Quotes About Esa Mirada
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The opposite of creativity is cynicism ~ Esa Saarinen
As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign. ~ Esa-Pekka Salonen
Anyone who composes and conducts at the same time is immediately suspect, because he must be faking one or the other. ~ Esa-Pekka Salonen
There's so much energy exchange [in conduction], so you get back a lot, of course, but you also have to give a lot. It's kind of high-energy thing. ~ Esa-Pekka Salonen
The Royal Festival Hall in London is nice; people hang out there. I think this inviting, non-exclusive character is very important. ~ Esa-Pekka Salonen
The music I turn out these days is the kind of music I want to hear myself. ~ Esa-Pekka Salonen
The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event? ~ Esa-Pekka Salonen
When we're at the end of The Rite of Spring or of a Bruckner symphony, I want people to feel the music physically. ~ Esa-Pekka Salonen
This continuity of sound and form was something that I became really interested in from working with Ligeti. He was always going on about how form has to be continuous. ~ Esa-Pekka Salonen
The philharmonic became such a journey and adventure in my life, and a deeply satisfying thing. ~ Esa-Pekka Salonen
Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that. ~ Esa-Pekka Salonen
I feel that this is my artistic home, and I'm very happy to be a California artist together with many others who are not from here originally but who decided to make this the center of their activities. There's something about that that I find very inspiring and satisfying. ~ Esa-Pekka Salonen
If somebody had told me when I was starting composition in Helsinki in the '70s that I would end up in L.A. and to describe that journey, those 17 years with the philharmonic and building the hall and this and that, I would have said, "This is a fairy tale of the first order." ~ Esa-Pekka Salonen
The sound was my greatest concern. There were certain difficulties getting used to the way every musician can hear his or herself, the way each of them relates to the musician in the next seat. ~ Esa-Pekka Salonen
I think if you would like to describe composing as an act with one word, "slow" would be the word. ~ Esa-Pekka Salonen
Sometimes you spend nine months, 10 months, a year writing a piece that you will hear two years later or something like that, and you never see anybody. It's a very different sort of metabolic. ~ Esa-Pekka Salonen
"Esa chica esta bien caliente." Hector laughed as Rider shook his head. Ainsley stiffened across from me. She was pretty fluent in Spanish and even though Hector was Puerto Rican, I had a feeling she was getting the general gist of whatever he was saying and she was not happy about it. "Me gustaria a llevarla a mi casa y comermela."
Ainsley cocked her head to the side as she brushed her long, blond hair over her shoulder. "Gracias! Pero no hay ni una parte de mi que tu te vas a comer."
Hector's eyes widened.
Rider threw his head back and burst into laughter. "Oh, shit. Priceless."
"What?" Ainsley blinked big eyes at the stunned Hector. "You think some white chick can't possibly understand another language so you're going to sit in front of me and talk about me like I'm not here?" Her smile was brittle and fake. "Bitch, please."
"Man..." Hector sat back, slowly shaking his head as he stared at her. "You're...brutal."
"Damn straight," she replied, her eyes like chips of blue ice. Whatever yumminess she'd seen in Hector was completely out the window now. "And you're a mal criado."
Hector's eyes narrowed.
"I really like your friend, Mouse." Still chuckling, Rider winked at me. "She basically called him a classless ass, and I agree. ~ Jennifer L. Armentrout
I'm composing more than before. I'm cutting down on conducting. ~ Esa-Pekka Salonen
Music has just as much to do with movement and body as it does soul and intellect. ~ Esa-Pekka Salonen
Katar," said Britta, "I thought you would want to stay with your friends from home while they were here, so I had your things moved from your room in the delegates' wing."
"You can have my things brought in too," said Peder, throwing himself onto the nearest bed. He sighed as he sank into the soft mattress and rolled onto his side.
"Um ... I don't think boys are-" Britta began.
"Don't you mind me!" Peder pulled a blanket over his head.
Miri didn't know how he could even pretend to fall asleep. She could barely keep from pacing.
"Don't worry, Britta," said Esa. "We'll kick him out before night. Off to your fancy apprenticeship, big brother."
She nudged Peder's shape under the blanket. Peder made an exaggerated snoring noise. ~ Shannon Hale
I like this idea of identification with the local team. I think it's great. That's what an orchestra should be. It's an orchestra for its hometown, and it serves the people. ~ Esa-Pekka Salonen
After working with Ligeti I began to hear Brahms and Beethoven differently. ~ Esa-Pekka Salonen
I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so. ~ Esa-Pekka Salonen
I fully support the goal of species protection and conservation and believe that recovery and ultimately delisting of species should be the U.S. Fish and Wildlife Service's top priority under ESA. ~ Dennis Cardoza
There is something very special about this part of the world [U.S], which is the openness and the curiosity and the lack of prejudice and the lack of generally accepted norms as to what art should be and how an artist's career should go and all that. ~ Esa-Pekka Salonen
We're dealing with music that is being played by traditional instruments in a specifically built building called a concert hall.
But classical is not - the reference is wrong, because classical on one hand refers to one period in musical history, which is Mozart, Hayden, Beethoven, which is a fine period in musical history, but it was a while ago.On the other hand, it sort of alludes to some kind of "class," which A, is not true; B, is kind of detrimental to the whole idea. Because the point is that this music is available and it's actually relatively reasonably priced. ~ Esa-Pekka Salonen
Jakatakan. Ancient isle. The mythical island beyond the Riders.' She addressed the others. 'But not so mythical, yes?'
'Until they came,' breathed Sister Esa.
'And what name did they come bearing?' Sister Gosh demanded.
'The name of the Island of the House of Death,' said Totsin.
'Malaz,' said Carfin, facing outward to the night.
'They are coming,' affirmed Sister Gosh. ~ Ian C. Esslemont
There will have to be times when I'm not conducting because I'm composing. I haven't solved that problem, and perhaps I never will. ~ Esa-Pekka Salonen
Of course performing talent, that's clear. Maybe this is not so well-known among young people who are interested in music, who are talented in music, but they're trying to figure out how to go about it. ~ Esa-Pekka Salonen
I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying. ~ Esa-Pekka Salonen
I'm trying to conduct only five months a year, and the rest will be composing time. I'm trying to spend as much as I can out of those months here in L.A., because for creative work, this is a fantastic place. ~ Esa-Pekka Salonen
I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people? ~ Esa-Pekka Salonen
This year I hope to introduce legislation that would require Power Administrations to list direct and indirect costs associated with ESA compliance as a line item on customer's power bills. ~ Cathy McMorris Rodgers
I'm still disturbed if a chord isn't together, but your priorities change as you get older. ~ Esa-Pekka Salonen
There was this kind of mildly annoying mythology about conductor Like biker should riding a Harley-Davidson on an LP cover, and wearing a sort of a leather suit. ~ Esa-Pekka Salonen
The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking. ~ Esa-Pekka Salonen
Finland has produced so many brilliant distance runners because back home it costs $2.50 a gallon for gas. ~ Esa Tikkanen
Somehow, conductor as this superhuman conduit between the masters and the masterpieces and the immortals. ~ Esa-Pekka Salonen
I always felt that one day I would have to make the change in my own life, bite the bullet and see what it is to be a composer who conducts rather than the other way around. ~ Esa-Pekka Salonen
We're not talking about an elite art form from the price point of view. We have a building in L.A. that is incredibly open, exciting, inviting, and all that, and there's no reason for this music not to be part of everybody's everyday life. ~ Esa-Pekka Salonen
The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself. ~ Esa-Pekka Salonen