Black Literary Classics Quotes

Hell, everybody is a masochist. Some of us are just a little more private. ~ Cecil Brown

For the grand and inescapable tradition of western literary classics confronts us with fundamental choices over our understanding of words, reading and art, as well as citizenship, civilization, faith, and the whole notion of the true, the good, and the faithful. ~ Os Guinness

That is why the ideal literary diet consists of trash and classics; all that has survived, and all that has no reason to survive - books you can read without thinking, and books you have to read if you want to think at all. ~ Anthony Lane

And there was nothing quite like the surprise attack of a snarling black bear, even one missing all forty-two teeth, to urge someone back to work. Waking up with several hundred mud-encrusted, reeking pounds on top of you - your neck suffering a hickey of epic proportions - just pushed the limits on what was tolerable. ~ Cole Alpaugh

One of the most widely read novels by a black American is Ralph Ellison's 'Invisible Man.' It is his masterwork - it won the National Book Award in 1953 and catapulted my man to the highest levels of literary esteem. ~ Victor LaValle

A beautiful literary collection that tells of today's country doctor, somewhat removed from our romantic black-bag image of days gone by, but still fulfilling an essential need in caring for spread-out populations. At times, with today's advances in technology, medicine in rural America looks very like it does in America's cities, but the variety of practices is enormous. The Country Doctor Revisited captures the trials and tribulations of medicine, but also the satisfaction and the extraordinary rewards that come to those who embrace such a practice. ~ Abraham Verghese

The headlights of parked cars shone through the rain, and the sidewalks extended, empty, into the darkness. Underground, the sewers surged like rivers, and a few blocks away, sirens blared. He was no longer aware of his heart or thoughts, only the image of a sunken face staring up from a well, the paleness rising through the water like polished bone. A ringed hand reached toward it, but as the fingers approached, the face would sink away, its eyes opening, closing, and the droplets of red falling like leaves. He was a child running through an autumn cemetery, leaping over cast iron fences, the rain bleeding into the tombstones and the roofs of the mausoleums, his legs following the wings of a crow, flapping to the north. A hedge of withered roses stood between him and his childhood house. He tripped and grazed his cheek on a manhole, his red blooming in the water. The sun set behind the hill; the house turned black - abandoned and derelict - and Chris knew he had to keep running, ahead, into the unknown. ~ Cory Ingram

Isabel Wilkerson's The Warmth of Other Suns is an American masterpiece, a stupendous literary success that channels the social sciences as iconic biography in order to tell a vast story of a people's reinvention of itself and of a nation-the first complete history of the Great Black Migration from start to finish, north, east, west. ~ David Levering Lewis

Rooms, corridors, bookcases, shelves, filing cards, and computerized catalogues assume that the subjects on which our thoughts dwell are actual entities, and through this assumption a certain book may be lent a particular tone and value. Filed under Fiction, Jonathon Swift's Gulliver's Travels is a humorous novel of adventure; under Sociology, a satirical study of England in the eighteenth century; under Children's Literature, an entertaining fable about dwarfs and giants and talking horses; under Fantasy, a precursor of science fiction; under Travel, an imaginary voyage; under Classics, a part of the Western literary canon. Categories are exclusive; reading is not--or should not be. Whatever classifications have been chosen, every library tyrannizes the act of reading, and forces the reader--the curious reader, the alert reader--to rescue the book from the category to which it has been condemned. ~ Alberto Manguel

As colleges move to replace some of the dead white men of the literary canon with writers who are not dead, not white, and not men, the living white men of the Red Pill have appeared as the self-appointed guardians and defenders of the cultural legacy of Western civilization. ~ Donna Zuckerberg

Are you kidding me?' Shan asked, slightly drunk, slightly dramatic, and now sitting yoga style on the floor. 'You can't write an honest novel about race in this country. If you write about how people are really affected by race, it'll be too obvious. Black writers who do literary fiction in this country, all three of them, not the ten thousand who write those bullshit ghetto books with the bright covers, have two choices: they can do precious or they can do pretentious. When you do neither, nobody knows what to do with you. So if you're going to write about race, you have to make sure it's so lyrical and subtle that the reader who doesn't read between the lines won't even know it's about race ... ' p.335 ~ Chimamanda Ngozi Adichie

Imagine the literary buff, steeped in his beloved classics, rejoicing in a memory that sings, prepared to dispense kilowatts of goodwill, who fetches up at the Odeon on an off day. There are days like that, when everything rings hollow, and even the hollowness is unconvincing. There's nothing to be done about it: the inspiration's not there. He's left with a terrible sense of disappointment, resentment, against whom he doesn't exactly know: the playwright or the actors? All he can do is curl up in bed, alone, all alone, and console himself with suitably wrought alexandrines. ~ Jacques Yonnet

"I always read everything when I was a kid-and I do mean everything, from Nancy Drew to Dickens to my dad's John D. MacDonald-but then I went to regular school and the English teachers started telling me to read 'real' books, so I tried. And you know, I kinda went off reading for a while. I had already been reading literary novels and the classics mixed in with whatever else, but-" She waved a hand. "So I went back to reading whatever I wanted, whenever I wanted to-reading had been my greatest pleasure in all the world. I mean I never really watched all that much television, because we were moving around, never really had solid digs until I was thirteen, so reading was everything. ~ Barbara O'Neal

There exists an oasis where inspiration bursts forth like black gold from the fertile loam and every odd bellbird chirps a melody worth remembering. There's no bloody map or nautical chart that can deliver you there, but you know the instant you've arrived because you never ever want to depart. ~ Adam G. Tarsitano

What is literary tradition? What is a classic? What is a canonical view of tradition? How are canons of accepted classics formed,and how are they unformed? I think that all these quite traditional questions can take one simplistic but still dialectical question as their summing up: do we choose tradition or does it choose us, and why is it necessary that a choosing take place, or a being chosen? What happens if one tries to write, or to teach, or to think, or even to read without the sense of a tradition? Why, nothing at all happens, just nothing. ~ Harold Bloom

I've read dozens of interviews and accounts that basically come down to How Poets Do It and the truth is they're all do-lally and they're all different. There's Gerard Manly Hopkins in his black Jesuit clothes lying face down on the ground to look at an individual bluebell, Robert Frost who never used a desk, was once caught short by a poem coming and wrote it on the sole of his shoe, T.S. Eliot in his I'm-not-a-Poet suit with his solid sensible available-for-poetry three hours a day, Ted Hughes folded into his tiny cubicle at the top of the stairs where there is no window, no sight or smell of earth or animal but the rain clatter on the roof bows him to the page, Pablo Neruda who grandly declared poetry should only ever be handwritten, and then added his own little bit of bonkers by saying: in green ink. Poets are their own nation. Most of them know. ~ Niall Williams

A literary fetish is the new black ~ Danielle Ganek

Most of the literary classics are worth reading, if you've nothing better to do. ~ Edward Abbey

Neither black/red/yellow nor woman but poet or writer. For many of us, the question of priorities remains a crucial issue. Being merely "a writer" without a doubt ensures one a status of far greater weight than being "a woman of color who writes" ever does. Imputing race or sex to the creative act has long been a means by which the literary establishment cheapens and discredits the achievements of non-mainstream women writers. She who "happens to be" a (non-white) Third World member, a woman, and a writer is bound to go through the ordeal of exposing her work to the abuse and praises and criticisms that either ignore, dispense with, or overemphasize her racial and sexual attributes. Yet the time has passed when she can confidently identify herself with a profession or artistic vocation without questioning and relating it to her color-woman condition. ~ Trinh T. Minh-ha

I really can't say which of the American classics you should read. In fact, I think about as much of the notion of "classic" as you do, but at least the literary critics who compile those lists have a good sense of humor. How else can you explain them adding Mark Twain's wonderful books to their lists, given his view that "a classic is something everybody wants to have read, but no one wants to read"? Unless it's some kind of disguised jibe, but they surely can't be that petty.
Though I don't think that justice is the main argument against classics list. Or rather, in a way it's clearly a question of justice, but not against those who don't make it. No, the books I feel sorry for are the ones they add to these lists. Take Mark Twain again. Once, when Tom was young, he came to me complaining that he had to read Huckleberry Finn for junior high. Huckleberry Finn! Our critics and educators have got a lot to answer for when they manage to make young boys see stories about rebellion and adventure and ballsiness as a chore. Do you understand what I mean? The real crime of these lists isn't that they leave deserving books off them, but that they make people see fantastic literary adventures as obligations. ~ Katarina Bivald

A classic is a work which gives pleasure to the minority which is intensely and permanently interested in literature. It lives on because the minority, eager to renew the sensation of pleasure, is eternally curious and is therefore engaged in an eternal process of rediscovery. A classic does not survive because of any ethical reason it does not survive because it conforms to certain canons, or because neglect would kill it. It survived because it is a source of pleasure and because the passionate few can no more neglect it then a bee can neglect a flower. The passionate few do not read "the right things" because they are right. That is to put the cart before the horse "the right things" are the right things solely because the passionate few like reading them …

Nobody at all is quite in a position to choose with certainty among modern works. To sift the wheat from the chaff is a process that takes an exceedingly long time. Modern works have to pass before the bar of the taste of successive Generations; whereas, with Classics, which have been through the ordeal, almost the reverse is the case. Your taste has to pass before the bar of the classics. That is the point. If you differ with a classic, it is you who are wrong, and not the book. If you differ with a modern work, you may be wrong or you may be right, but no judge is authoritative to decide your taste is unformed. It needs guidance and it needs authoritative guidance.

Arnold Bennett, Literary Taste: ~ S. I. Hayakawa

The deeply satisfying aspect of the rediscovery of Zora Neale Hurston is that black women generated it primarily to establish a maternal literary ancestry. ~ Zora Neale Hurston

Joseph saw how he could make a gesture with his arms and hands, that would sweep in and indicate and symbolize the ripe stars and the whole cup of the sky, the land, eddied with black trees, and the crested waves that were the mountains, an earth storm, frozen in the peak of its rushing, or stone breakers moving eastward with infinite slowness. Joseph wondered whether there were any words to say these things."
He said, "I like the night. It's more strong than the day. ~ John Steinbeck

Hardboiled crime fiction came of age in 'Black Mask' magazine during the Twenties and Thirties. Writers like Dashiell Hammett and Raymond Chandler learnt their craft and developed a distinct literary style and attitude toward the modern world. ~ Charles Frazier

Built-in shelves line my bedroom, adjacent to my Japanese platform bed, purchased for its capacious rim, the better to hold those books that must be immediately accessible. Yet still they pile on my nightstand, and the grid of shelves continues in floor-to-ceiling formation across the wall, stampeding over the doorway in disorderly fashion, political memoirs mixed in with literary essays, Victorian novels fighting for space with narrative adventure, the Penguin classics never standing together in a gracious row no matter how hard I try to impose order. The books compete for attention, assembling on the shelf above the sofa on the other side of the room, where they descend by the window, staring back at me. As I lie in bed with another book, they lie in wait. ~ Pamela Paul

Honest to God, I hadn't meant to start a bar fight.
"So. You're the famous Jordan Amador." The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big.
He finally met my gaze and snorted before continuing. "I was expecting something different. Certainly not a black girl. What's with the name, girlie?"
I shrugged. "My mother was a religious woman."
"Clearly," the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat.
"I could start to examine the literary significance of your name, or I could ask what the hell you're doing in my bar," he said after knocking one of the balls into the left corner pocket.
"Just here to ask a question, that's all. I don't want trouble."
Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. "My ass you don't. This place is for fallen ~ Kyoko M.

My greatest influence has been the blues. And that's a literary influence, because I think the blues is the best literature that we as black Americans have. ~ August Wilson

Dorrigo Evans was unable to make head or tail of it. His tastes were in any case already ossifying into the prejudices of those who voyage far into classics in adolescence and rarely journey elsewhere again. He was mostly lost with the contemporary and preferred the literary fashions of half a century before - in his case, the Victorian poets and the writers of antiquity. ~ Richard Flanagan

We are drawn to the Renaissance because of the hope for black uplift and interracial empathy that it embodied and because there is a certain element of romanticism associated with the era's creativity, its seemingly larger than life heroes and heroines, and its most brilliantly lit terrain, Harlem, USA. ~ Clement Alexander Price

Her entire life, she'd been told sin was wrong, a black and white interpretation of what is evil and what is holy in the world - colored like a priest's robe and collar - but she never believed it to be true. Sin was colorful: scarlet like rose blood, azure like skin deprived oxygen, violet as bruises, jade as rot; a colorful contradiction to the darkness and blinding light all are taught sin and holiness to be. ~ Madi Merek

I know what you're thinking. 'How the hell does this broke ass piece of trailer trash know words like caveat,' right? Well guess what? I've read every single book on the New York Times list of 'Top 100 Literary Classics,' not to mention every Jane Austen, Sylvia Plath or Bronte sisters' book ever written. And fuck you very much for judging me, by the way. ~ Isobel Irons

We don't want to create a literary ghetto in which black writers are only allowed to write black characters and women writers are put on 'girl books.' ~ G. Willow Wilson

In any case how many took the oath and are now licking the toes of the whiteman?No, you take an oath to confirm a choice already made. The decision to lay or not lay your life for the people lies in the heart. The oath is the water sprinkled on a man's head at baptism ~ Ngugi Wa Thiongo

By the close of the nineteenth century her studies with her father were being supplemented by tuition in the classics from Dr Warr of King's College, Kensington, and from Clara Pater, sister of the English essayist and
critic Walter Pater (1839–94). Woolf was very fond of Clara and an exchange between them later became the basis for her short story 'Moments of Being: Slater's Pins Have No Points' (1928). Thoby boarded at Clifton College,
Bristol, Adrian was a dayboy at Westminster School, and Vanessa attended Cope's School of Art. Thoby, and later Adrian, eventually went to Trinity College, Cambridge, and Vanessa undertook training in the visual arts (attending the Slade School of Fine Art for a while). From 1902 Virginia's tuition in classics passed from Clara Pater to the very capable Janet Case, one of the first graduates from Girton College, Cambridge, and a committed feminist. The sisters visited Cambridge a number of times to meet Thoby, whose friends there included Clive Bell 1881–1964), Lytton Strachey (1880– 1932), Leonard Woolf (1880–1969) and Saxon Sydney-Turner. ~ Jane Goldman

The cultural wars of the sixties are over. I've reconciled with those who were my critics and opponents years ago. I was at odds with some those who were Black nationalists. Yet when feminists attempted to end my career and leave me as literary road kill, it was the Black nationalists who came to my rescue. ~ Ishmael Reed

Roderick Spode is the founder of the Saviours of Britain, a fascist organisation better know as the 'Black Shorts' ...
When you say 'shorts' mean 'shirts', of course.
No. By the time Spode formed his association, there were no shirts left. He and his adherents wear black shorts.
Footer bags, you mean?
Yes.
How perfectly foul. ~ P.G. Wodehouse

Now the moon of the Aztecs is at the zenith, and all the world lies still. Full and white, the white of bones, the white of a skull; blistering the center of the sky well with its throbbing, not touching it on any side. Now the patio is a piebald place of black and white, burning in the downward-teeming light. Not a leaf moves, not a petal falls, in this fierce amalgam. ("The Moon Of Montezuma") ~ Cornell Woolrich

The Beatles were huge. And the first thing they said when you interviewed them, 'Oh yeah, we grew up on Motown.'..They were the first white act to admit they grew up listening to black music. ~ Smokey Robinson

It is amazing what a woman can do if only she ignores what men tell her she can't. ~ Carol K. Carr

There is only room for a certain amount of black actresses in this industry. I don't want to fall into the zone of playing the 'ghetto bootalicious baby mama drama.' I want to play something with depth, like a crackhead or something. ~ Selita Ebanks

Memoirs are noting more than literary masterbation. ~ Christy Leigh Stewart