Elegiac Stanzas Quotes

A deep distress hath humanised my soul. ~ William Wordsworth

When I'm in certain moods, a conversation will start up in my head, and suddenly I'll realize that the language has reached a very high and interesting level, and then lines and stanzas will just kind of appear, full-blown. ~ Franz Wright

I gained a sense of why Grieg was so touched by the wistful, elegiac folk music of Norway, and what he meant when he said self-effacingly that his music had a 'taste of cod' about it. ~ Anthony Tommasini

I'm a compulsive enjamber. I'm drawn to half-meanings created by the line, so that's definitely an element of craft that's always on my mind. And I'm a big devotee of the short line, of couplets and tercets, and of irregular stanzas with lots of white space. I've got to give the dense language room to breathe! ~ Anna Journey

The poetry of God is often written with stanzas of tears. Life can be brutal and difficult to understand. We sometimes find ourselves heart-broken and weeping over its circumstances. But God cares and understands. Tears have a language all their own, and tear-filled eyes are not a sign of faltering faith, but of our humanity. If God has put the love in your heart, He also understands its frailty and your tears. ~ Ron Lambros

I wish to remain to remember that stanzas go on ~ Gertrude Stein

My books are elegiac in the sense that they're odes to a nation that even I sometimes think may not exist anymore except in my memory and my imagination. ~ Richard Russo

No, I didn't. But I was aware that I was embarked on an epic. In the case of the Bradstreet poem, I didn't know. The situation with that poem was this. I invented the stanza in '48 and wrote the first stanza and the first three lines of the second stanza, and then I stuck. I had in mind a poem roughly the same length as another of mine, "The Statue" - about seven or eight stanzas of eight lines each. Then I stuck. I read and read and read and thought and collected notes and sketched for five years until, although I was still in the second stanza, I had a mountain of notes and draftings - no whole stanzas, but passages as long as five lines. The whole poem was written in about two months, after which I was a ruin for two years. When I finally got going, I had this incredible mass of stuff and a very good idea of the shape of the poem, with the exception of one crucial point, which was this. I'll tell you in a minute why and how I got going. The great exception was this: It did not occur to me to have a dialogue between them - to insert bodily Henry into the poem . . . Me, to insert me, in my own person, John Berryman, I, into the poem . . . ~ John Berryman

She was not happy
she never had been. Whence came this insufficiency in life
this instantaneous turning to decay of everything on which she leaned? But if there were somewhere a being strong and beautiful, a valiant nature, full at once of exaltation and refinement, a poet's heart in an angel's form, a lyre with sounding chords ringing out elegiac epithalamia to heaven, why, perchance, should she not find him? Ah! How impossible! Besides, nothing was worth the trouble of seeking it; everything was a lie. Every smile hid a yawn of boredom, every joy a curse, all pleasure satiety, and the sweetest kisses left upon your lips only the unattainable desire for a greater delight. ~ Gustave Flaubert

Who scribbled all night rocking and rolling over lofty incantations which in the yellow morning were stanzas of gibberish. ~ Allen Ginsberg

Photography is an elegiac art, a twilight art. Most subjects photographed are, just by virtue of being photographed, touched with pathos. ~ Susan Sontag

One of the most remarkable of these hymns is that addressed to the Unknown God. The poet says: "In the beginning there arose the Golden Child. As soon as he was born he alone was the lord of all that is. He established the earth and this heaven." The hymn consists of ten stanzas, in which the Deity is celebrated as the maker of the snowy mountains, the sea and the distant river, who made fast the awful heaven, He who alone is God above all gods, before whom heaven and earth stand trembling in their mind. Each stanza concludes with the refrain, "Who is the God to whom we shall offer sacrifice?" We have in this hymn a most sublime conception of the Supreme Being, and while there are many Vedic hymns whose tone is pantheistic and seems to imply that the wild forces of nature are Gods who rule the world, this hymn to the Unknown God is as purely monotheistic as a psalm of David, and shows a spirit of religious awe as profound as any we find in the Hebrew Scriptures. ~ Epiphanius Wilson

Beauty is lyrical. Ugliness is elegiac. ~ Mason Cooley

I am not unique in my elegiac sadness at watching reading die, in the era that celebrates Stephen King and J.K. Rowling rather than Charles Dickens and Lewis Carroll. ~ Harold Bloom

A poem with grandly conceived and executed stanzas, such as one of Keats's odes, should be like an enfilade of rooms in a palace: one proceeds, with eager anticipation, from room to room. ~ James Fenton

As you can imagine, over the years I have been asked many times to discuss and explain my song "American Pie" I have never discussed the lyrics, but have admitted to the Holly reference in the opening stanzas. You will find many interpretations of my lyrics but none of them by me ... Sorry to leave you all on your own like this but long ago I realized that songwriters should make their statements and move on, maintaining a dignified silence. ~ Don McLean

Most people think that a widow is inhabiting some elegiac world of - it's like Mozart's 'Requiem Mass.' You know, it's very beautiful and elevated thoughts and some measure of dignity. I didn't have that experience at all. I had one pratfall after another. ~ Joyce Carol Oates

I was in L.A. in '08. It was a cold Saturday night. I had spread my phone number out to a score of women and was just indulging this sweet, sad, elegiac, bale loneliness - don't tell me you haven't been there. ~ James Ellroy

Have you ever heard the Hungarian national anthem? No? Good for you! I wouldn't recommend it at all. Unless you are looking for inspiration for your suicide attempt. If it is not just an attempt but you are deadly serious about your suicide then I strongly recommend you not only read the lyrics but listen to the music too. The most mournful funeral song sounds jolly compared to it. Other nations have inspiring anthems like 'God Save the Queen' or the 'La Marseillaise' or 'The StarSpangled Banner', and their lyrics are about victory and proudness like 'Russia – our sacred homeland, Russia – our beloved country' or 'Germany, Germany above everything, Above everything in the world!' But what about the Hungarian anthem? It starts with 'O Lord, bless the Hungarian' and then follow eight long and painful stanzas about our 'slave yoke' and 'funeral urn' and 'the corpses of our defeated army' and 'groans of death, weeping' and finally it finishes with 'Pity, O Lord, the Hungarians they who have suffered for all sins of the past and of the future!' Yes, of the future too. ~ Angela Kiss

One of the deep fundamentals of poetry is the recurrence of sounds, syllables, words, phrases, lines, and stanzas. Repetition can be one of the most intoxicating features of poetry. It creates expectations, which can be fulfilled or frustrated. It can create a sense of boredom and complacency, but it can also incite enchantment and inspire bliss. ~ Edward Hirsch

As he enters his final term, with the elegiac music playing out there in the distance, Barack Obama will use the history that he has come to embody and, perhaps, even to fulfill, as part of a larger project that never will be completed but only finished, over and over again. ~ Charlie Pierce

I who once wrote songs with keen delight am now by sorrow driven to take up melancholy measures. Wounded Muses tell me what I must write, and elegiac verses bathe my face with real tears. Not even terror could drive from me these faithful companions of my long journey. Poetry, which was once the glory of my happy and flourishing youth, is still my comfort in this misery of my old age. ~ Boethius

The Song of the Winged Ones is a song of celebration, written as though the singer were standing on the Dragon Isle watching the dragons flying in the sun. The words are full of wonder at the beauty of the creatures; and there is a curious pause in the middle of one of the stanzas near the end, where the singer waits a full four measures in silence for those who listen to hear the music of distant dragon wings. It seldom fails to bring echoes of something beyond the silence, and is almost never performed because many bards fear it.
I love it. ~ Elizabeth Kerner

I have used the theologians and their treatment of apocalypse as a model of what we might expect to find not only in more literary treatments of the same radical fiction, but in the literary treatment of radical fictions in general. The assumptions I have made in doing so I shall try to examine next time. Meanwhile it may be useful to have some kind of summary account of what I've been saying. The main object: is the critical business of making sense of some of the radical ways of making sense of the world. Apocalypse and the related themes are strikingly long-lived; and that is the first thing to say tbout them, although the second is that they change. The Johannine acquires the characteristics of the Sibylline Apocalypse, and develops other subsidiary fictions which, in the course of time, change the laws we prescribe to nature, and specifically to time. Men of all kinds act, as well as reflect, as if this apparently random collocation of opinion and predictions were true. When it appears that it cannot be so, they act as if it were true in a different sense. Had it been otherwise, Virgil could not have been altissimo poeta in a Christian tradition; the Knight Faithful and True could not have appeared in the opening stanzas of "The Faerie Queene". And what is far more puzzling, the City of Apocalypse could not have appeared as a modern Babylon, together with the 'shipmen and merchants who were made rich by her' and by the 'inexplicable splendour' of her 'fine linen, and pur ~ Frank Kermode

I heartily respect and appreciate when people say their life is quite eventful. There are chapters in the book of life. Some chapters interests people and some grab only our attention in simple little stanzas. ~ Rachana Shakyawar

He set the RAM on the desk, then reached into his back pocket to pull out his grimoire. The size of a small paperback novel, it'd been a gift from Ambrose to help him understand some of the madness that surrounded him, and to answer some of the "other" questions that came up.

"All right, Nashira," Nick said in a low tone. "Talk to me. What the heck is watching me?"

He slid his knife out of his pocket, opened the book, and pricked his finger, allowing three drops of blood to touch a blank page. "Dredanya eire coulet" he whispered, waking the female spirit who lived inside the enchanted pages. The moment he finished speaking, his blood began swirling until it formed words:

Do not fear that which cannot be seen.
For they are lost in between.
'Tis the ones who come alive
That your blood will allow to thrive.

Nick snorted at the cryptic stanzas. "Not really useful, Nashira. Doesn't answer my question."

His blood crawled over to the next page.

Answer, answer, you always say,
But it doesn't work that way.
In time, the truth you shall find.
And then you will understand my rhyme.

"I'm such a masochist to even try talking to you"

Underneath the words, a picture of an obscene gesture formed.

"Oh very nice, Nashira. Very nice. Wherever did you learn that?"

In your pocket I reside.
Ever privy to your deride.
But more than that, I can see.
Sherrilyn Kenyon

'Memory.' 'Race.' 'Murder.' That's what they say about me. I am an elegiac poet. I have some historical questions, and I'm grappling with ways to make sense of history; why it still haunts us in our most intimate relationships with each other, but also in our political decisions. ~ Natasha Trethewey

No poet is required to write in stanzas, or indeed in regular forms at all. Coleridge's 'Dejection: An Ode' has a rhyme scheme and sequence of long and short lines that goes without regular pattern, following the mood and whim of the poet. Such a form is known as an irregular ode. ~ James Fenton

And how about the "Daily Odes to the Benefactor"? Who can read them without bowing his head reverently before the selfless labor of this Number of Numbers? Or the terrible blood-red beauty of the "Flowers of Judicial Verdicts"? Or the immortal tragedy, "Lat for Work"? Or the bedside book of "Stanzas on Sexual Hygiene"? ~ Yevgeny Zamyatin

The Poet who could merely sit on a chair, and compose stanzas, would never make a stanza worth much. He could not sing the Heroic warrior, unless he himself were at least a Heroic warrior too. ~ Thomas Carlyle

Mandelstam's style is not singular. He could be stately and traditional, ribald and funny, hectic, elegiac. He could handle abstractions and ideas as well as Pope or Browning but then be so musical that other poems approach pure sound. ~ Christian Wiman

And take back ill-polished stanzas to the anvil. ~ Horace

My friend is composing an epic in Byronic stanzas entitled "True History of Autua, Last Moriori" & interrupts my journal writing to ask what rhymes with what: - "Streams of blood"? "Themes of mud"? "Robin Hood"? ~ David Mitchell

You think it's a game?
Unintelligible? Ha!
Envision no spoons.

This is serious.
It is a matter of joy
versus emptiness. ~ Kristen Henderson

Reviewers have called my books 'novels in verse.' I think of them as written in prose, but I do use stanzas. Stanza means 'room' in Latin, and I wanted there to be 'room' - breathing opportunities to receive thoughts and have time to come out of them before starting again at the left margin. ~ Virginia Euwer Wolff

This poem is one of a series, all of them elegiac in intention, and subject to the strange forces of mourning that let loose illogical developments, into impossible configurations of thought. The poem is built of non-sequiturs, because that's what's left in the wake of the death. We cannot follow the dead, whether they are persons or ideas. Instead we remain, but in a situation that, in their absence, makes no sense. ~ Lyn Hejinian

And yet I built this house as my pioneer theme

along the perforation of my very own toilet roll.

For perforation read wipe of shit.

The shit of for shit

read this

an Amazon for Amazon

read Emerson. ~ Steve McCaffery

A Dream of Trees

There is a thing in me that dreamed of trees,
A quiet house, some green and modest acres
A little way from every troubling town,
A little way from factories, school, laments.
I would have time, I thought, and time to spare,
With only streams and birds for company,
To build out of my life a few wild stanzas.
And then it came to me, that so was death,
A little way away from everywhere. ~ Mary Oliver

And I'll flip through the newest issue, walking back from my blue mailbox, hunting for the poem he chose over mine, and it'll be the same thing as always. The prose will have pulled back, and the poem will be there, cavorting, saying, I'm a poem, I'm a poem. No, you're not! You're an impostor, you're a toy train of pretend stanzas of chopped garbage. Just like my poem was. ~ Nicholson Baker

If you're going to love a poet you should know this. Our words are our truths. Our blood hums with verse. We break easily. Our words save us. Our stanzas keep us alive. If we loved you at all, we loved you truly. And you will never leave us but live under our skin and beneath the tips of our fingers and in the ink spill on blank page.
Because poetry, like some love, is forever. ~ Jeanette LeBlanc

This universe an old enchantment guards; Its objects are carved cups of World-Delight Whose charmed wine is some deep soul's rapture-drink: The All-Wonderful has packed heaven with his dreams, He has made blank ancient Space his marvel-house; He spilled his spirit into Matter's signs: His fires of grandeur burn in the great sun, He glides through heaven shimmering in the moon; He is beauty carolling in the fields of sound; He chants the stanzas of the odes of Wind; He is silence watching in the stars at night; He wakes at dawn and calls from every bough, Lies stunned in the stone and dreams in flower and tree. ~ Sri Aurobindo

Like his admirer Samuel Beckett, Johnson locates his voices among conditions of such deprivation that even the most miserable memories are gilded by comparison: this paradox fuels equal parts of comedy and pathos. Never sentimental, at once corrosive and elegiac, House Mother Normal is a remarkable achievement. ~ James Marcus