Chinese Female Writers Quotes

In our time women can demonstrate prowess in a thousand ways. Long ago the great Princess Sun of Ping fought for her father, the August Sovereign. At her funeral, His Majesty called for the trumpets and drums to be sounded, an honor reserved for men. My dear, from this day you must dress her as a boy. Give her an education worthy of her own determination. ~ Shan Sa

You can be killed for just being female ~ JoeAnn Hart

It was Joss Whedon's Buffy the Vampire Slayer (the television series, 1997-2003, not the lackluster movie that preceded it) that blazed the trail for Twilight and the slew of other paranormal romance novels that followed, while also shaping the broader urban fantasy field from the late 1990s onward.

Many of you reading this book will be too young to remember when Buffy debuted, so you'll have to trust us when we say that nothing quite like it had existed before. It was thrillingly new to see a young, gutsy, kick-ass female hero, for starters, and one who was no Amazonian Wonder Woman but recognizably ordinary, fussing about her nails, her shoes, and whether she'd make it to her high school prom. Buffy's story contained a heady mix of many genres (fantasy, horror, science-fiction, romance, detective fiction, high school drama), all of it leavened with tongue-in-cheek humor yet underpinned by the serious care with which the Buffy universe had been crafted. Back then, Whedon's dizzying genre hopping was a radical departure from the norm-whereas today, post-Buffy, no one blinks an eye as writers of urban fantasy leap across genre boundaries with abandon, penning tender romances featuring werewolves and demons, hard-boiled detective novels with fairies, and vampires-in-modern-life sagas that can crop up darn near anywhere: on the horror shelves, the SF shelves, the mystery shelves, the romance shelves. ~ Ellen Datlow

Huddled in her mink in the Kansas City airport, she had a vision of women writing about sex as openly as male writers, but quite, quite differently. Some women would treat sex much as men did,as conquest, as adventure
in a way as McCarthy had. Other women would treat female sexuality far less romantically then men who did not consider themselves romantics, like Hemingway, were wont to. The earth would not move, no, there would be more biology and less theatrics. Women had less ego involvement in sex than men did, but far more at stake economically. ~ Marge Piercy

I chose to be a writer no more than I chose to be female. ~ A.D. Posey

These girls aren't wounded so much as post-wounded, and I see their sisters everywhere. They're over it. *I am not a melodramatic person.* God help the woman who is. What I'll call "post-wounded" isn't a shift in deep feeling (we understand these women still hurt) but a shift away from wounded affect---these women are aware that "woundedness" is overdone and overrated. They are wary of melodrama so they stay numb or clever instead. Post-wounded women make jokes about being wounded or get impatient with women who hurt too much. The post-wounded woman conducts herself as if preempting certain accusations: don't cry too loud, don't play victim, don't act the old role all over again. Don't ask for pain meds you don't need, don't give those doctors another reason to doubt the other women on their examination tables. Post-wounded women fuck men who don't love them and then they feel mildly sad about it, or just blase about it, more than anything they refuse to care about it, refuse to hurt about it---or else they are endlessly self-aware about the posture they have adopted if they allow themselves this hurting.

The post-wounded posture is claustrophobic. It's full of jadedness, aching gone implicit, sarcasm quick-on-the-heels of anything that might look like self-pity. I see it in female writers and their female narrators, troves of stories about vaguely dissatisfied women who no longer fully own their feelings. Pain is everywhere and nowhere. Post-wounded women know tha ~ Leslie Jamison

I think a lot of writers, male and female, write as if their parents were killed in a car accident when they were 2, and they have no one to hold accountable. And unfortunately, I don't have that. I have parents who I care about what they think. ~ Mindy Kaling

Male writers are thought of as "writers" first and then "men". As for female writers, they are first "feamle" and only then "writers". ~ Elif Shafak

In the beginning, I found myself dealing with a show business dictated by male white supremacists and chauvinists. As a black female, I had to learn how to tap dance around the situation. I had to ... find a way to present my point of view without being pushy or aggressive. In the old days, the only women I saw in this business were in makeup, hairdressing, and wardrobe departments. Now I'm surrounded by women executives, writers, directors, producers, and even women stagehands. ~ Diahann Carroll

Maybe just as many women writers as male writers could be billed as the next great American writer by their publisher. Maybe book criticism sections could review an equal amount of female and male writers. Maybe Oprah could start putting some books by women authors in her book club, since most of her audience is women. ~ Jami Attenberg

THE HONEYEATER story was mesmerizing: the story took hold of me and I felt compelled to write it. I was also inspired by a few female authors (among them, Doris Lessing and Isabel Allende) I've admired over the years
women who preceded me and who gave me the courage to even begin. ~ Yolanda A. Reid

Generally, writers descend from a lesser tribe, and whatever claim to beauty we have shows up on the printed page far more often than it does in our mirrors. Even as I writer these words I think of dozens off writers, both male and female, who make a mockery of this generalization. But comeliness among writers is rare enough to be noteworthy. ~ Pat Conroy

Bells Screamed all off key, wrangling together as they collided in midair, horns and whistles mingled shrilly with cries of human distress; sulphur-colored light ex-ploded through the black windowpane and flashed away in darkness. Miranda waking from a dreamless sleep asked without expecting an answer, "What is happening?" for there was a bustle of voices and footsteps in the corridor, and a sharpness in the air; the far clamour went on, a furious exasperated shrieking like a mob in revolt.

The light came on, and Miss Tanner said in a furry voice, "Hear that? They're celebrating . It's the Armistice. The war is over, my dear." Her hands trembled. She rattled a spoon in a cup, stopped to listen, held the cup out to Miranda. From the ward for old bedridden women down the hall floated a ragged chorus of cracked voices singing, "My country, 'tis of thee…"

Sweet land… oh terrible land of this bitter world where the sound of rejoicing was a clamour of pain, where ragged tuneless old women, sitting up waiting for their evening bowl of cocoa, were singing, "Sweet land of Liberty-"

"Oh, say, can you see?" their hopeless voices were asking next, the hammer strokes of metal tongues drowning them out. "The war is over," said Miss Tanner, her underlap held firmly, her eyes blurred. Miranda said, "Please open the window, please, I smell death in here. ~ Katherine Anne Porter

We sometimes hear people voice doubts about opposition to sex trafficking, genital cutting, or honor killings because of their supposed inevitability. What can our good intentions achieve against thousands of years of tradition? Our response is China. A century ago, China was arguably the worst place in the world to be born female. Foot-binding, child marriage, concubinage, and female infanticide were embedded in traditional Chinese culture...So was it cultural imperialism for Westerners to criticize foot-binding and female infanticide? Perhaps. But it was also the right thing to do. If we believe firmly in certain values, such as the equality of all human beings regardless of color or gender, then we should not be afraid to stand up for them; it would be feckless to defer to slavery, torture, foot-binding, honor killings, or genital cutting just because we believe in respecting other faiths or cultures. One lesson of China is that we need not accept that discrimination is an intractable element of any society. If culture were immutable, China would still be impoverished and [women] would be stumbling around on three-inch feet. ~ Nicholas D. Kristof

The 1950s and 1960s: philosophy, psychology, myth

There was considerable critical interest in Woolf 's life and work in this period, fuelled by the publication of selected extracts from her diaries, in A Writer's Diary (1953), and in part by J. K. Johnstone's The Bloomsbury
Group (1954). The main critical impetus was to establish a sense of a unifying aesthetic mode in Woolf 's writing, and in her works as a whole, whether through philosophy, psychoanalysis, formal aesthetics, or mythopoeisis.
James Hafley identified a cosmic philosophy in his detailed analysis of her fiction, The Glass Roof: Virginia Woolf as Novelist (1954), and offered a complex account of her symbolism. Woolf featured in the influential The
English Novel: A Short Critical History (1954) by Walter Allen who, with antique chauvinism, describes the Woolfian 'moment' in terms of 'short, sharp female gasps of ecstasy, an impression intensified by Mrs Woolf 's use
of the semi-colon where the comma is ordinarily enough'. Psychological and Freudian interpretations were also emerging at this time, such as Joseph Blotner's 1956 study of mythic patterns in To the Lighthouse, an essay that draws on Freud, Jung and the myth of Persephone.4 And there were studies of Bergsonian writing that made much of Woolf, such as Shiv Kumar's Bergson and the Stream of Consciousness Novel (1962).
The most important work of this period was by the French critic Jean Guiguet. His Virginia Woolf and H ~ Jane Goldman

[Writing in the voice of female characters] is scary. You get more cautious as you get older. I probably wouldn't write as an American either. I'd find a reason to make them half British.
I'm aware that female writers have been writing brilliant female characters for hundreds of years. I could make a terrible fool of myself unless I work out what the traps are, find bad female characters by male writers, work out why they're bad and give my wife every single book to read. ~ David Mitchell

There are still so few female directors. There are far fewer writers than we'd like to see. ~ Nina Jacobson

It's funny. People often compare me to other humor essayists. They're usually quite nice comparisons; I will accept those gladly. But I am always sort of appalled at the idea of being lumped with other, more chick-y female writers. And the truth is probably that neither comparison is accurate. ~ Sloane Crosley

I had a girls' writing retreat at my condo and a bunch of other female writers came down. Me and two other writers got there before everyone and they pitched this idea to me. At first I wasn't sure what direction it was going in, but then once they kind of explained to me what they were thinking, we wrote it. ~ Jamie Lynn Spears

There are some great, subversive female writers out there. Gender should not affect anything. It does, but it shouldn't. ~ Carla H. Krueger

Here's my feeling: For everyone, men and women, it's important to be a feminist. It's important to have female characters. It's wonderful for women to mentor other women, but it's just as important for women to mentor men and vice-versa. In my line of work, having Greg Daniels be such a great mentor to me is fantastic. Finding a writer's assistant, be it a man or a woman, and encouraging them to think with a feminist perspective, is key. ~ Mindy Kaling

What are we to make of the stubborn bitter truth that one's legitimacy is judged by whether one appears to be 'happy' or 'unhappy'; that one's work is somehow assessed in terms of the spiritual uplift it offers? 'Happiness' is predicated as a cultural norm, so that any deviation from it, however justified, however inescapable, arouses not only pity but reproach. As true as this might be for male writers, it is all the more true for female writers, since there is a violation of some unspoken rule in the very fact that a woman writes - that is, thinks. ~ Joyce Carol Oates

On the occasion of a visit to Jane Austen's childhood home in Steventon, Hampshire:

"I put my hand down on Jane's desk and bring it up covered with dust. Oh that some of her genius might rub off on me! One would have imagined the devoted female custodian going round with her duster at least every other day. ~ Barbara Pym

Being a full-time feminist means that every day I make a choice to make equality a part of my life, mind, and behavior. I set out purposefully to support women, to create a dialogue with men, and to interject when I see ignorance and misunderstanding. For me this has meant that in my work I often choose to share my financial gains with women (although I do also employ men regularly, to film my music videos or produce my songs with my band Girlboy), and when I see a woman working, or reaching for her ambitions, I like to show my support. In my romantic relationships with men, this has meant when there is misunderstanding, I take the time to think about why that could be, and to discuss whatever problems we face. Thinking about the influence of the gender concept on our behavior and decisions is now ingrained in my subconscious. ~ Abigail Tarttelin

If you look at most women's writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writer's description of a female character are, perhaps, a little more judgmental. They're looking for certain things, because they know what women do to look a certain way. ~ Lorrie Moore

Writers, and particularly female writers, have to fight for the conditions they need to work ... ~ Doris Lessing

It's to a writer's advantage to contain within himself elements of each sex, or any sex. It's to his advantage because it makes him able to write from the female point of view as well as the male. In some cases, of course, you will find some homosexual writers who can only write from a f - - -'s point of view. But I don't regard myself as a f - - -! Some people may. Also audiences wanted escapism. They don't like too much protest or criticism of their way of life. ~ Tennessee Williams

My generation of young female writers discovered that we could dictate the form and content of our own fiction. ~ Erica Jong

I said that the greatest female writers, with almost no exceptions, have been childless. A fact. And I have said that women generally, by virtue of their desire to mother, are incapable of the necessarily single-minded focus anyone must bring to the creation of literature, true literature. I don't retract a word. That is a fact. ~ Robert Galbraith

The truth is that I need the stimulus of other people. Alone, over my dead fire, I tend to see the thin places in my own stories. The real novelist, the perfectly simple human being, could go on, indefinitely, imagining. He would not integrate, as I do. He would not have this devastating sense of grey ashes in a burnt-out grate. ~ Virginia Woolf

It was the kind of story everybody likes, about a tough girl who becomes a truer version of herself by uncovering her vulnerability. It was the kind of story people like because its universe is played out in the story of one person. It was the kind of story (dare I say it?) that women are supposed to write because all its truths are grounded in a single lie: denying chaos. ~ Chris Kraus

It infuriates me that the work of white American writers can be universal and lay claim to classic texts, while black and female authors are ghetto-ized as 'other.' ~ Jesmyn Ward

A woman from the audience asks: 'Why were there so few women among the Beat writers?' and [Gregory] Corso, suddenly utterly serious, leans forward and says: "There were women, they were there, I knew them, their families put them in institutions, they were given electric shock. In the '50s if you were male you could be a rebel, but if you were female your families had you locked up. ~ Stephen Scobie

Grace Slaughter - the surname of her fifth husband, a manufacturer of pharmaceutical toners and "prophylactic" products, recently deceased due to a ruptured peritoneum - was sharply chauvinistic and would allow no more than two exceptions to her all-American views, exceptions with which her first spouse, Astolphe de Guéménolé-Longtgermain, no doubt had something to do: cooking had to be done by French nationals of male gender, laundry and ironing by British subjects of female gender (and absolutely not by Chinese). That allowed Henri Fresnel to be hired without having to hide his original citizenship, which is what had to be done by the director (Hungarian), the set designer (Russian), the choreographer (Lithuanian), the dancers (Italian, Greek, Egyptian), the scriptwriter (English), the librettist (Austrian), and the composer, a Finn of Bulgarian descent with a large dash of Romanian. ~ Georges Perec

If art is not to be life-enhancing, what is it to be? Half the world is feminine
why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity (because they are not themselves at the center of creation, cannot bear children) that a woman writer of genius evokes murderous rage, must be brushed aside with a sneer as 'irrelevant'? ~ May Sarton

How can so many (white, male) writers narratively justify restricting the agency of their female characters on the grounds of sexism = authenticity while simultaneously writing male characters with conveniently modern values?

The habit of authors writing Sexism Without Sexists in genre novels is seemingly pathological. Women are stuffed in the fridge under cover of "authenticity" by secondary characters and villains because too many authors flinch from the "authenticity" of sexist male protagonists. Which means the yardstick for "authenticity" in such novels almost always ends up being "how much do the women suffer", instead of - as might also be the case - "how sexist are the heroes".

And this bugs me; because if authors can stretch their imaginations far enough to envisage the presence of modern-minded men in the fake Middle Ages, then why can't they stretch them that little bit further to put in modern-minded women, or modern-minded social values? It strikes me as being extremely convenient that the one universally permitted exception to this species of "authenticity" is one that makes the male heroes look noble while still mandating that the women be downtrodden and in need of rescuing.

-Comment at Staffer's Book Review 4/18/2012 to "Michael J. Sullivan on Character Agency ~ Foz Meadows

I've been trying to find women writers for my staff for a while now and I have three women on my staff and three guys so it's pretty equal. I don't know why that is. It's been the same thing for a while. It's hard for female comedians to stand out. That's weird. That's a shame. ~ Ellen DeGeneres

There is no place for secrets in sisterhood. ~ Erin Forbes

I've had frank conversations with theaters who say, 'We love your play, but we've already done a play by another black person this year,' or 'I don't think the kind of people you write about are the ones our audience wants to see' ... Up and coming young black female writers are still struggling to have their voices heard and have their plays produced. ~ Katori Hall

We've had the works. Indy's kidnappings and murder. Jet's kidnappings and rape attempt. Roxie's kidnapping and stalking. Car bombs. Grenades. Knife fights. Female wrestling at Chinese restaurants. Mayhem at a haunted house. Gunshots at a strip club. Showdowns at society parties. Now we got a vigilante on our hands. ~ Kristen Ashley