All My Literary Ladies Quotes

She was cuckoo about dime stores, where she bought cosmetics and pins and combs. After we locked the expensive purchases in the station wagon we went into McCory's or Kresge's and were there by the hour, up and down the aisles with the multitude, mostly of women, and in the loud-played love music. Some things Thea liked to buy cheaply, they maybe gave her the best sense of the innermost relations of pennies and nickels and explained the real depth of money. I don't know. But I didn't think myself too good to be wandering in the dime store with her. I went where and as she said and did whatever she wanted because I was threaded to her as if through the skin. So that any trifling object she took pleasure in could become important to me at once; anything at all, a comb or hairpin or piece of line, a compass inside a tin ring that she bought with great satisfaction, or a green billed baseball cap for the road, or the kitten she kept in the apartment - she would never be anywhere without an animal. ~ Saul Bellow

Here in the city she had gilded her nails. They shone. And she had put on a velvet dress, this soft red one, which was heavy. The buttons were in the form of seashells. ~ Saul Bellow

Literary style is like crystal-ware: the cleaner the wineglass, the brighter the brilliance. As a reader, I agree with those who believe that a colour of the dress, which a character has on, as well as any enumeration and description of dishes at dinner or in the kitchen should be mentioned only in case if all this has a strong consequent relation to the plot, but as an author, I can't help mentioning all this, with no particular reason, just for love for my characters, desiring to give them something nice and pleasant. Melancholy grows a platinum rose. Affection grows a double rose. ~ Lara Biyuts

What I have most wanted to do throughout the past ten years is to make political writing into an art. My starting point is always a feeling of partisanship, a sense of injustice. When I sit down to write a book, I do not say to myself, 'I am going to produce a work of art'. I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing. [...]
My book about the Spanish civil war, Homage to Catalonia, is of course a frankly political book, but in the main it is written with a certain detachment and regard for form. I did try very hard in it to tell the whole truth without violating my literary instincts. But among other things it contains a long chapter, full of newspaper quotations and the like, defending the Trotskyists who were accused of plotting with Franco. Clearly such a chapter, which after a year or two would lose its interest for any ordinary reader, must ruin the book. A critic whom I respect read me a lecture about it. 'Why did you put in all that stuff?' he said. 'You've turned what might have been a good book into journalism.' What he said was true, but I could not have done otherwise. I happened to know, what very few people in England had been allowed to know, that innocent men were being falsely accused. If I had not been angry about that I should never have written the book. ~ George Orwell

When I was young, the early death of my father cast a shadow over me - and I was afraid to die before all my literary plans came true. But between 30 and 40 years of age my attitude to death became quite calm and balanced. I feel it is a natural, but no means the final, milestone of one's existence. ~ Aleksandr Solzhenitsyn

Children inherit the qualities of the parents, no less than their physical features. Environment does play an important part, but the original capital on which a child starts in life is inherited from its ancestors. I have also seen children successfully surmounting the effects of an evil inheritance. That is due to purity being an inherent attribute of the soul.

Polak and I had often very heated discussions about the desirability or otherwise of giving the children an English education. It has always been my conviction that Indian parents who train their children to think and talk in English from their infancy betray their children and their country. They deprive them of the spiritual and social heritage of the nation, and render them to that extent unfit for the service of the country. Having these convictions, I made a point of always talking to my children in Gujarati. Polak never liked this. He thought I was spoiling their future. He contended, with all the vigour and love at his command, that, if children were to learn a universal language like English from their infancy, they would easily gain considerable advantage over others in the race of life. He failed to convince me. I do not now remember whether I convinced him of the correctness of my attitude, or whether he gave me up as too obstinate. This happened about twenty years ago, and my convictions have only deepened with experience. Though my sons have suffered for want of full literary education, the kn ~ Mahatma Gandhi

In fact, the sickness I was suffering from was that I had been driven out of the paradise of childhood and had not found my place in the world of adults. I had set myself up in the absolute in order to gaze down upon this world which was rejecting me; now, if I wanted to act, to write a book, to express myself, I would have to go back down there: but my contempt had annihilated it, and I could see nothing but emptiness. The fact is that I had not yet put my hand to the plow. Love, action, literary work: all I did was to roll these ideas round in my head; I was fighting in an abstract fashion against abstract possibilities, and I had come to the conclusion that reality was of the most pitiful insignificance. I was hoping to hold fast to something, and misled by the violence of this indefinite desire, I was confusing it with the desire for the infinite. ~ Simone De Beauvoir

Whether or not you employ humor in dealing with difficult subjects, the tone of the writing is of the utmost importance. Personally, I can read about almost any subject if I feel a basic trust in, and respect for, the writer. The voice must have authority. But more than that, I must know that the writer is all right. If she describes a suicide attempt or a babysitter's cruelty to her, or a time of acute loneliness, I need to feel that the writer, not the character who survived the experience, is in control of telling the story....The tone of such pieces may be serious, ironic, angry, sad, or almost anything except whiny. There must be no hidden plea for help - no subtle seeking of sympathy. The writer must have done her work, made her peace with the facts, and be telling the story for the story's sake. Although the writing may incidentally turn out to be another step in her recovery, that must not be her visible motivation: literary writing is not therapy. Her first allegiance must be to the telling of the story and I, as the reader, must feel that I'm in the hands of a competent writer who needs nothing from me except my attention. ~ Judith Barrington

--From "A Familiar Preface", 1912(PR,pp,19-20）：
"At a time when nothing which is not revolutionary in some way or other can expect to attract much attention I have not been revolutionary in my writings. The revolutionary spirit is mighty convenient in this, that it frees one from all scruples as regards ideas. Its hard, absolute optimism is repulsive to my mind by the menace of fanaticism and intolerance it contains. No doubt one should smile at these things;but, imperfect Esthete, I am no better Philosopher. ~ Joseph Conrad

My advice to a budding literary critic would be as follows. Learn to distinguish banality. Remember that mediocrity thrives on "ideas." Beware of the modish message. Ask yourself if the symbol you have detected is not your own
footprint. Ignore allegories. By all means place the "how" above the "what" but do not let it be confused with the "so what." Rely on the sudden erection of your small dorsal hairs. Do not drag in Freud at this point. All the rest depends on personal talent. ~ Vladimir Nabokov

We lived in a culture that denied any merit to literary works, considering them important only when they were handmaidens to something seemingly more urgent
namely ideology. This was a country where all gestures, even the most private, were interpreted in political terms. The colors of my head scarf or my father's tie were symbols of Western decadence and imperialist tendencies. Not wearing a beard, shaking hands with members of the opposite sex, clapping or whistling in public meetings, were likewise considered Western and therefore decadent, part of the plot by imperialists to bring down our culture. ~ Azar Nafisi

But just understand the difference between a man like Reardon and a man like me. He is the old type of unpractical artist; I am the literary man of 1882. He won't make concessions, or rather, he can't make them; he can't supply the market. I
well, you may say that at present, I do nothing; but that's a great mistake, I am learning my business. Literature nowadays is a trade. Putting aside men of genius, who may succeed by mere cosmic force, your successful man of letters is your skilful tradesman. He thinks first and foremost of the markets; when one kind of goods begins to go off slackly, he is ready with something new and appetising. He knows perfectly all the possible sources of income. Whatever he has to sell, he'll get payment for it from all sorts of various quarters; none of your unpractical selling for a lump sum to a middleman who will make six distinct profits. ~ George Gissing

It's all that's left,' Leon said in a suddenly weak voice. 'It's what is left of civilization. You take raw material and you transform it. That is civilization. Physical love is all raw meat. That's why everyone's so preoccupied with it now. I have been told by a colleague ten years older than myself--as if it were possible for anybody to be ten years older than I am--that salvation comes from staring at the pubic region of strangers, and freedom, from inducing in myself, by the use of a chemical, the kind of ecstatic lunacy in which I spent most of my adolescence, a condition I attribute solely to the strength of my body at that time and the conviction I had then that I would see socialism in the United States during my lifetime. Now that my bones are weak, my brain is stronger. I don't expect . . . anything. But I cannot bear the grotesque, lying piety of my own unhinged contemporaries. One man, a literary star'--and here he broke off, laughed once, choked and shook his head--'oh, yes, a star, told me he only regretted the pill had not yet been developed in his own youth. All those girls who might have been his! In this age of generalized cock, is this the whole revelation toward which my life has been directed? I would, in any case, prefer to contemplate the organ of a horse. It is handsomer, larger and more comic than anything my fellow man has to show. It is the age of baby shit, darling. Don't kid yourself. My privacy has been violated--what I've admired and thought abo ~ Paula Fox

Literary influences are harder for me to point to, because mostly it's a mulch of all of my past reading. ~ Jeff VanderMeer

I've been thinking about all the things I might have done differently. All the choices I didn't make. All the decisions that made and unmade me, all the actions and inactions I did or didn't take. With the shades drawn and the garbage overflowing, I've been thinking about all the bold steps I never took, all the gut instincts I didn't listen to, all the people I let down. I've been thinking about the cruel mathematics of my life, looking at my sums and wishing I'd shown my work. ~ Jonathan Evison

I owe all my originality, such as it is, to my determination not to be a literary man. Instead of belonging to a literary club I belong to a municipal council. Instead of drinking and discussing authors and reviews, I sit on committees with capable practical greengrocers and bootmakers ... Keep away from books and from men who get their ideas from books, and your own books will always be fresh. ~ George Bernard Shaw

(James Joyce, in conversation with Carl Jung"Literary artists know more about the human mind than you fellers have a hope in hell of knowing. Ha. My craft is ebbing. I am yung and easily freudened. One of these days I'll show the lot of you what the unconscious mind is really like. I don't need any of you. In a sense I am Freud."
Jung looked gloomily guilty at the name. "Yes?"
"What's Freud in English?"
"Joy."
"Joy and Joyce. There's little enough difference. Except that I add C and E for Creative Endeavour. I spit in all your eyes. ~ Anthony Burgess

My father is my biggest literary influence. Recently, I've been looking through his letters. He was in the National Guard when I was a child, and whenever he left, he would write to me. He wrote letters to me all through college, and we still correspond. His letters, and my mother's, are one of my life's treasures. ~ Louise Erdrich

I understood that all the material of a literary work was in my past life, I understood that I had acquired it in the midst of frivolous amusements, in idleness, in tenderness and in pain, stored up by me without my divining its destination or even its survival, as the seed has in reserve all the ingredients which will nourish the plant. ~ Marcel Proust

As I grow ever closer to the end of my time, I look back at this life and tell you that the only thing I would wish to give up is the regret I've carried in my heart for all these years. At long last I have come to realize the things I once counted as regrets were indeed blessings that I was too blind to see. ~ Bette Lee Crosby

The urge to change my mind and not go at all is enormous. I'm absolutely terrified to leave on that boat. But, if I don't go, there'll be one more broken person in this world who gave up a dream to sit in a chair, pick up the TV remote and shrink. ~ Lexis De Rothschild

The silky swirl of his tongue in the hollow of her navel sent fire licking through her veins. Hazily aware of the area his mouth was traversing, she stirred beneath him.
Not seeming to realize just where he was kissing her, Matthew persisted, sliding lower until Daisy let out a muffled yelp and pushed hard at his encroaching head.
"What is it?" he asked, rising to his elbows.
Crimson with mortification, Daisy could hardly bring herself to explain. "You were too close to my…well, you accidentally…"
As her voice faded, understanding dawned in Matthew's eyes. Quickly he bent his head to hide his expression, and a tremor ran through his shoulders. He replied with great care, still looking away from her. "It wasn't accidental. I meant to do that."
Daisy was astonished. "But you were going to kiss me right on my - " She broke off as his gaze met hers, laughter dancing in his blue eyes.
He wasn't embarrassed at all - he was amused.
"You're not shocked, are you?" he asked. "I thought you were well read."
"Well, no one would ever write about something like that."
He shrugged, his eyes glowing. "You're the literary authority."
"You're making fun of me," she said.
"Just a little," he whispered, and kissed her stomach again. Her legs jerked against his restraining hands. ~ Lisa Kleypas

All I am in private life is a literary critic and historian, that's my job ... And I'm prepared to say on that basis if anyone thinks the Gospels are either legends or novels, then that person is simply showing his incompetence as a literary critic. I've read a great many novels and I know a fair amount about the legends that grew up among early people, and I know perfectly well the Gospels are not that kind of stuff. ~ C.S. Lewis

The two main ideas that run through all of my writing, whether it be literary criticism or political polemic are these: I am strong in favor of liberty and I hate fraud. ~ H.L. Mencken

I have three younger siblings, and used to tell them an awful lot of lies when they were growing up. The best thing about being a writer is that now I can say that my lies were all in the name of literary creativity. Unfortunately, my brothers and sister don't believe me. ~ Marie Rutkoski

Cat Rambo: Where do you think the perennial debate between what is literary fiction and what is genre is sited?

Norman Spinrad: I think it's a load of crap. See my latest column in Asimov's, particularly re The Road by Cormac McCarthy. I detest the whole concept of genre. A piece of fiction is either a good story well told or it isn't. The supposed dichotomy between "literary fiction" and "popular fiction" is ridiculous. Hemingway, Fitzgerald, Mailer, did not have serious literary intent? As writers of serious literary intent, they didn't want to be "popular," meaning sell a lot of books? They wanted to be unpopular and have terrible sales figures to prove they were "serious"?

I say this is bullshit and I say the hell with it. "Genre," if it means anything at all, is a restrictive commercial requirement. "Westerns" must be set in the Old West. "Mysteries" must have a detective solving a crime, usually murder. "Nurse Novels" must have a nurse. And so forth.

In the strictly literary sense, neither science fiction nor fantasy are "genres." They are anti-genres. They can be set anywhere and anywhen except in the mimetic here and now or a real historical period. They are the liberation of fiction from the constraints of "genre" in an absolute literary sense. ~ Norman Spinrad

I have often received messages from diverse readers that, with some variations, pose similar questions. For example:
'What did you want to symbolize with: a) the man that hits another man on his head with an umbrella? b) the mosquito that dominates the man? c) the fifty chastising lambs?'
In all cases my answers, in these words or words like these, are;
When I write a story I try to make it the best possible story in a literary sense: I just want to write a story. ~ Fernando Sorrentino

My own luck was being born white and middle-class into a house full of books, with a father who encouraged me to read and write. So for about twenty years I wrote for a particular man, who criticized and praised me and made me feel I was indeed "special." The obverse side of this, of course, was that I tried for a long time to please him, or rather, not to displease him. And then of course there were other men - writers, teachers - the Man, who was not a terror or a dream but a literary master and a master in other ways less easy to acknowledge. And there were all those poems about women, written by men: it seemed to be a given that men wrote poems and women frequently inhabited them. These women were almost always beautiful, but threatened with the loss of beauty, the loss of youth - the fate worse than death. Or, they were beautiful and died young, like Lucy and Lenore. Or, the woman was like Maud Gonne, cruel and disastrously mistaken, and the poem reproached her because she had refused to become a luxury for the poet. ~ Adrienne Rich

It has suddenly occurred to me to write out word for word all that has happened to me during this last year, simply from an inward impulse, because I am so impressed by all that has happened. I shall simply record the incidents, doing my utmost to exclude everything extraneous, especially all literary graces. The professional writer writes for thirty years, and is quite unable to say at the end why he has been writing for all that time. I am not a professional writer and don't want to be, and to drag forth into the literary market-place the inmost secrets of my soul and an artistic description of my feelings I should regard as indecent and contemptible. ~ Fyodor Dostoyevsky

In every interview I'm asked what's the most important quality a novelist has to have. It's pretty obvious: talent. Now matter how much enthusiasm and effort you put into writing, if you totally lack literary talent you can forget about being a novelist. This is more of a prerequisite than a necessary quality. If you don't have any fuel, even the best car won't run.The problem with talent, though, is that in most cases the person involved can't control its amount or quality. You might find the amount isn't enough and you want to increase it, or you might try to be frugal and make it last longer, but in neither case do things work out that easily. Talent has a mind of its own and wells up when it wants to, and once it dries up, that's it. Of course, certain poets and rock singers whose genius went out in a blaze of glory - people like Schubert and Mozart, whose dramatic early deaths turned them into legends - have a certain appeal, but for the vast majority of us this isn't the model we follow.
If I'm asked what the next most important quality is for a novelist, that's easy too: focus - the ability to concentrate all your limited talents on whatever's critical at the moment. Without that you can't accomplish anything of value, while, if you can focus effectively, you'll be able to compensate for an erratic talent or even a shortage of it. I generally concentrate on work for three or four hours every morning. I sit at my desk and focus totally on what I'm writing. I don't ~ Haruki Murakami

I sit on a foldaway chair at the lakeside, sipping hot cocoa and admiring the sunset behind distant clouds, pondering my next novel, which will be more truth than fiction. More memoir than tale. It will begin at the Third Garden and end here at Little Loch Broom, floating on a leaf over clear water, a bared soul visible to all those who would desire a glimpse of a childhood most extraordinary. ~ I.J. Sarfeh

I think my sensibility is very literary; all my books were built as books, and I wasn't thinking about them being movies. ~ Bret Easton Ellis

Suffice it to say I was compelled to create this group in order to find everyone who is, let's say, borrowing liberally from my INESTIMABLE FOLIO OF CANONICAL MASTERPIECES (sorry, I just do that sometimes), and get you all together. It's the least I could do.

I mean, seriously. Those soliloquies in Moby-Dick? Sooo Hamlet and/or Othello, with maybe a little Shylock thrown in. Everyone from Pip in Great Expectations to freakin' Mr. Rochester in Jane Eyre mentions my plays, sometimes completely mangling my words in nineteenth-century middle-American dialect for humorous effect (thank you, Sir Clemens). Many people (cough Virginia Woolf cough) just quote me over and over again without attribution. I hear James Joyce even devoted a chapter of his giant novel to something called the "Hamlet theory," though do you have some sort of newfangled English? It looks like gobbledygook to me. The only people who don't seek me out are like Chaucer and Dante and those ancient Greeks. For whatever reason.

And then there are the titles. The Sound and the Fury? Mine. Infinite Jest? Mine. Proust, Nabokov, Steinbeck, and Agatha Christie all have titles that are me-inspired. Brave New World? Not just the title, but half the plot has to do with my work. Even Edgar Allan Poe named a character after my Tempest's Prospero (though, not surprisingly, things didn't turn out well for him!). I'm like the star to every wandering bark, the arrow of every compass, the buzzard to every haw ~ Sarah Schmelling

They had the magic pill, the solution to the inertia and frustration that has plagued the great literary protagonists I'd related to all my life - be it Leopold Bloom, Alex Portnoy, or Piglet from Winnie the Pooh. As ~ Neil Strauss

LIFE IS AN ENTHUSIASM. MY EXPERIENCE OF LIFE, MY VISION ALL ARE MENTION IN MY BOOKS. WRITING LANGUAGE - MALAYALAM. I BORN AND BROUGHT UP IN KERALA. MY LIFE PERIOD MORE THAN 28 YEARS WORKING IN THE MIDDLE EAST. IN MY LIFE EXPERIENCE INVOLVED IN MY ALL LITERARY WORKS - POEMS, DRAMA, NOVELS, TRAVELOGUES, SHORT STORIES & SCREENPLAY. PLEASE READ MY BOOKS AND COMMENT IN MY FACEBOOK/TWITTER/GOOD READS ETC... I REQUEST TO ALL KERALITES BUY MY BOOKS; READ AND COMMENT IT. MY BOOKS PUBLISHER IS CYBERWIT.NET - ALL MY BRIEF MENTIONED IN THAT PAGES. ~ Saravan Maheswer

Not a wasted word. This has been a main point to my literary thinking all my life. ~ Hunter S. Thompson

Though I have been busy, perhaps overbusy, all my life, it seems to me now that I have accomplished little that matters, that the books have never come up to what was in my head, and that the rewards - the comfortable income, the public notice, the literary prizes, and the honorary degrees - have been tinsel, not what a grown man should be content with. ~ Wallace Stegner

It's amazing how close I have been, all this time, to my old life. And yet the distance that divides me from it is vast. ~ Lauren Oliver

I have no doubt at all the Devil grins,
As seas of ink I spatter.
Ye gods, forgive my "literary" sins
The other kind don't matter. ~ Robert W. Service

I must confess that in all the times I read Madame Bovary, I never noticed the heroine's rainbow eyes. Should I have? Would you? Was I perhaps too busy noticing things that Dr Starkie was missing (though what they might have been I can't for the moment think)? Put it another way: is there a perfect reader somewhere, a total reader? Does Dr Starkie's reading of Madame Bovary contain all the responses which I have when I read the book, and then add a whole lot more, so that my reading is in a way pointless? Well, I hope not. My reading might be pointless in terms of the history of literary criticism; but it's not pointless in terms of pleasure. I can't prove that lay readers enjoy books more than professional critics; but I can tell you one advantage we have over them. We can forget. Dr Starkie and her kind are cursed with memory: the books they teach and write about can never fade from their brains. They become family. Perhaps this is why some critics develop a faintly patronising tone towards their subjects. They act as if Flaubert, or Milton, or Wordsworth were some tedious old aunt in a rocking chair, who smelt of stale powder, was only interested in the past, and hadn't said anything new for years. Of course, it's her house, and everybody's living in it rent free; but even so, surely it is, well, you know…time?
Whereas the common but passionate reader is allowed to forget; he can go away, be unfaithful with other writers, come back and be entranced again. Domesticity ~ Julian Barnes

I was in full digression! far from the subject! ... my colonel was losing track ... rapidly, of my story! my story! ... my own story! ... the gifts that I had personally received from Heaven! ... yet I had insisted, every time! truly extraordinary gifts! ... I'd made him repeat them a hundred times! ... enough so he'd remember! that I was the only true genius! the century's only writer! the proof: that no one ever spoke of me! ... everyone was jealous! Nobel! no Nobel! they had all joined forces to have me executed! ... they could just go fuck off! ... drop dead! since it was a question of death between me and them! I'll send their readers packing! all their readers! I'll make the public grow sick of their books! cabal! no cabal! since there was no room for two styles! ... it was mine or theirs! ... crawl or breastroke! ... you understand! ... the only inventor of the century! is me! me! me right here! the only genius, you might say! damned or not! ... ~ Louis Ferdinand Celine

Up to this date, I have never been shut up in a separate room, or hedged off with any observances. My study, all the study I have attained to, is the little 2nd drawing room where all the (feminine) life of the house goes on; and I don't think I have ever had two hours undisturbed (except at night, when everybody is in bed) during my whole literary life. ~ Margaret Oliphant

I repeat here what you will find in my first chapter, that the only thing that signifies to you in a book is what it means to you, and if your opinion is at variance with that of everyone else in the world it is of no consequence. Your opinion is valid for you. In matters of art people, especially, I think, in America, are apt to accept willingly from professors and critics a tyranny which in matters of government they would rebel against. But in these questions there is no right and wrong. The relation between the reader and his book is as free and intimate as that between the mystic and his God. Of all forms of snobbishness the literary is perhaps the most detestable, and there is no excuse for the fool who despises his fellow-man because he does not share his opinion of the value of a certain book. Pretence in literary appreciation is odious, and no one should be ashamed if a book that the best critics think highly of means nothing to him. On the other hand it is better not to speak ill of such books if you have not read them. ~ W. Somerset Maugham

In my twenties, it was so important for me to show people I had all these other books and these other sorts of writing in me, .. A lot of authors, if their first book is a success, they're terrified to write a second one. But in my case, since the first book wasn't considered a literary book, I was really determined to show people I could do other types of writing. ~ Evelyn Lau

Ever since I could remember, I'd been engaging in literary transference/transplantation/translation from one culture to another. Growing up on English literature, I taught myself to see my daily reality reflected in my reading material, while plumbing its universal truths in search of particulars... In reading English literature with a Pakistani lense, it seemed to me that all cultures were concerned with the same eternal questions and that people were more similar to one another than they were different. As Alys Binat says in Unmarriagble, "Reading widely can lead to an appreciation of the universalities across cultures."

But as Valentine Darsee says, "We've been forced to seek ourselves in the literature of others for too long. ~ Soniah Kamal

I dare to think that it is this outsized reality, and not just its literary expression, that has deserved the attention of the Swedish Academy of Letters. A reality not of paper, but one that lives within us and determines each instant of our countless daily deaths, and that nourishes a source of insatiable creativity, full of sorrow and beauty, of which this roving and nostalgic Colombian is but one cipher more, singled out by fortune. Poets and beggars, musicians and prophets, warriors and scoundrels, all creatures of that unbridled reality, we have had to ask but little of imagination, for our crucial problem has been a lack of conventional means to render our lives believable. This, my friends, is the crux of our solitude. ~ Gabriel Garcia Marquez