be at home in some kind of jail in order to become a poet. ~ Thomas Mann

Front-loaded modifiers can be useful in qualifying a sentence, in tying it to information mentioned earlier, or simply in avoiding the monotony of having one right-branching sentence after another. As long as the modifier is short, it poses no difficulty for the reader. But if it starts to get longer it can force a reader to entertain a complicated qualification before she has any idea what it is qualifying. ~ Steven Pinker

All the sentences in Madame Bovary could be examined with wonder, but there is one in particular that always stops me in admiration. Flaubert has just shown us Emma at the piano with Charles watching her. He says, "She struck the notes with aplomb and ran from top to bottom of the keyboard without a break. Thus shaken up, the old instrument, whose strings buzzed, could be heard at the other end of the village when the window was open, and often the bailiff's clerk, passing along the highroad, bareheaded and in list slippers, stopped to listen, his sheet of paper in his hand."

The more you look at a sentence like that, the more you can learn from it. At one end of it, we are with Emma and this very solid instrument "whose strings buzzed," and at the other end of it we are across the village with this very concrete clerk in his list slippers. With regard to what happens to Emma in the rest of the novel, we may think that it makes no difference that the instrument has buzzing strings or that the clerk wears list slippers and has a piece of paper in his hand, but Flaubert had to create a believable village to put Emma in. It's always necessary to remember that the fiction writer is much less immediately concerned with grand ideas and bristling emotions than he is with putting list slippers on clerks. ~ Flannery O'Connor

What is the universe, anyway? To test your knowledge of the universe, please complete the following sentence. The universe (a) consists of all things visible and invisible - what is, has been, and will be. (b) began 13.8 billion years ago in a giant explosion called the Big Bang and encompasses all planets, stars, galaxies, space, and time. (c) was licked out of the salty rim of the primordial fiery pit by the tongue of a giant cow. (d) All of the above. (Correct answer below.) ~ John Brockman

Are you all right?" I whisper uncertainly.

"Fine." He shakes his head once, and then the tension leaves his body. "I'm fine. Don't finish your sentence yet. It's going to lead to me slaughtering things."

"You like slaughtering things."

"Compared to this? No." He touches me again, his fingers grazing my arm. Tentative, hesitant. When I tell him he's usually the practical one, he replies, "It must be your influence. I'm actually about to make several suggestions, and all of them are impractical."

I smile. "Ooh, several suggestions, is it? My, my. Impractical Kiaran MacKay is . . . dare I say it? Adorable."

Kiaran looks at me in disgust. "I am not."

"You are and you don't even know it. Adorable."

"Adorable is something we call foolish humans right before we kill them."

"Adorable is what we call adult men who love to cuddle and swear on their lives that they don't." Kiaran makes a sound in his throat. "You can growl at me all you want. I know your weaknesses, MacKay. Cuddling. Neck kisses. That ticklish spot just above your - "

I laugh as he grabs me around the waist and pulls me against him. He kisses me fiercely enough to make my toes curl. Then he pulls back with the smug expression of someone who has had thousands of years to perfect seduction and knows exactly how to use it against me. ~ Elizabeth May

If the passage absolutely demands cursing, be moderate. A little of it goes a long way. I've seen beginning writers pepper curse words through sentence after sentence.

'If you don't -blanking- get your -blanking-blank-blank- in to this house this -blanking- minute, I'm going to -blank- your -blank- and nail it to the -blanking- door.'

Two things happen when I read this junk: I get bored and I get angry. I didn't pick up your book to read garbage. If this is as clever as you can be, I don't want to read your prose. In life if you met someone who spoke like this, you'd want to flee. Then why put this stuff on the page?

As near as I can determine, this abomination occurs because a writer is corrupted by the awful -blanking- dialog that movies inflict on us these days. It's also a sign of insecurity. The writer wonders if the dialog is strong enough and decides a lot of -blanking-blank- will do the trick.

Someone might object that this kind of dialog is realistic in certain situations--intense scenes involving policemen or soldiers for example. I can only reply that in my research I spend considerable time with policemen and soldiers. Few of them curse any more than a normal person would. This garbage isn't realistic. It merely draws attention to itself and holds back the story. Use it sparingly. ~ David Morrell

The way you live your day is a sentence in the story of your life. Each day you make the choice whether the sentence ends with a period, question mark, or exclamation point. ~ Steve Maraboli

I'm busy sorting through our new collection of rhinestone jewelry. Should anyone be in the market for sparkly accessories the size of a hubcap, this is the place to get them. Earlier today, a customer picked up one of the enormous chandelier-style offerings and asked, 'Do those be genuine rhimestones?'
I couldn't even begin to explain everything that was wrong with her sentence, so I simply replied, 'Yes. They do be genuine. ~ Jen Lancaster

The correct way to punctuate a sentence that states: "Of course it is none of my business, but
" is to place a period after the word "but." Don't use excessive force in supplying such a moron with a period. Cutting his throat is only a momentary pleasure and is bound to get you talked about. ~ Robert A. Heinlein

It was my first-year Latin teacher in high school who made me who made me discover I'd fallen in love with it (grammar). It took Latin to thrust me into bona fide alliance with words in their true meaning. Learning Latin fed my love for words upon words in continuation and modification, and the beautiful, sober, accretion of a sentence. I could see the achieved sentence finally standing there, as real, intact, and built to stay as the Mississippi State Capitol at the top of my street. ~ Eudora Welty

Exclamation points are the most irritating of all. Look! they say, look at what I just said! How amazing is my thought! It is like being forced to watch someone else's small child jumping up and down crazily in the center of the living room shouting to attract attention. If a sentence really has something of importance to say, something quite remarkable, it doesn't need a mark to point it out. And if it is really, after all, a banal sentence needing more zing, the exclamation point simply emphasizes its banality! ~ Lewis Thomas

It is not sufficient to know the right answers. One must also know the questions that produced them. Indeed, one must also know what a question is, for not every sentence that ends with a rising intonation or begins with an interrogative is necessarily a question. There are sentences that look like questions but cannot generate any meaningful answers, and, as Francis Bacon said, if they linger in our minds, they become obstructions to clear thinking. ~ Neil Postman

In a sense, one could speak of the secret life of colour. Despite its outward beckoning, like true beauty, colour is immensely hesitant in giving away its secrets. Painters learn to respect the hesitancy of colour and endeavour to refine their skill to become worthy of its revelations. A painter learns the language of colour slowly. As with any language, you struggle for a long time outside the language. There is a willed deliberateness to how you sequence the strange words to make a sentence.Then one day the language lets you in to where the words dance to your thoughts with ease and fluency. Perhaps for the painter there is a day when colour lets him in, when his palette sings with synergy and delight. ~ John O'Donohue

Praise the Lord, but do me a favor, don't ever say 'Stephen Baldwin' and 'ministry' in the same sentence. ~ Stephen Baldwin

People write or speak sentences in order to produce an effect, and the success of a sentence is measured by the degree to which the desired effect has been achieved. ~ Stanley Fish

Basically, "Making a Murderer" chronicles a set of crimes committed in Wisconsin: Manitowoc, Wisconsin. The first crime is a miscarriage of justice. Steven Avery is convicted and sentenced to a very, very long prison sentence for the assault on a woman. And it comes to light through DNA evidence that he was not the assailant. ~ Errol Morris

I've resisted pronouncing a sentence before guilt is found. I still have this old-fashioned notion that even with people like Osama, who is very likely to be found guilty, we should do our best not to, in positions of executive power, not to prejudge jury trials. ~ Howard Dean

If untruths become part of our language - untruths that in context are intended to be interpreted as polite expressions or figure of speech - then each person is left to decide for themselves the meaning of any sentence. And when language and meaning become subjective, society breaks down. The rule of law becomes a grey area. Commands become suggestions. And how do you keep anyone, including yourself, accountable for actions based on ambiguous language? ~ Alex Latimer

Writer's Rhyme

Word by word
line by line,
I'm gonna make
this writing fine.

I'll reread
'til I know
that each sentence
says it so.

Check the grammar
and the meaning;
be the critic;
do the screening.

Dictionary's
not for show;
Helps me get
those words to flow.

Watch the diet;
hem it in.
Do not fear
to make it thin.

Simple is
a goal to praise;
Let's untie
that wordy phrase.

Every word
let's be sure
follows the last
with meaning pure.

"Won't be easy,"
so 'tis said,
but effort will
put me ahead.

Word by word
line by line,
I'm gonnna make
this writing fine,

even though
it takes some time,
I'm gonna make this writing fine;

I'm gonna make
this writing fine. ~ Peter Siviglia

I very seldom, during my whole stay in the country, heard a sentence elegantly turned, and correctly pronounced from the lips of an American. ~ Frances Trollope

Stavia saw herself as in a picture, from the outside, a darkly cloaked figure moving along a cobbled street, the stones sheened with a soft, early spring rain. ~ Sheri S. Tepper

Oh, I know I'll improve. It's just that my life is a perfect graveyard of buried hopes now. That's a sentence I read once, and I say it over to comfort myself in these times that try the soul. ~ Anne Shirley

If my opinion runs more than twenty pages," she said, "I am disturbed that I couldn't do it shorter." The mantra in her chambers is "Get it right and keep it tight." She disdains legal Latin, and demands extra clarity in an opinion's opening lines, which she hopes the public will understand. "If you can say it in plain English, you should," RBG says. Going through "innumerable drafts," the goal is to write an opinion where no sentence should need to be read twice. "I think that law should be a literary profession," RBG says, "and the best legal practitioners regard law as an art as well as a craft. ~ Irin Carmon

Every piece of writing ... starts from what I call a grit ... a sight or sound, a sentence or a happening that does not pass away ... but quite inexplicably lodges in the mind. ~ Rumer Godden

Now lend me your ears. Here is Creative Writing 101:

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things - reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them - in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that. ~ Kurt Vonnegut Jr.

A writer in early 1930, boosting the beauty business, started off a magazine article with the sentence: The average American woman has sixteen square feet of skin. ~ Howard Zinn

A few words worthy to be remembered suffice to give an idea of a great mind. There are single thoughts that contain the essence of a whole volume, single sentences that have the beauties of a large work, a simplicity so finished and so perfect that it equals in merit and in excellence a large and glorious composition. ~ Joseph Joubert

In each medium - popular music, literature, and visual art, respectively - the woman has broken form, shed a skin, with each phase of her career, whereas the man has returned to ever-deepening iterations of the sound or sentence or imagery with which he began. ~ Stacey D'Erasmo

There's just the memory of that time he walked in on her while she was dressing, and afterward couldn't string a sentence together.
And not only that, but she hadn't even made fun of him for it. She hadn't! Oh no, why not? Also ... had the sight of her boobs possibly sort of made him fall in love with her? It had to be the boobs. ~ Charlotte Stein

Some poets write pages upon pages because their hearts have a song to sing and their melodies cannot be contained in a single stanza... and I find myself typing out a quote because my soul is still gasping for breath, and all the words form a single sentence: I miss us. ~ Alfa H