Placido Domingo Famous Quotes
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Don't you think it astonishing that, at 58, I am still working at improving my career?
If money was my only motivation, I would organize myself differently.
The public made me and then encouraged me for many years, and my future even now depends upon it.
I'm not superstitious because it brings bad luck.
I feel like a little boy who is constantly offered new toys.
When it becomes clear that no one else shares your level of passion, you are where you belong.
When a young artist is ready, one has to bring him into the limelight.
Let us be clear: I take ten times more money for a concert than for an opera performance.
I attended less than two years of Conservatory in Mexico City.
I then realized that I could never be satisfied again with the mere natural charm of my voice, that I had to constantly paint when singing, melting all the colors, expressing reds and blacks that had to be less primary but bursting with subtly colored combinations.
I feel at home in an orchestral score.
The voice collects and translates your bad physical health, your emotional worries, your personal troubles.
When I was a young man, I was a baritone, very far from possessing the whole range of the tenor then.
It is strange, but nobody is shocked when pop singers make a fortune in the space of two years.
I have always studied my parts with the orchestral score and not with the piano reduction.
The press regularly proclaims my ambitions and my financial demands.
Every three days on average, I am alone on stage, facing the public.
The public is a part of my real life.
Singing becomes a form of therapy.
Young singers are much better educated musically, much better informed, through discs and videos, than I was.
When you are confronted with an opera, you have to keep an eye on everything: the musicians, the chorus, the ballet, the singers, the staging.
To stay at my best, I have to stop talking during the preceding day.
With my personal preparation at the piano, I can afford to hum at half voice.
On the other hand, I have devoted so much energy to reach the top that I accept the stress of being there.
My strength is my enthusiasm.
The atmosphere of the theater is my oxygen.
This season, over eight productions, I am presenting four young tenors.
