Death Note Another Note Quotes

I have nothing to do with him," L said. "To be completely accurate, I do not even know B. He is simply someone I am aware of. But none of this affects my judgment. Certainly, I was interested in this case, and began to investigate it because I knew who the killer was. But that did not alter the way I investigated it, or the manner in which my investigation proceeded. Naomi Misora, I cannot overlook evil. I cannot forgive it. It does not matter if I know the person who commits evil or not. I am only interested in justice."
"Only... in justice…" Misora gasped. "Then... nothing else matters?" "I wouldn't say that, but it is not a priority."
"You won't forgive any evil, no matter what the evil is?" "I wouldn't say that, but it is not a priority."
"But..."
Like a thirteen-year-old victim. "There are people who justice cannot save." Like a thirteen-year old criminal. "And there are people who evil can save."
"There are. But even so," L said, his tone not changing at all, as if gently admonishing Naomi Misora. "Justice has more power than anything else."
"Power? By power... you mean strength?"
"No. I mean kindness." He said it so easily. ~ NisiOisiN

The most intelligent people disguise the fact that they are intelligent. Wise men do not wear name tags. The more people talk about their own skills, the more desperate they are - their work should speak for itself. ~ Tsugumi Ohba

She was one of those people who could not say if one note was lower or higher than another. This was no less a disability and misfortune than a clubfoot or a harelip ... ~ Ian McEwan

Hurt people hurt people. We are not being judgmental by separating ourselves from such people. But we should do so with compassion. Compassion is defined as a "keen awareness of the suffering of another coupled with a desire to see it relieved." People hurt others as a result of their own inner strife and pain. Avoid the reactive response of believeing they are bad; they already think so and are acting that way. They aren't bad; they are damaged and they deserve compassion. Note that compassion is an internal process, an understanding of the painful and troubled road trod by another. It is not trying to change or fix that person. ~ Will Bowen

Some days I'm only passing through. Some days are all hello; some days are all goodbye. Some days I have no idea what I am supposed to be doing, and other days it's abundantly clear, as if the person I am for a day has left me a note, left me instructions. Today I am meant to maintain the golden tether between two people. It doesn't take much strength to hold on to my end. It's good to hold on to something, to feel the pull of another person on the other end, to feel the attachment before I must let go and pass the golden tether back into the person who should really be here instead of me. ~ David Levithan

Note that scholars are judged mostly on how many times their work is referenced in other people's work and thus cliques are formed of people who quote one another. It's an "I quote you, you quote me" type of business. ~ Nicholas Nassim Taleb

The whole passage was underlined in bleeding, water-soaked black ink. But there was another ink, this one a crisp blue, post-flood, and an arrow led from "How will I ever get out of this labyrinth!" to a margin note written in her loop-heavy cursive: Straight & Fast. ~ John Green

Redeless (adj.) Not knowing what to do in an emergency. Redeless has a variety of meanings, but this is the one that speaks to me the most. In yet another case of the rare thing enjoying a common word and vice versa, it is interesting to note that redeless has largely (or entirely) fallen by the linguistic wayside, while savoir faire (which originally meant "knowing what to do in an emergency") has survived. Redonation ~ Ammon Shea

The final option to have your book completed is to hire a ghost writer. The challenge with this option is that it is important to note that your voice IS an integral part of your branding. When you hire someone else, what your readers will ultimately get is their voice. When they see you later at your website or on your social media, your voice will not be the same. This will trigger a feeling of inconsistency when relationships need to be built upon trust and authenticity. Your audience will eventually come to think you are not the "real deal" and will find another to replace you. Finally, your book is a springboard and launching pad to greater things such as speaking, interviews, a product line, etc. Will your ghost writer be available for all of that as well? How will you be able to "ghost write" your way through an interview? Hence the reason I stress speaking in your own voice. You may think you are not perfect, but your authenticity will speak in volumes to your followers and they will be customers for life if they see your true being. ~ Kytka Hilmar-Jezek

Our songs travel the earth. We sing to one another. Not a single note is ever lost and no song is original. They all come from the same place and go back to a time when only the stones howled. ~ Louise Erdrich

Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came, - the hour that comes only once; his star rose in the horizon, - that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure, - he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow.

The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It ~ Harriet Beecher Stowe

The thirst for blood gnawed at my guts. I had another drag of my cigarette instead. And even with the Marlboro smoke tickling my nose hairs and prickling my eyes, I knew it when Michael, my heart of hearts, entered my long-range sensors. Sure, I could smell him. But I could smell about four hundred other people nearby, too. Michael? I felt him. I was a giant tuning fork, and he was the note that had just bent up to meet my quivering harmonic. ~ Anonymous

In India we have two different systems. One we call history; history takes note of the facts. Another we call purana, mythology; it takes note of the truth. We have not written histories about Buddha, Mahavira or Krishna, no. That would have been dragging something immensely beautiful into the muddy unconsciousness of humanity. We have not written histories about these people, we have written myths. What is a myth? A myth is a parable, a parable that only points to the moon but says nothing about it - a finger pointing to the moon, an indication, an arrow, saying nothing. ~ Osho

I've always expected parties to be exciting and brilliant, like some rare drink." She laughed; there was a note of sadness in it. "But I don't drink, either. That's just another symbol that doesn't mean what it was intended to mean." He was silent. She added, "Perhaps there's something that we have missed. ~ Ayn Rand

He was taking another hit from his short-and-squat of Goose when his eyes skipped to the arched doorway of the room.
Jane hesitated as she glanced inside, her white coat opening as she leaned to the side, as if she were looking for him.
When their eyes met, she smiled a little. And then a lot.
His first impulse was to hide his own grin behind his Goose.
But then he stopped himself.
New world order. Come on, smile, motherfucker, he thought.
Jane gave a short wave and played it cool, which was what they usually did when they were together in public. Turning away, she headed over to the bar to make herself something.
"Hold up, cop," V murmured, putting his drink down and bracing his cue against the table. Feeling like he was fifteen, he put his hand-rolled between his teeth and tucked his wife-beater tightly into the waistband of his leathers. A quick smooth of the hair and he was . . . well, as ready as he could be.
He approached Jane from behind just as she struck up a convo with Mary - and when his shellan pivoted around to greet him, she seemed a little surprised that he'd come up to her.
"Hi, V . . . How are - "
Vishous stepped in close, putting them body to body, and then he wrapped his arms around her waist. Holding her with possession, he slowly bent her backward until she gripped his shoulders and her hair fell from her face. As she gasped, he said exactly what he thought: "I missed you."
And on that note ~ J.R. Ward

Go another step. Try to live one entire day without words at all. Do it not as a law, but as an experiment. Note your feelings of helplessness and excessive dependence upon words to communicate. Try to find new ways to relate to tohers that are not dependent upon words. Enjoy, savor the day. Learn from it. ~ Richard J. Foster

A Note Life is the only way to get covered in leaves, catch your breath on the sand, rise on wings; to be a dog, or stroke its warm fur; to tell pain from everything it's not; to squeeze inside events, dawdle in views, to seek the least of all possible mistakes. An extraordinary chance to remember for a moment a conversation held with the lamp switched off; and if only once to stumble upon a stone, end up soaked in one downpour or another, mislay your keys in the grass; and to follow a spark on the wind with your eyes; and to keep on not knowing something important. ~ Wislawa Szymborska

Note to goyim readers: not every Jew who grew up in Brooklyn was rich. And as long as I'm on it, here's another note: fuck you. That's all. Whether or not you assumed we were rich, if you're a goyim, fuck you. But keep reading, and tell your friends to buy the book. ~ Gilbert Gottfried

I would like to ofer some exercises that can help us use the Five Precepts to cultivate and strengthen mindfulness. It is best to choose one of these exercises and work with it meticulously for a week. Then examine the results and choose another for a subsequent week. These practices can help us understand and find ways to work with each precept.

1. Refrain from killing: reverence for life. Undertake for one week to purposefully bring no harm in thought, word, or deed to any living creature. Particularly, become aware of any living beings in your world (people, animals, even plants) whom you ignore, and cultivate a sense of care and reverence for them too.

2. Refraining from stealing: care with material goods. Undertake for one week to act on every single thought of generosity that arises spontaneously in your heart.

3. Refraining from sexual misconduct: conscious sexuality. Undertake for one week to observe meticulously how often sexual feelings arise in your consciousness. Each time, note what particular mind states you find associated with them such as love, tension, compulsion, caring, loneliness, desire for communication, greed, pleasure, agression, and so forth.

4. Refraining from false speech: speech from the heart. Undertake for one week not to gossip (positively or negatively) or speak about anyone you know who is not present with you (any third party).

5. Refraining from intoxicants to the point of heedlessness ~ Jack Kornfield

She told me later that she had made a kind of note of me in her mind, as, scanning the shelf for a particular book, one will sometimes have one's attention caught by another, take it down, glance at the title page and saying "I must read that, too, when I've the time," replace it and continue the search. ~ Evelyn Waugh

Elizabeth?" Ian said in a clipped voice.
She whirled around, her heart slamming against her ribs, her hand flying to her throat, her knees turning to jelly.
"What's wrong?" he asked.
"You-you startled me," she said as he strolled up to her, his expression oddly impassive. "I didn't expect you to come here," she added nervously.
"Really?" he mocked. "Whom did you expect after that note-the Prince of Wales?"
The note! Crazily, her first thought after realizing ti was from him, not Valerie, was that for an articulate man his handwriting verged on the illiterate. Her second thought was that he seemed angry about something. He didn't keep her long in doubt as to the reason.
"Suppose you tell me how, during the entire afternoon we spent together, you neglected to mention that you are Lady Elizabeth?"
Elizabeth wondered a little frantically how he'd feel if he knew she was the Countess of Havenhurst, not merely the eldest daughter of some minor noble or knight.
"Start talking, love. I'm listening."
Elizabeth backed away a step.
"Since you don't want to talk," he bit out, reaching for her arms, "is this all you wanted from me?"
"No!" she said hastily, backing out of his reach. "I'd rather talk."
He stepped forward, and Elizabeth took another step backward, exclaiming, "I mean, there are so many interesting topics for conversation, are there not?"
"Are there?" he asked, moving forward again.
"Yes," she exclaimed, ta ~ Judith McNaught

That's your doing. Now in order to affect that doing I am going to recommend that you learn another doing ... It may hook you to another doing and then you may realize that both doings are lies, unreal, and that to hinge yourself to either one is a waste of time, because the only thing that is real is the being in you that is going to die. To arrive at that being is the note-doing of the self ~ Carlos Castaneda

No matter what I study, I can see patterns. I see the gestalt, the melody within the notes, in everything: mathematics and science, art and music, psychology and sociology. As I read the texts, I can think only that the authors are plodding along from one point to the next, groping for connections that they can't see. They're like a crowd of people unable to read music, peering at the score for a Bach sonata, trying to explain how one note leads to another. As glorious as these patterns are, they also whet my appetite for more. There are other patterns waiting to be discovered, gestalts of another scale entirely. With respect to those, I'm blind myself; all my sonatas are just isolated data points by comparison. I have no idea what form such gestalts might assume, but that'll come in time. I want to find them, and comprehend them. I want this more than anything I've ever wanted before. The ~ Ted Chiang

Mma Ramotswe had listened to a World Service broadcast on her radio one day which had simply taken her breath away. It was about philosophers who called themselves existentialists and who, as far as Mma Ramotswe could ascertain, lived in France. These French people said that you should just live in a way which made you feel real, and that the real thing to do was the right thing too. Mma Ramotswe had listened in astonishment. You did not have to go to France to meet existentialists, she reflected; there were many existentialists right here in Botswana. Note Mokoti, for example. She had been married to an existentialist herself, without even knowing it. Note, that selfish man who never once put himself out for another--not even for his wife--would have approved of existentialists, and they of him. It was very existentialist, perhaps, to go out to bars every night while your pregnant wife stayed at home, and even more existentialist to go off with girls--young existentialist girls--you met in bars. It was a good life being an existentialist, although not too good for all the other, nonexistentialist people around one. ~ Alexander McCall Smith

As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra - But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice - he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in ~ Virginia Woolf

She was like defenceless Nature, that withers in the blast because it has shelter neither of God nor of men; human beings do not give one another shelter; and God? We shall see, when in the end we are dead of consumption. Perhaps the Almighty had made a note of all that she had had to suffer. All the same she felt that evening that she was not too old once more to view the future in a dream; in a new dream. To be able to look forward is to live. ~ Halldor Laxness

Strictly speaking, there are no such things as good and bad impulses. Think ... of a piano. It has not got two kinds of notes on it, the 'right' notes and the 'wrong' ones. Every single note is right at one time and wrong at another. The Moral Law is not any one instinct or set of instincts: it is something which makes a kind of tune (the tune we call goodness or right conduct) by directing the instincts. ~ C.S. Lewis

The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume.
"Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper.
"Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London."
Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek.
"There's something else," Marcus said.
Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?"
"With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses.
Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotio ~ Lisa Kleypas

Evan chuckled and shook his head. "I should have known it would be another owl. What is it with you and owls? I'm surrounded by the bloody things. There's more of them than the spider plants."
"Don't listen to him," Rai said, standing and swivelling around to take in all his menagerie. Owlery? I made a mental note to Google the collective noun for owls later. "You're all precious snowflakes, my lovelies. ~ Josephine Myles

History is on every occasion the record of that which one age finds worthy of note in another. ~ Jacob Burckhardt

When our Lord says, 'I have not spoken of Myself' (Jn. 12:49), and again, 'As the Father said to Me, so I speak' (Jn. 12:50), and 'The word which you hear is not mine, but the Father's Who sent Me' (Jn. 14:24), and in another place, 'As the Father commanded Me, even so I do' (Jn. 14:31), it is not because He lacks deliberate purpose or power of initiative, nor yet because He has to wait for the preconcerted key-note, that He employs language of this kind. His object is to make it plain that His own will is connected in indissoluble union with the Father. ~ Saint Basil

The simple answer is that I have changed my techniques in order to avoid the relentless sameness of my material, but I have probably only found new costumes, not new creatures entirely. In the past, if I wanted to sound a note on a piano (in prose), I didn't just have to purchase and install the piano, I had to build it. But before I built it I had to grow the trees whose wood would yield the piano, and probably I had to create the soil and landscape through which those trees would burst. Then there was the problem of the fucking seeds. Where did they come from? I had to source them. With such mania I was either onto something or I completely misunderstood what a fiction writer was supposed to do. Simple things, even entirely undramatic ones, could not occur unless I created them from whole cloth. I was superstitious about taking anything for granted, but it also locked me into a kind of fanatical object fondling that could, on a bad day, preclude any exploration of the human (even though the process of trying to remake the world on the page is fairly, pathetically, human). This set of interests kept me away from what is usually called narrative. It wasn't some ideological position, or an artistic stance, it was just one set of obsessions winning out over another. On the other hand, I think that I have always tried to create feeling, and then to pulse it into the reader with language. It's very difficult to figure out how to do this. Storytelling is one way - conventional n ~ Ben Marcus

Write it down. Not just to remember it, but to forget it in the right way. My notebook are a kind of materialized subconscious, a hard-copy memory and its invisible substrata, following their own rules. More than once I have been surprised to discover that an idea I thought was new and original, something I set down in a notebook yesterday, is already contained in another note from years before. Sometimes the second version repeats the first, almost word for word, across the space of a decade. The earlier version, once brought with clarity to the surface, has been covered over again by layers of yellowing paper. ~ Ivan Vladislavic

The bird with the thorn in its breast, it follows an immutable law; it is driven by it knows not what to impale itself, and die singing. At the very instant the thorn enters there is no awareness in it of the dying to come; it simply sings and sings until there is not the life left to utter another note. But we, when we put the thorns in our breasts, we know. We understand. And still we do it. Still we do it. ~ Colleen McCullough

Please, sit down, Sharon said with another hair toss. I made a mental note to practice doing that in a mirror the next time I saw one. it seemed a useful skill, right up there with roundhouse kicks. ~ James Patterson

But there is another possible attitude towards the records of the past, and I have never been able to understand why it has not been more often adopted. To put it in its curtest form, my proposal is this: That we should not read historians, but history. Let us read the actual text of the times. Let us, for a year, or a month, or a fortnight, refuse to read anything about Oliver Cromwell except what was written while he was alive. There is plenty of material; from my own memory (which is all I have to rely on in the place where I write) I could mention offhand many long and famous efforts of English literature that cover the period. Clarendon's History, Evelyn's Diary, the Life of Colonel Hutchinson. Above all let us read all Cromwell's own letters and speeches, as Carlyle published them. But before we read them let us carefully paste pieces of stamp-paper over every sentence written by Carlyle. Let us blot out in every memoir every critical note and every modern paragraph. For a time let us cease altogether to read the living men on their dead topics. Let us read only the dead men on their living topics. ~ G.K. Chesterton

Martial music has sudden and strongly marked transitions from one note to another which that style of music requires; while in that which is intended to move the softer passions, the notes imperceptibly melt into one another. ~ Joshua Reynolds

In one memorable episode, Warren received a trusting note from a woman in the bookkeeping department via the library's pneumatic-tube system, which ran between the library and store. "It's very slow here on this rainy day," the bookkeeper complained. "Please send me one of those novels you have had to withdraw from circulation as unfit for a lady to read." Warren fulfilled the request and was surprised the next day to receive the book back, discreetly wrapped, with the message: "Blessings upon you! You're quite right. This is not fit for anybody to read. Please send another just like it. ~ Molly Guptill Manning

He stared at her in insolent silence, unable to believe the alluring, impulsive girl he remembered had become this coolly aloof, self-possessed young woman. Even with her dusty clothes and the smear of dirt on her cheek, Elizabeth Cameron was strikingly beautiful, but she'd changed so much that-except for the eyes-he scarcely recognized her. One thing hadn't changed: She was still a schemer and a liar.
Straightening abruptly from his stance in the doorway, Ian walked forward. "I've had enough of this charade, Miss Cameron. No one invited you here, and you damn well know it."
Blinded with wrath and humiliation, Elizabeth groped in her reticule and snatched out the handwritten letter her uncle had received inviting Elizabeth to join Ian there. Marching up to him, she slapped the invitation against his chest. Instinctively he caught it but didn't open it.
"Explain that," she commanded, backing away and then waiting.
"Another note, I'll wager," he drawled sarcastically, thinking of the night he'd gone to the greenhouse to meet her and recalling what a fool he'd been about her.
Elizabeth stood beside the table, determined to have the satisfaction of hearing his explanation before she left-not that anything he said could make her stay. When he showed no sign of opening it, she turned furiously to Jake, who was sorely disappointed that Ian was deliberately chasing off two females who could surely be persuaded to do the cooking if they stayed. "Make him read ~ Judith McNaught

For my nymphet I needed a diminutive with a lyrical lilt to it. One of the most limpid and luminous letters is "L". The suffix "-ita" has a lot of Latin tenderness, and this I required too. Hence: Lolita. However, it should not be pronounced as you and most Americans pronounce it: Low-lee-ta, with a heavy, clammy "L" and a long "o". No, the first syllable should be as in "lollipop", the "L" liquid and delicate, the "lee" not too sharp. Spaniards and Italians pronounce it, of course, with exactly the necessary note of archness and caress. Another consideration was the welcome murmur of its source name, the fountain name: those roses and tears in "Dolores." My little girl's heartrending fate had to be taken into account together with the cuteness and limpidity. Dolores also provided her with another, plainer, more familiar and infantile diminutive: Dolly, which went nicely with the surname "Haze," where Irish mists blend with a German bunny - I mean, a small German hare. ~ Vladimir Nabokov

I feel certain that I'm going mad again, I feel we can't go thru another of those terrible times. And I shan't recover this time. I begin to hear voices ~ Virginia Woolf

Her name was Melanie Stryder. She was born in Albuquerque, New Mexico. She was in Los Angeles when the occupation became known to her, and she hid in the wilderness for a few years before finding ... Hmmm. Sorry, I'll try that one again later. The body has seen twenty years. She drove to Chicago from ... " I shook my head. "There were several stages, not all of them alone. The vehicle was stolen. She was searching for a cousin named Sharon, whom she had reason to hope was still human. She neither found nor contacted anyone before she was spotted. But ... " I struggled, fighting against another blank wall. "I think ... I can't be sure ... I think she left a note ... somewhere. ~ Stephenie Meyer

Music is the thousandth of a millisecond between one note and another; how you get from one to the other-that's where the music is. ~ Isaac Stern