Valeria Luiselli Quotes

Stories are a way of subtracting the future from the past, the only way of finding clarity in hindsight.

Real writers never show their teeth. Charlatans, in contrast, flash that sinister crescent when they smile. Check it out. Find photos of all the writers you respect, and you'll see that their teeth remain a permanently occult mystery.

The person who walks too slowly could be plotting a crime or - even worse - might be a tourist.

Ever since I was left somewhat alone, without gods, I have been a ferocious believer in the power of small coincidences.

Perhaps no one really knows us who does not know the way we laugh.

However differently we spoke the language, as Spanish speakers, our close ties with Latin and Greek gave us a sense of superiority: we were the heirs to a noble linguistic past. English, in contrast, was the barbaric bastard son of Latin, constantly gloating over its discoveries: the demiurgic function of articles, inventing the world by enunciating it.

But this face, my face, like all faces, is not only a collection of traces- it's also the first draft of a future face... In my young face I instinctively read a first wrinkle of doubt, a first smile of indifference: lines of a story I'll rewrite and understand on a future reading.

Demented is the man who is always clenching his teeth on that solid, immutable block of stone that is the past.

I had made the very common mistake of thinking that marriage was a mode of absolute commonality and a breaking down of all boundaries, instead of understanding it simply as a pact between two people willing to be the guardians of each other's solitude.

Numbers and maps tell horror stories, but the stories of deepest horror are perhaps those for which there are no numbers, no maps, no possible accountability, no words ever written or spoken.

Although it might seem paradoxical, growing up in a family of liberal-minded atheists, committed but never militant, tends to have devastating consequences. Being raised without a rigid backdrop of religious, political, or spiritual beliefs makes it hard to have a real crises later in life. There is no way forward if your point of departure is the comfortable passivity of someone who has been a self-professed agnostic since the age of twelve, without ever having considered those important - one might say grave - matters, such as God, death, love, failure, or fear. For a precocious agnostic, the virtues offered by skepticism become terrifying hands that strangle and suffocate the already rare capacity of an individual to question things. Conversely, intelligent people who grow up thinking one thing and, on reaching a certain age, realize that everything they believe is open to doubt - stark, brutal doubt - can truly enjoy a profound crises that, in the worst cases, leads them to know themselves a little better.

Perhaps learning to speak is realizing, little by little, that we can say nothing about anything.

Why did you come to the United States? Perhaps no one knows the real answer. I know that migrants, when they are still on their way here, learn the Immigrant's Prayer. A friend who had been aboard La Bestia for a few days, working on a documentary, read it to me once. I didn't learn the entire thing, but I remember these lines: 'Partir es morir un poco / Llegar nunca es llegar' - 'To leave is to die a little / To arrive is never to arrive.

I suppose that words, timely and arranged in the right order, produce an afterglow. When you read words like that in a book, beautiful words, a powerful but fleeting emotion ensues. And you also know that soon, it'll all be gone: the concept you just grasped and the emotion it produced. Then comes a need to possess that strange, ephemeral afterglow, and to hold on to that emotion. So you reread, underline, and perhaps even memorize and transcribe the words somewhere – in a notebook, on a napkin, on your hand.

The end of things, the real end, is never a neat turn of the screw, never a door that is suddenly shut, but more like an atmospheric change, clouds that slowly gather - more a whimper than a bang.

The following day his outline appeared in white chalk on the asphalt. Did the hand of the person who skirted the coastline of his body tremble? The city, its sidewalks: an enormous blackboard- instead of numbers, we add up bodies.

When a person has lived alone for a long time, the only way to confirm that they still exist is to express activities and things in an easily shared syntax: this face, these bones that walk, this mouth, this hand that writes.

He fell into a solemn silence, which he only eventually broke to say, "I think I've become a terrible person. In fact, I've become a reptile. Do you know that reptiles are stupid because almost their entire brain capacity is used to feel fear?

Before the immigration crisis was declared in the summer of 2014, minors seeking immigration relief were given approximately twelve months to find a lawyer to represent their case before their first court hearing. But when the crisis was declared and Obama's administration created the priority juvenile docket, that window was reduced to twenty-one days. In real and practical terms, what the creation of that priority docket meant was that the cases involving unaccompanied minors from Central America were grouped together and moved to the top of the list of pending cases in immigration court. Being moved to the top of a list, in this context, was the least desirable thing - at least from the point of view of the children involved. Basically, the priority juvenile docket implied that deportation proceedings against them were accelerated by 94 percent, and that both they and the organizations that normally provided legal representation now had much less time to build a defense.

He spoke slowly, as if searching for adjectives in the darkness.

There are things that can only be understood retrospectively, when many years have passed and the story has ended. In the meantime, while the story continues, the only thing to do is tell it over and over again as it develops, bifurcates, knots around itself. And it must be told, because before anything can be understood, it has to be narrated many times, in many different words and from my different angles, by many different minds.

Perhaps the right word is recognition, in the sense of re-cognizing, knowing again, for a second or third time, like an echo of a knowledge, which brings acknowledgment, and possibly forgiveness.

I harbored the secret hope, or rather, the secret certainty, that one day I would finally turn into myself; into the image of myself I'd been elaborating for years.

Perhaps it's right that words contain nothing, or almost nothing. That their content is, at the very least, variable.