Classical Antiquity Quotes

Classics is a subject that exists in that gap between us and the word of the Greeks and Romans. The questions raised by Classics are the questions raised by our distance from 'their' world, and at the same time by our closeness to it, and its familiarity to us. In our museums, in our literature, languages, culture, and ways of thinking. The aim of Classics is not only to discover or uncover the ancient world (though that is part of it, as the rediscovery of Bassae, or the excavation of the furthest outposts of the Roman empire on the Scottish borders, shows). Its aim is to also define and debate our relationship to that world. ~ Mary Beard

It is not self-forgetting and pain-loving antiquarianism nor self-forgetting and intoxicating romanticism which induces us to turn with passionate interest, with unqualified willingness to learn, toward the political thought of classical antiquity. We are impelled to do so by the crisis of our time, the crisis of the West. ~ Leo Strauss

This freedom of political discussion on the highest level is something which Western civilization has in common with that of classical antiquity, but with no other. ~ Christopher Dawson

Those who like to interpret historical facts symbolically may recognize in this the spirit of a specifically "modern" conception of the world which permits the subject to assert itself against the object as something independent and equal; whereas classical antiquity did not as yet permit the explicit formulation of this contrast; and whereas the Middle Ages believed the subject as well as the object to be submerged in a higher unity. ~ Erwin Panofsky

This our European structure, built upon the noble foundations of classical antiquity, was formed through, exists by, is consonant to, and will stand only in the mold of, the Catholic Church. Europe will return to the Faith, or she will perish. The Faith is Europe. And Europe is the Faith. ~ Hilaire Belloc

It is an ancient belief, going back to classical antiquity, that specialization of any kind is illiberal in a freeman. A man willing to bury himself in the details of some small endeavor has been considered lost to these larger considerations which must occupy the mind of the ruler. ~ Richard M. Weaver

There was a stage when Balanchine and I didn't talk. I was trying to develop my classical technique as opposed to the fast-track technique that he was pushing. We were very quiet with each other. But after two years he saw what I was doing and sent messages through other people that, yes, this is good. ~ Gelsey Kirkland

Have you not a moist eye, a dry hand, a yellow cheek, a white beard, a decreasing leg, an increasing belly? Is not your voice broken, your wind short, your chin double, your wit single, and every part about you blasted with antiquity? ~ William Shakespeare

During [Erté]'s childhood St. Petersburg was an elegant centre of theatrical and artistic life. At the same time, under its cultivated sophistication, ominous rumbles could be distinguished. The reign of the tough Alexander III ended in 1894 and his more gentle successor Nicholas was to be the last of the Tsars … St. Petersburg was a very French city. The Franco-Russian Pact of 1892 consolidated military and cultural ties, and later brought Russia into the First World war. Two activities that deeply influenced [Erté], fashion and art, were particularly dominated by France. The brilliant couturier Paul Poiret, for whom Erté was later to work in Paris, visited the city to display his creations. Modern art from abroad, principally French, was beginning to be show in Russia in the early years of the century …

In St. Petersburg there were three Imperial theatres―the Maryinsky, devoted to opera and ballet, the Alexandrinsky, with its lovely classical façade, performing Russian and foreign classical drama, and the Michaelovsky with a French repertoire and company …

It is not surprising that an artistic youth in St. Petersburg in the first decade of this century should have seen his future in the theatre. The theatre, especially opera and ballet, attracted the leading young painters of the day, including Mikhail Vrubel, possibly the greatest Russian painter of the pre-modernistic period. The father of modern theatrical design in Russia was Alexandre Benois, an o ~ Charles Spencer

Jazz will be the classical music of the future. ~ Dizzy Gillespie

It is now known to science that there are many more dimensions than the classical four. Scientists say that these don't normally impinge on the world because the extra dimensions are very small and curve in on themselves, and that since reality is fractal most of it is tucked inside itself. This means either that the universe is more full of wonders than we can hope to understand or, more probably, that scientists make things up as they go along. ~ Terry Pratchett

I found the blues too limiting, and classical was too disciplined. ~ Ritchie Blackmore

My evanescent anarchistic tendencies are purely classical. I use the word anarchist in the sense in which it was understood by the ancient Greeks. They, of course, accepted the anarchist as a fairly respectable--if somewhat vehement--opponent of government encroachment on the individual's rights to think and act freely. It is in this sense that I glimpse myself as an anarchist--regretting the growth of government and the ever-increasing trend toward regulation and, worst of all, standardization of human activity. ~ J. Paul Getty

What is actually observed in so-called 'biplar children'? If you read the research reports carefully, they describe broad and persistent emotional dysregulation. Although these children have mood swings, they do not develop manic or hypomanic episodes. They are moody, irritable, oppositional and likely to misbehave - like all children with disruptive behavior disorders. Their grandiose thinking usually consists of little beyond boastfulness. No evidence from genetics, neurobiology, follow-up studies or treatment response shows that this syndrome has anything in common with classical bipolarity. ~ Joel Paris

It was becoming more and more evident that Salem was a town that celebrated individuality, a real live-and-let-live kind of place. Melody felt a gut punch of regret. Her old nose would have fit in here.
"Look!" She pointed at the multicolored car whizzing by. Its black door were from a Mercedes coupe, the white hood from a BMW; the silver trunk was Jaguar, the red convertible top was Lexus, the whitewall tires were Bentley, the sound system was Bose, and the music was classical. A hood ornament from each model dangled from the rear view mirror. Its license plate appropriately read MUTT.
"That car looks like a moving Benton ad."
"Or a pileup on Rodeo drive." Candace snapped a picture with her iPhone and e-mailed to her friends back home. They responded instantly with a shot of what they were doing. It must have involved the mall because Candace picked up her pace and began asking anyone under the age of fifty where the cool people hung out. ~ Lisi Harrison

Classical music is far from boring - it has all the blood, energy, the sinister dark side, rhythm that rock music has, and all the refined, subtle sensuality that one can ask for ~ Yuja Wang

What is an organization actually, even in organization theory, even in the most classical sense in management, if not a serial redescription which starts again (and it's true) every morning. ~ Bruno Latour

The belief in eternal torment, still subscribed to by fundamentalist Christian denominations, undoubtedly ranks as the most vicious and reprehensible doctrine of classical Christianity. It has resulted in an incalculable amount of psychological torture, especially among children where it is employed as a terror tactic to prompt obedience. ~ George H. Smith

Biblically, God is repeatedly depicted as facing a partially open future. Theologically, several unsolvable problems inherent in the classical view can be avoided when one accepts that God is the God of the possible and not simply a God of eternally static certainties. Practically, a God of eternally static certainties is incapable of interacting with humans in a relevant way. The God of the possible, by contrast, is a God who can work with us to truly change what might have been into what should be. ~ Gregory A. Boyd

History has neither the venerableness of antiquity, nor the freshness of the modern. It does as if it would go to the beginning ofthings, which natural history might with reason assume to do; but consider the Universal History, and then tell us,
when did burdock and plantain sprout first? ~ Henry David Thoreau

In contemporary Islam, the problem is not the text, but the reader. In most cases, the Islamic heritage is lost between analytically competent readers who are woefully incapable of penetrating the classical texts and readers who can decipher the classical texts, but who live in a time warp and are largely oblivious to the hermeneutic and analytic strategies of modern scholars. Put simply, the first group is equipped to handle modernity, but not the classical tradition, while the second group is in precisely the opposite position. This dilemma ought to be recognized as the real tragedy of modern Islamic scholarship. ~ Khaled Abou El Fadl

Every time I bought a Rock and Roll record, I bought a classical record at the same time. I like each as well as the other. ~ Klaus Nomi

These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin's scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outward like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seemingly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance. ~ Anthony Powell

Anyone who has passed though the regular gradations of a classical education, and is not made a fool by it, may consider himself as having had a very narrow escape. ~ William Hazlitt

That is a very good question. I don't know the answer. But can you tell me the name of a classical Greek shoemaker? ~ Arthur Miller

Dancers, many dancers today can do so much technically. You can give them steps that are complicated, then more complicated, pyrotechnical - and they can execute these steps to perfection. But to do simple steps with a pure classical line, that is truly difficult. ~ Natalia Makarova

Humanity thrown together in the equivalent of a Petri dish under a microscope bred malignant organisms as often as benign. ~ B.V. Lawson

The musical instuments may be western but my voice never wavers away from my own ragas. it is good to make experiments and I do a lot of them but my thoughts always round the centre and that centre is the tradition of my elders and it is classical music.. ~ Nusrat Fateh Ali Khan

I started classical and operatic lessons when I was 8 and become an operatic singer and went to competition. I write my own music. A lot of the songs, growing up, I was into writing dark stories and poems, and one day I started putting melodies to them. ~ Cassie Steele

All the children in the world, when they go to school, have the right to study in their mother tongue. But we go to school and run into literary Arabic as children. It sounds like a foreign language. The words for "house" or "table" or "lamp" are not the same as the words we use at home, and most of the other words are alien to children at school. Classical Arabic is one of the prisons of the Arab world. ~ Hassan Blasim

Classical mechanics gave us a deterministic view of the world. Quantum mechanics, conversely, gives us a probabilistic view instead. According to Newton, if you know the cause af an event, you can predict the outcome. According to M.Born, you can only predict how likely that outcome will be. ~ Leonid V. Azaroff

There is no real person whose embodiment plays no role in meaning, whose meaning is purely objective and defined by the external world, and whose language can fit the external world with no significant role played by mind, brain, or body. Because our conceptual systems grow out of our bodies, meaning is grounded in and through our bodies. Because a vast range of our concepts are metaphorical, meaning is not entirely literal and the classical correspondence theory of truth is false. ~ George Lakoff

Classical music is at odds with contemporary culture precisely because of its insistence on the tension between the bodily and intellectual, the material and the spiritual, the thinglike and its transcendence in thought. A culture that is merely sensuous and that denies the activity of the mind within sensuous materials risks becoming pornographic. ~ Julian Johnson

I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classical music, and my instruments were guitar and piano. I played keyboards in bands, and after high school I went to Vienna to study at the Academy of Music. I also became a session player, which culminated in my work with Tangerine Dream. ~ Paul Haslinger

The best gift I was ever given was the arts. My mum gave me those on a silver platter. Growing up, her and my grandmother would take me to ballets, classical concerts, even smoky jazz clubs I wasn't supposed to be in! ~ Jill Scott

Christ, as the ultimate Imago Dei is alluded to in scripture as being without external beauty in the Classical sense, and should better be thought of as one who passed through all the slime and mire of a fallen and sinful creation in order to redeem it. His own body is to be remembered for the marks it bears-even in resurrection-of the scars of his sacrificial death. For the Christian, a theory of beauty might better begin at this point. ~ John Walford

One of the most fundamental problems in the spiritual order is that we sense within ourselves the hunger for God, but we attempt to satisfy it with some created good that is less than God. Thomas Aquinas said that the four typical substitutes for God are wealth, pleasure, power, and honor. Sensing the void within, we attempt to fill it up with some combination of these four things, but only by emptying out the self in love can we make the space for God to fill us. The classical tradition referred to this errant desire as "concupiscence," but I believe that we could neatly express the same idea with the more contemporary term "addiction." When we try to satisfy the hunger for God with something less than God, we will naturally be frustrated, and then in our frustration, we will convince ourselves that we need more of that finite good, so we will struggle to achieve it, only to find ourselves again, necessarily, dissatisfied. At this point, a sort of spiritual panic sets in, and we can find ourselves turning obsessively around this creaturely good that can never in principle make us happy. ~ Robert Barron

I would like to be as fit as I've always been. I've been blessed with good health, I've been blessed with stamina. Particularly for those great classical roles, you need an Olympian stamina. I, fortunately, have that. ~ Derek Jacobi

Simulating the behavior of 100 billion neurons of human brain is not feasible by classical computer but quantum machine learning promises to fulfill that requirement. ~ Amit Ray