Curator Of American Art Quotes

Craig Varjabedian's photography captures, with arresting clarity, the ineffable whispers of time and spirit layered deep in New Mexico's cultural landscape. Through the artful combination of his compassionate eye and technical virtuosity, he evokes the past in the present and the holy in the everyday. ~ Catherine Whitney

Of course, it is well to go abroad and see the works of the old masters, but Americans ... must strike out for themselves, and only by doing this will we create a great and distinctly American art. ~ Thomas Eakins

This development signified also that jazz would someday have to contend with the idea of its being an art (since that was the white man's only way into it). The emergence of the white player meant that Afro-American culture had already become the expression of a particular kind of American experience, and what is most important, that this experience was available intellectually, that it could be learned. ~ Amiri Baraka

The paradoxical intercourse of audience and celebrity.The suppressed awareness that the whole reason ordinary people found celebrity fascinating was that they were not, themselves, celebrities. That wasn't quite it. (....) It was more the deeper, more tragic and universal conflict of which the celebrity paradox was a part. The conflict between the subjective centrality of our own lives versus our awareness of its objective insignificance. Atwater knew - as did everyone at Style, though by some strange unspoken consensus it was never said aloud - that this was the single great informing conflict of the American psyche. The management of insignificance. It was the great syncretic bond of US monoculture. It was everywhere, at the root of everything - of impatience in long lines, of cheating on taxes, of movements in fashion and music and art, of marketing. In particular, he thought it was alive in the paradoxes of audience. It was the feeling that celebrities were your intimate friends, coupled with the inchoate awareness that that untold millions of people felt the same way - and that the celebrities themselves did not. Atwater had had contact with a certain number of celebrities (there was no way to avoid it at BSG), and they were not, in his experience, very friendly or considerate people. Which made sense when one considered that celebrities were not actually functioning as real people at all, but as something more like symbols of themselves. ~ David Foster Wallace

Black culture has contributed hugely to American society: The civil rights movement brought meaning to American notions of equality and freedom; black contributions to politics, science, music, and art have helped enrich all of us. To demean these accomplishments and contributions by listing rap among them is to demean black culture as a whole. ~ Ben Shapiro

Faced with the numbering logic of neoliberal regimes, literature offers an intervention in order to consider identity and voice, to consider representation in both the political and artistic sense of the term... [Literature and art] cultivate tension between an unresolved past and present, between invisibility and exposure, showing the dualities of face and mask that leave their trace on identitarian struggles today. ~ Francine Masiello

The number of theatres that regularly played art films (defined as foreign language films and English language films produced abroad without American financing) increased from around one hundred in 1950 to close to 700 by the 1960s. Foreign film distribution in the United States was originally handled by dozens of small independent outfits, but when Brigitte Bardot's And God Created...Woman broke box-office records in 1956, Hollywood took over. In search of foreign pictures with commercial ingredients, the majors absorbed the most talented foreign film-makers with offers of total financing and promises of distribution in the lucrative US market. ~ Tino Balio

The Program further aims to make the benefits of American culture and technology available to the world and to enrich American life by exposing it to the science and art of many societies. ~ J. William Fulbright

I graduated. I did History of Art, you know, all those things - American Studies - and then I went to art school, and I did Joseph Alvarez in the art school. ~ Peter Beard

I decided to take a stab at acting. I entered the American Academy of Dramatic Art, where one teacher told me I'd never make it - I was too tall. ~ Fred Gwynne

1990 was a totally political time. George Bush was president, people were dying of AIDS, a lot of our friends, and there was no money being spent by the government either on AIDS or art. So a lot of extreme sexual and political work was made at that time. It was in response to the situation. But that kind of "edgy" political work wasn't exactly what I was doing. I felt a little like my mother. I just wasn't surprised that the government wouldn't support this work. What would you expect. I had personally grown up in a world of total censorship so I wasn't surprised to see politicians wanting to take money away from the art that was explicitly talking about this entire reality of ours. It seemed like the real desire from them (the politicians) was to have no description. That's what they would have paid for. ...Doing their business, wars or whatever, behind the scenes and meanwhile propagating a giant nothing which has become a something the government and the media have only perfected since. To a very large extent people don't even know. I mean it's kind of the great product of this country. The American Way. A big nothing. A cataclysmic unawareness in the face of evil. ~ Eileen Myles

Robert Rauschenberg was not a giant of American art; he was the giant. No American created so many aesthetic openings for so many artists. ~ Jerry Saltz

Through this tradition of face-to-face oral communication, now in danger of disappearing, black folks maintained the conviction of their own worth and saved their own souls by refusing to fall victim to fear or the hatred of their oppressors, which they recognized would have been more destructive to themselves than to their enemies. As the poet Lucille Clifton put it, "Ultimately if you fill yourself with venom you will be poisoned."3 There were incidents of individual violence, usually crimes of passion committed by someone under the influence of alcohol and over a man or a woman. But despite the unimaginable cruelty that they suffered, blacks kept their sense of humor and created the art form of the blues as a way to work through and transcend the harshness of their lives. Living under the American equivalent of Nazism, they developed an oasis of civility in the spiritual desert of "me-firstism" that characterized the rest of the country. ~ Grace Lee Boggs

The 'low' quality of many American films, and of much American popular culture, induces many art lovers to support cultural protectionism. Few people wish to see the cultural diversity of the world disappear under a wave of American market dominance. ~ Tyler Cowen

The family which takes its mauve an cerise, air-conditioned, power-steered and power-braked automobile out for a tour passes through cities that are badly paved, made hideous by litter, lighted buildings, billboards and posts for wires that should long since have been put underground. They pass on into countryside that has been rendered largely invisible by commercial art. (The goods which the latter advertise have an absolute priority in our value system. Such aesthetic considerations as a view of the countryside accordingly come second. On such matters we are consistent.) They picnic on exquisitely packaged food from a portable icebox by a polluted stream and go on to spend the night at a park which is a menace to public health and morals. Just before dozing off on an air mattress, beneath a nylon tent, amid the stench of decaying refuse, they may reflect vaguely on the curious unevenness of their blessings. Is this, indeed, the American genius? ~ John Kenneth Galbraith

Will his work survive? Alas, I worry it will not. As an American liberal with impeccable credentials, I would like to say that political correctness is going to kill American liberalism if it is not fought to the death by people like me for the dangers it presents to free speech, to the exchange of ideas, to openheartedness, or to the spirit of art itself. Political correctness has a stranglehold on academia, on feminism, and on the media. It is a form of both madness and bigotry, and has already silenced the voices of writers like James Dickey across the land. ~ Pat Conroy

I play a curator, the most American part you can think of. My work is to protect the Declaration of Independence. I work at the National Archives in Washington. ~ Diane Kruger

If there is a main problem in American art today," says critic Tom Piazza, "it is not that we need the new to unshackle us from a suffocating and outmoded tradition. The new is constantly pumped out, by the ton and 24 hours a day, into the esthetic rivers, reservoirs and gullies of our culture, and nobody needs to go looking for it. With all the economic force of corporate profit and advertising behind it, pop culture, with its Billy the Kid ethos, has in fact become the new establishment. In a truly Orwellian irony, the new is the status quo."36 ~ James Bau Graves

I think jazz was just seeking respect and validity because a lot of people didn't believe it was a viable art form, and then they got a lot of attention in Europe. A lot of bands that can't catch flies in the US have these followings in Europe, [but] it's less and less the case. American audiences are way more sophisticated and adventurous than anyone thinks that they are. ~ Andrew Bird

Lightnin' Hopkins was something of a fixture on the Houston coffee house scene so we were witness to eccentric blues brilliance close up. Then, believe it or not, along came the wave of the English cats like John Mayall, Eric Clapton and the Stones embracing the great American art form - the blues. ~ Billy Gibbons

It's of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It's maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it's the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip -- and keep in mind that, for kids and younger people, to be hip and cool is the same to be admired and accepted and included and so Unalone. Forget so-called peer pressure. It's more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great tanscendent horror is loneliness, excluded encagement in the self. Once we've hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the sahpe of whatever it wears. And then it's stuck there, the weary cynicism that save us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza's The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin in th ~ David Foster Wallace

Even if there is no connection between diversity and international influence, some people would argue that immigration brings cultural enrichment. This may seem to be an attractive argument, but the culture of Americans remains almost completely untouched by millions of Hispanic and Asian immigrants. They may have heard of Cinco de Mayo or Chinese New Year, but unless they have lived abroad or have studied foreign affairs, the white inhabitants of Los Angeles are likely to have only the most superficial knowledge of Mexico or China despite the presence of many foreigners.
Nor is it immigrants who introduce us to Cervantes, Puccini, Alexander Dumas, or Octavio Paz. Real high culture crosses borders by itself, not in the back pockets of tomato pickers, refugees, or even the most accomplished immigrants. What has Yo-Yo Ma taught Americans about China? What have we learned from Seiji Ozawa or Ichiro about Japan? Immigration and the transmission of culture are hardly the same thing. Nearly every good-sized American city has an opera company, but that does not require Italian immigrants.
Miami is now nearly 70 percent Hispanic, but what, in the way of authentic culture enrichment, has this brought the city? Are the art galleries, concerts, museums, and literature of Los Angeles improved by diversity? Has the culture of Detroit benefited from a majority-black population? If immigration and diversity bring cultural enrichment, why do whites move out of those very parts of t ~ Jared Taylor

Those who have not lived in New Orleans have missed an incredible, glorious, vital city
a place with an energy unlike anywhere else in the world, a majority-African American city where resistance to white supremacy has cultivated and supported a generous, subversive, and unique culture of vivid beauty. From jazz, blues, and and hip-hop to secondlines, Mardi Gras Indians, jazz funerals, and the citywide tradition of red beans and rice on Monday nights, New Orleans is a place of art and music and food and traditions and sexuality and liberation. ~ Jordan Flaherty

My initial plan was to spend a year in France, go to some kind of school and learn a bit of French. I went a year in an American college in the outskirts of Strasbourg, but got a glimpse of a real art school, L'Ecole des Arts Decoratifs, and enrolled the following year. ~ John Howe

American culture, perhaps more than any other, prizes individualism. Our narratives of art, politics, and business idolize the person who triumphs against the odds, with only himself or herself to answer to. The lone wolf. The stranger in town. The maverick. The plucky kid. The Final Girl. You've only got yourself, in the end. It's all up to you. ~ Andi Zeisler

Rome is the city above all cities which loses most of its meaning to those who do not bring to it some historical sense, a decent knowledge of art, and a good amount of time. Rome therefore is particularly disturbing to an American. ~ Clare Boothe Luce

American musicians, instead of investigating ragtime, attempt to ignore it, or dismiss it with a contemptuous word. But that has always been the course of scholasticism in every branch of art. Whatever new thing the 'people' like is poohpoohed; whatever is 'popular' is spoken of as not worth the while. The fact is, nothing great or enduring, especially in music, has ever sprung full-fledged and unprecedented from the brain of any master; the best that he gives to the world he gathers from the hearts of the people, and runs it through the alembic of his genius. ~ James Weldon Johnson

Great American art needs the idea of uninterrupted spaces, like a loft, which itself is something very American. ~ Renzo Piano

Pregressive art can assist people to learn not only about the objective forces at work in the society in which they live, but also about the intensity social character of their interior lives. Ultimately, it can propel people toward social emancipation ~ Angela Y. Davis

The romantic myth of the artist says that you are the Source. I have no illusion about that. Native Americans don't believe they are the Source. They have access to the Source. Endless access. But don't get confused. ~ Tori Amos

Curator Shantrelle P. Lewis left for Amsterdam an Andy Warhol fellow, and came back with a film in her pocket. Please support this confrontation of the Netherlands' violently passive aggressive racist traditions, by an American Southern, aggressive aggressive. She's a top notch thinker and lover of questions ... ~ Dream Hampton

I have seen them stagger out of their movie palaces and blink their empty eyes in the face of reality once more, and stagger home, to read the Times, to find out what's going on in the world. I have vomited at their newspapers, read their literature, observed their customs, eaten their food, desired their women, gaped at their art. But I am poor, and my name ends with a soft vowel, and they hate me and my father, and my father's father, and they would have my blood and put me down, but they are old now, dying in the sun and in the hot dust of the road, and I am young and full of hope and love for my country and my times, and when I say Greaser to you it is not my heart that speaks, but the quivering of an old wound, and I am ashamed of the terrible thing I have done. ~ John Fante

I taught myself how to draw, and I soon found out it was what I really wanted to do. I didn't think I was going to create any great masterpieces like Rembrandt or Gauguin. I thought comics was a common form of art, and strictly American in my estimation, because America was the home of the common man - and show me the common man that can't do a comic. So comics is an American form of art that anyone can do with a pencil and paper. ~ Jack Kirby

Can it be that the ultimate chapter of this new era of democratic freedom is going to be deformed by this growing drift toward conformity encouraged by politics and sentimental education? If so then by what name shall our national American character be justly called? Doomed to beget only curiosities or monstrosities in art, architecture and religion by artists predominant chiefly by compliance with commercial expediency?
Machine standardization is apparently growing to mean little that is inspiring to the human spirit. We see the American workman himself becoming the prey of gangsterism made official. Everything as now professionalized, in time dies spiritually. Must the innate beauty of American life succumb or be destroyed? Can we save truth as beauty and beauty as truth in our country only if truth becomes the chief concern of our serious citizens and their artists, architects and men of religion, independent of established authority? ~ Frank Lloyd Wright

Blue jeans have gone around the world. But that's a product. We market blue jeans better, just as we market film better. But you can't tell me that if America didn't exist, the culture of movies wouldn't exist. It's not a distinctly American art form. ~ David Simon

As I watched him on the stage, my hands were clinched in fists of rage. No angel born in hell, could break that Satan's spell. ~ Don McLean

Perhaps many white North Americans fear an overtly political art because it might persuade us emotionally of what we think we are "rationally" against; it might get us on a level we have lost touch with; undermine the safety we have built for oneselves, remind us of what is better left forgotten. ~ Adrienne Rich

Certainly there is, for the American Negro artist who can escape the restrictions the more advanced among his own group would put upon him, a great field of unused material ready for his art. ~ Langston Hughes

A lot of great art comes from the Afro-American male experience. Black men are geniuses, and many times their desperation, their position as being pariahs, leads them to great originality. ~ Ishmael Reed

Heade's calm is unsteady, storm-stirred; we respond in our era to its hint of the nervous and the fearful. His weather is interior weather, in a sense, and he perhaps was, if far from the first to portray a modern mood, an ambivalent mood tinged with dread and yet imbued with a certain lightness.The mood could even be said to be religious: not an aggressive preachment of God's grandeur but a kind of Zen poise and acceptance, represented by the small sedentary or plodding foreground figures that appear uncannily at peace as the clouds blacken and the lightning flashes. ~ John Updike

ABSTRACT THOUGHTS in a blue room; Nominative, genitive, etative, accusative one, accusative two, ablative, partitive, illative, instructive, abessive, adessive, inessive, essive, allative, translative, comitative. Sixteen cases of the Finnish noun. Odd, some languages get by with only singular and plural. The American Indian languages even failed to distinguish number. Except Sioux, in which there was a plural only for animate objects. The blue room was round and warm and smooth. No way to say warm in French. There was only hot and tepid If there's no word for it, how do you think about it? And, if there isn't the proper form, you don't have the how even if you have the words. Imagine, in Spanish having to assign a sex to every object: dog, table, tree, can-opener. Imagine, in Hungarian, not being able to assign a sex to anything: he, she, it all the same word. Thou art my friend, but you are my king; thus the distinctions of Elizabeth the First's English. But with some oriental languages, which all but dispense with gender and number, you are my friend, you are my parent, and YOU are my priest, and YOU are my king, and YOU are my servant, and YOU are my servant whom I'm going to fire tomorrow if YOU don't watch it, and YOU are my king whose policies I totally disagree with and have sawdust in YOUR head instead of brains, YOUR highness, and YOU may be my friend, but I'm still gonna smack YOU up side the head if YOU ever say that to me again;
And who the hell are you anyw ~ Samuel R. Delany

'Buncha Losers' comedy is one of those homegrown American art forms, up there with infomercials and Elvis-shaped soap carvings. No other civilization could have invented it. The French took a stab with Sartre's 'No Exit,' but then they had to ruin it with a lesson at the end. ~ Rob Sheffield

Like the American correspondents, jazz seemed a naturally gregarious force - one that was a little unruly and prone to say the first thing that popped into its head, but generally of good humor and friendly intent. In addition, it seemed decidedly unconcerned with where it had been or where it was going - exhibiting somehow simultaneously the confidence of the master and the inexperience of the apprentice. Was there any wonder that such an art had failed to originate in Europe? The ~ Amor Towles

I went to the American Academy of Dramatic Arts, which was in Carnegie Hall, which itself was exciting - just to walk into it. ~ Gena Rowlands

The shared meal is no small thing. It is a foundation of family life,
the place where our children learn the art of conversation and acquire
the habits of civilization: sharing, listening, taking turns, navigating
differences, arguing without offending. What have been called the
"cultural contradictions of capitalism" - its tendency to undermine
the stabilizing social forms it depends on - are on vivid display today
at the modern American dinner table, along with all the brightly colored packages that the food industry has managed to plant there. ~ Michael Pollan

When contemplating a shield that would protect America for incoming missiles, Democrats suddenly became hardheaded fiscal conservatives. For the first time in recorded history, liberals were concerned about the cost and usefulness of a government program. These people believe federally funded art therapy for the homeless will pay for itself. That you can take to the bank. But a shield to repel incoming nuclear missiles from American soil they said, was too expensive and wouldn't work. ~ Ann Coulter