Doxygen Syntax Quotes

Syntax, like government, can only be obeyed. It is
therefore of no use except when you
have something particular to command
such as: Go buy me a bunch of carrots. ~ John Cage

Afterward I lay on my side with A Critique of Postcolonial Reason propped half-open on the pillow beside me. Occasionally I lifted a finger to turn the page and allowed the heavy and confusing syntax to drift down through my eyes and into my brain like fluid. I'm bettering myself, I thought. I'm going to become so smart that no one will understand me. ~ Sally Rooney

Saw you walking barefoot
taking a long look
at the new moon's eyelid
later spread
sleep-fallen, naked in your dark hair
asleep but not oblivious
of the unslept unsleeping
elsewhere
Tonight I think
no poetry
will serve
Syntax of rendition:
verb pilots the plane
adverb modifies action
verb force-feeds noun
submerges the subject
noun is choking
verb disgraced goes on doing
now diagram the sentence ~ Adrienne Rich

There's life for you. Spend the best years of your life studying penmanship and rhetoric and syntax and Beowulf and George Eliot, and then somebody steals your pencil. ~ Dorothy Parker

In my classes, we read great fiction obsessively, and then attempt to see how a writer managed to affect us. We try to understand which elements - diction, syntax, point of view and so forth - made us feel that way. After we spend several weeks reading this way, wondering how the author made us shiver like that, we try our own hand. I ask students to begin with 'green lines,' to isolate writing so good it makes one writer envious of another. Which parts do they wish they had written themselves? Students start to understand how their own writing works, where it ripples with energy… What they really want is to have some kind of firsthand, visceral relationship with a book - to see what it's like to take a work apart and put it back together - using great stories as structural models, just the way the kids I grew up with in Detroit fell in love with cars by spending weekends trying to make derelict Ford Mustangs run again. When the engine finally starts, when you figure out how to make it fire, it's an incredibly powerful learning experience. ~ Dean Bakopoulos

It was the single forgiving phrase in the syntax of weaponry I had strapped about me. The rest were unequivocal sentences of death. ~ Richard K. Morgan

Well, then, I also take issue with the idea that I don't give you compliments. Your father claimed that I would give them to you every 'two to three years'."
Watson bit his lips again. He was going to do himself an injury.
I ticked them off on my fingers. "For someone who does not style it, you have very good hair. You are better at French than you think, though your written syntax is appalling. And you have developed an excellent right hook."
"Thank you," Watson said gravely.
"You're welcome," I said. "That should tide us over for at least the next six months. ~ Brittany Cavallaro

Bad writing is more than a matter of shit syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do― to face the fact, let us say, that murderers sometimes help old ladies cross the street. ~ Stephen King

The American constitutions were to liberty, what a grammar is to language: they define its parts of speech, and practically construct them into syntax ~ Thomas Paine

Nouns and verbs hold the power but syntax casts the spell. ~ Janet Peery

Moving in the conventional direction, phonetics concerns the acoustic dimensions of linguistic sound. Phonology studies the clustering of those acoustic properties into significant cues. Morphology studies the clustering of those cues into meaningful units. Syntax studies the arrangement of those meaningful units into expressive sequences. Semantics studies the composite meaning of those sequences. ~ Randy Allen Harris

Magic happens when the wand of language strikes a stone and makes it melt, touches a spindle and turns it into gold, or taps a trunk and makes it fly. By drawing on a syntax of enchantment that conjures fluidity, ethereality, flimsiness, and transparency, writers turn solidity into resplendent airy lightness to produce miracles of linguistic transubstantiation.

What is the effect of that beauty? How do readers respond to words that create that beauty? In a world that has discredited that particular attribute and banished it from high art, beauty has nonetheless held on to its enlivening power in children's books. It draws readers in, then draws them to understand the fictional worlds it lights up. ~ Maria Tatar

I could not give up either of these worlds, neither the book I am holding nor the gleaming forest, though I have told you almost nothing of what is said here on these grim pages, from the sentences of which I've conjured images of a bleak site years ago. Here in this room, I suppose, is to be found the interior world of the book; but it opens upon a world beyond the windows, where no event has been collapsed into syntax, where the vocabulary, it seems, is infinite. The indispensable connection for me lies with the open space (of the open window ajar year round, never closed) that lets the breath of every winter storm, the ripping wind and its pelting rain, enter the room. ~ Barry Lopez

We commonly speak as though a single 'thing' could 'have' some characteristic. A stone, we say, is 'hard,' 'small,' 'heavy,' 'yellow,' 'dense,' etc.

That is how our language is made: 'The stone is hard.' And so on. And that way of talking is good enough for the marketplace: 'That is a new brand.' 'The potatoes are rotten.' 'The container is damaged.' ... And so on.

But this way of talking is not good enough in science or epistemology. To think straight, it is advisable to expect all qualities and attributes, adjectives, and so on to refer to at least -two- sets of interactions in time. ...

Language continually asserts by the syntax of subject and predicate that 'things' somehow 'have' qualities and attributes. A more precise way of talking would insist that the 'things' are produced, are seen as separate from other 'things,' and are made 'real' by their internal relations and by their behaviour in relationship with other things and with the speaker.

It is necessary to be quite clear about the universal truth that whatever 'things' may be in their pleromatic and thingish world, they can only enter the world of communication and meaning by their names, their qualities and their attributes (i.e., by reports of their internal and external relations and interactions). ~ Gregory Bateson

He had a shaggy black dog whom he called Syntax. ~ Anton Chekhov

Ideas about life organize perception; names of emotions organize sensations; rules of syntax organize thought. But pain comes on its own. ~ Mason Cooley

When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax. ~ Natasha Trethewey

Death sentences are short and very, very manly. Life sentences aren't. They go on and on, all full of syntax and qualifying clauses and confusing references and getting old. ~ Ursula K. Le Guin

The Canadian dialect of English ... seems roughly to be the result of applying British syntax to an American vocabulary. ~ Lister Sinclair

This is what happens when the discourse of publishing, defined and driven by spoken and written language, is talked about in exactly the same vocabulary and syntax as any widgetmaking industry. Books are reformulated as 'product' - like screwdrivers or flea-bombs or soap - and the majority of writers are perceived as typists with bad attitudes. ~ Suzette Haden Elgin

Mr Robert Montgomery's genius [is] far too free and aspiring to be shackled by the rules of syntax? [His] readers must take such grammar as they can get and be thankful. ~ Nathan Rothschild, 1st Baron Rothschild

And memory has no syntax. ~ Lidia Yuknavitch

Syntax is complex, but the complexity is there for a reason. For our thoughts are surely even more complex, and we are limited by a mouth that can pronounce a single word at a time. ~ Steven Pinker

JavaScript derives its syntax from Java, its first-class functions from Scheme, and its prototype-based inheritance from Self. But ~ David Flanagan

She walks to a table
She walk to table
She is walking to a table
She walk to table now
What difference does it make
What difference it make
In Nature, no completeness
No sentence really complete thought
Language, like woman,
Look best when free, undressed. ~ Wang Ping

Mr. Melville is evidently trying to ascertain how far the public will consent to be imposed upon. He is gauging, at once, our gullibilty and our patience. Having written one or two passable extravagancies, he has considered himself privileged to produce as many more as he pleases, increasingly exaggerated and increasingly dull…. In bombast, in caricature, in rhetorical artifice - generally as clumsy as it is ineffectual - and in low attempts at humor, each one of his volumes has been an advance among its predecessors…. Mr. Melville never writes naturally. His sentiment is forced, his wit is forced, and his enthusiasm is forced. And in his attempts to display to the utmost extent his powers of "fine writing," he has succeeded, we think, beyond his most sanguine expectations… We have no intention of quoting any passages just now from Moby-Dick. The London journals, we understand, "have bestowed upon the work many flattering notices," and we should be loth to combat such high authority. But if there are any of our readers who wish to find examples of bad rhetoric, involved syntax, stilted sentiment and incoherent English, we will take the liberty of recommending to them this precious volume of Mr. Melville's. ~ John L. O'Sullivan

I want to prove you don't need to have academic syntax to be intelligent. ~ Eddie Huang

I take it that computational processes are both symbolic and formal. They are symbolic because they are defined over representations, and they are formal because they apply to representations, in virtue of (roughly) the syntax of the representations. ~ Jerry Fodor

To begin with, it has nothing to do with archaism, with the salvaging of obsolete words and turns of speech, or with the setting-up of a "standard English" which must never be departed from. On the contrary, it is especially concerned with the scrapping of every word or idiom which has outworn its usefulness. It has nothing to do with correct grammar and syntax, which are of no importance so long as one makes one's meaning clear, or with the avoidance of Americanisms, or with having what is called "good prose style." On the other hand it is not concerned with fake simplicity and the attempt to make written English colloquial. Nor does it even imply in every case preferring the Saxon word to the Latin one, though it does imply using the fewest and shortest words that will cover one's meaning. What is above all needed is to let the meaning choose the word, and not the other way about. In prose the worst thing one can do with words is to surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing, you probably hunt about till you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possi ~ George Orwell

…[A] copyeditor must read the document letter by letter, word by word, with excruciating care and attentiveness. In many ways, being a copyeditor is like sitting for an English exam that never ends: At any moment, your knowledge of spelling, grammar, punctuation, usage, syntax, and diction is being tested. ~ Amy Einsohn