Can I Start A Sentence With A Quotes

At one point, Joylene (a large woman from HR with four framed photos of her cats and one of her deceased father holding a trout on her desk) actually stated, "Ooo, I love Excel." Who says, "Ooo, I love Excel."? How is it even a sentence? Each time Joylene had a question, she waved her pen, with a huge rainbow colored feather taped to the end, above her head while making excited "uh, uh, um, uh" noises. "Yes, Joylene?" "If I want my columns color coded, am I able to mix my own preferred range of blues from a palette or do I have to select from the four-thousand shades of blue it already has?" "And that, your Honor, is when the defendant leapt across the desk. I enter into evidence the rainbow feather pen." If there ever comes a time where I'm typing numbers into boxes and decide I'd really like those boxes with numbers to be a specific shade of blue, it will be time to turn off the computer, pack my things, and start a fire. ~ David Thorne

Rigor Mortis." I say, almost as an apology. But he won't have any of it. He locks onto my gaze. He doesn't lean forward, but he doesn't need to, suddenly the room feels like it's filled with him. His presence floats in the air like a noxious gas, and I'm breathing it in.
"Ike, you don't get it. That's why I wanted to talk to you. Do you think I have the right to talk to anyone? Do you think its fun to have a 'human' brain in a pet's body? Sure, I have Kamu. And that's fugging great, but guess what? Kamu is queen to be, and emotionally unstable." I've never heard Rig talk this powerfully before, but he doesn't seem scary, just sad. "And then I get someone else I can actually talk to, Ike, I get you. And you don't treat me like I'm a pet and you talk about Kamu like she needs to be protected and you are there. You are there, and you keep being there, and the only one who's ever there is Kamu, but now there is Ike. And Ike is perfect, albeit a bit dense, but perfect."
"Rig, I'm really sorry bu-" I start, I don't know how much more of this I can take. With each sentence Rig loses some of his force, he sounds more pathetic and lost.
"I'm not done." He pronounces the words in such a voice that it makes me shut up more than the context of the sentence does. "And all I want is to be with this boy who is there, this boy who is my friend, this boy who isn't always caught up in politics. All I want is to have my one good break." He finishes. I keep holding his eye cont ~ Ginny Albinson

I have a horror of the blank page. I simply cannot write on a blank page or screen. Because once I do, I start to fix it, and I never get past the first sentence. ~ Charles Krauthammer

A trick I picked up from reading Frank Miller scripts: ... He tended to always start his panel caps sometimes with a general noun and a verb. 'He weeps,' and then there'd be whatever else. And a couple of collaborators of mine have always said that the first sentence of my script is for them, and everything else that comes after is for me. Which is true, that's very much how I try to write. The first line is just to get the physical action down, and then I'll kind of drift off into whatever else I see in my head and they can take it or leave it. ~ Matt Fraction

At its heart, a genuine food culture is an affinity between people and the land that feeds them. Step one, probably, is to live on the land that feeds them, or at least on the same continent, ideally the same region. Step two is to be able to countenance the ideas of "food" and "dirt" in the same sentence, and three is to start poking into one's supply chain to learn where things are coming from. ~ Barbara Kingsolver

Not long ago, I advertised for perverse rules of grammar, along the lines of "Remember to never split an infinitive" and "The passive voice should never be used." The notion of making a mistake while laying down rules ("Thimk," "We Never Make Misteaks") is highly unoriginal, and it turns out that English teachers have been circulating lists of fumblerules for years. As owner of the world's largest collection, and with thanks to scores of readers, let me pass along a bunch of these never-say-neverisms:

* Avoid run-on sentences they are hard to read.
* Don't use no double negatives.
* Use the semicolon properly, always use it where it is appropriate; and never where it isn't.
* Reserve the apostrophe for it's proper use and omit it when its not needed.
* Do not put statements in the negative form.
* Verbs has to agree with their subjects.
* No sentence fragments.
* Proofread carefully to see if you any words out.
* Avoid commas, that are not necessary.
* If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing.
* A writer must not shift your point of view.
* Eschew dialect, irregardless.
* And don't start a sentence with a conjunction.
* Don't overuse exclamation marks!!!
* Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents.
* Writers should always hyphenate between ~ William Safire

Start by writing the truest sentence you know ~ Ernest Hemmingway

Kindness tip #1:
Never start a sentence with the words- "No offense, but... ~ Jose N Harris

Start by using this sentence for all of your wants: "I'm so happy and grateful now that ... " ~ Rhonda Byrne

It's tempting to start each sentence with an apology or disclaimer. To preface everything with "In my life I've found" so that people can't yell at me for being wrong (I often am) or misinformed (sure) or overly emotional (HOW DARE YOU). ... That's one of the frightening things about writing a book that no one ever tells you. You have to pin down your thoughts and opinions and then they exist on a page, ungrowing, forever. ~ Jenny Lawson

We cannot control the way people interpret our ideas or thoughts, but we can control the words and tones we choose to convey them. Peace is built on understanding, and wars are built on misunderstandings. Never underestimate the power of a single word, and never recklessly throw around words. One wrong word, or misinterpreted word, can change the meaning of an entire sentence - and even start a war. And one right word, or one kind word, can grant you the heavens and open doors. ~ Suzy Kassem

I am writing because they told me to never start a sentence with because. But I wasn't trying to make a sentence - I was trying to break free. Because freedom, I am told, is nothing but the distance between the hunter and its prey. ~ Ocean Vuong

[Olivia:] "It's just that I was already at my calorie limit for the day before I had the liquor, and I want to go to Europe in my skinny jeans."

[Tobias:] "What the hell are skinny jeans?"

"They're the jeans that you buy that are too small so that someday you can wear them and feel awesome."

He put his fork down and stared at me, openmouthed. "There are so many things wrong with that sentence. I don't even know where to start."

"It's okay. This is advanced self-loathing. You'd have to be a woman to understand it at this level. ~ Lucy March

Scooting closer to me, he asks, "Want me to stay over tonight? I can come back after my mom goes to bed. I can distract you if you get sad."
"Nice try," I tell him, pinching his cheek.
"Did Josh ever spend the night? With your sister, I mean."
I ponder this. "Not that I know of. I mean, I really doubt it. We're talking about my sister and Josh, after all."
"That's them," Peter says, dipping his head low and rubbing his cheek against mine. He loves how soft my cheeks are; he's always saying that. "We're nothing like them."
"You're the one who brought them up," I start to say, but then he is kissing me, and I can't even finish a thought, much less a sentence. ~ Jenny Han

Sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know." So finally I would write one true sentence, and then go on from there. It was easy then because there was always one true sentence that I knew or had seen or had heard someone say. If I started to write elaborately, or like someone introducing or presenting something, I found that I could cut that scrollwork or ornament out and throw it away and start with the first true simple declarative sentence I had written. ~ Ernest Hemingway,

In 90% of cases, you can start with one of the two most effective ways to open a speech: ask a question or start with a story.

Our brain doesn't remember what we hear. It remembers only what we "see" or imagine while we listen.

You can remember stories. Everything else is quickly forgotten.

Smell is the most powerful sense out of 4 to immerse audience members into a scene.

Every sentence either helps to drive your point home, or it detracts from clarity. There is no middle point.

If you don't have a foundational phrase in your speech, it means that your message is not clear enough to you, and if it's not clear to you, there is no way it will be clear to your audience.

Share your failures first. Show your audience members that you are not any better, smarter or more talented than they are.

You are not an actor, you are a speaker. The main skill of an actor is to play a role; to be someone else. Your main skill as a speaker is to be yourself.

People will forgive you for anything except for being boring. Speaking without passion is boring. If you are not excited about what you are talking about, how can you expect your audience to be excited?

Never hide behind a lectern or a table. Your audience needs to see 100% of your body.

Speak slowly and people will consider you to be a thoughtful and clever person.

Leaders don't talk much, but each word holds a lot of m ~ Andrii Sedniev

The way we learn to write is the way we learn to talk: We listen to others and start mimicking speech, and that's how we come to become speakers. Writers you admire, you admire the way they plot, you admire the way they create a character, you admire the way they put a sentence together, those are the writers you should be reading. ~ Rick Yancey

I'd much rather you licked my wounds for me. My heart pounded, faster and faster, and a strange sort of rush went through my veins as I read the sentence again and again. A challenge. I clamped my lips shut to keep from smiling as I wrote, Lick you where, exactly? The paper vanished before I'd even completed the final mark. His reply was a long time coming. Then, Wherever you want to lick me, Feyre. I'd like to start with "Everywhere," but I can choose, if necessary. ~ Sarah J. Maas

I should start with an apology to Rudy Giuliani. I said every sentence Rudy utters has a noun, a verb, and 9/11 in it. I was wrong. He called me to tell me after Pat Robertson's endorsement, there's an Amen in every sentence he says too. ~ Joe Biden

And sometimes then he sat with us for an hour or so, sharing our limbo, listening while I read. Books from any shelf, opened at any page, in which I would start and finish anywhere, mid-sentence sometimes. Wuthering Heights ran into Emma, which gave way to The Eustace Diamonds, which faded into Hard Times, which ceded to The Woman in White. Fragments. It didn't matter. Art, its completeness, its formedness, its finishedness, had no power to console. Words, on the other hand, were a lifeline. ~ Diane Setterfield

If you are the intuitive, you need to observe the following rules: First, say explicitly, at the start, what you are talking about. (Otherwise, you are requiring your sensing listeners to hold what you say in mind until they can figure out what you are referring to, which they seldom think is worth doing.) Second, finish your sentences; you know what the rest of the sentence is, but your listeners do not. Third, give notice when changing the subject. And last, don't switch back and forth between subjects. Your listeners cannot see the parentheses. Finish one point and move explicitly to the next. ~ Isabel Briggs Myers

I look down at myself, but I don't need to. I can feel it. My hot blood is pounding through my body, flooding capillaries and lighting up cells like Fourth of July fireworks. I can feel the elation of every atom in my flesh, brimming with gratitude for the second chance they never expected to get. The chance to start over, to live right, to love right, to burn up in a fiery cloud and never again be buried in the mud. I kiss Julie to hide the fact that I'm blushing. My face is bright red and hot enough to melt steel.

Okay, corpse, a voice in my head says, and I feel a twitch in my belly, more like a gentle nudge than a kick. I'm going now. I'm sorry I couldn't be here for your battle; I was fighting my own. But we won, right? I can feel it. There's a shiver in our legs, a tremor like the Earth speeding up, spinning off into uncharted orbits. Scary, isn't it? But what wonderful thing didn't start out scary? I don't know what the next page is for you, but whatever it is for me I swear I'm not going to fuck it up. I'm not going to yawn off in the middle of a sentence and hide it in a drawer. Not this time. Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness.

Okay.

Okay, R.

Here it comes. ~ Isaac Marion

I usually start writing a novel that I then abandon. When I say abandon, I don't think any writer ever abandons anything that they regard as even a half-good sentence. So you recycle. I mean, I can hang on to a sentence for several years and then put it into a book that's completely different from the one it started in. ~ Kate Atkinson

I leafed through the pages, inhaling the enchanted scent of promise that comes with all new books, and stopped to read the start of a sentence that caught my eye. ~ Carlos Ruiz Zafon