Paul Reubens Famous Quotes
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I've always been very interested in ensemble work. One reason why I don't go out and do a stand-up act is that I did it once and I found it unsatisfying. I don't really like being out there by myself. I like reacting with other people.
I wouldn't sell my bike for all the money in the world. Not for a hundred million, trillion, billion dollars!
Look at me, I'm getting defensive about something that happened so many years ago, somebody said. I'll have to find out who that was and if he's still alive.
The moment that I realized my name was going to be said in the same sentence as children and sex, that's really intense. That's something I knew from that very moment, whatever happens past that point, something's out there in the air that is really bad.
Part of what I do comes from the fact that I don't know any jokes to tell. And when I do they're really flat and don't work.
I was looking for a last name that was a first name. Growing up, I knew a kid who was the most obnoxious kid I ever knew, and his last name was Herman.
I don't think Bruce Willis can compete with me. I have a much better voice.
The public already knows about me more than I ever wanted it to know.
There are things about me you wouldn't understand, things you couldn't understand, things you shouldn't understand.
I was looking to be pale, you know, like the kind of person who has that pigment in their skin where no matter what the weather is they have pink cheeks. I had a couple of friends like that. But it was all very instinctive in a way. I never really thought that much about it.
I'd love to work with Francis Ford Coppola. I met Coppola on an airplane.
I just feel in a lot of ways black people are so much looser and cooler. Just as a culture, it's so much more real.
I usually go in ahead of time, like at a rehearsal, or a meeting, and tell them, "It may appear that I'm going to go haywire, but I'm not." I always map out what I'm going to do. Still, a lot of it is improvised.
I was always in disguise. I'd wear masks or weird get-ups so you couldn't recognize me. I was always afraid that if somebody caught on that it was me, I'd never work again.
I was Pee-wee Herman for so many years that it wasn't really a question that I didn't want to do other things.
I enjoy getting to be arty and quirky and weird and all the things that I don't have that much choice with. You just sort of use what you got.
A large part of the reason I want to be so mysterious is so that I can move on and do something serious at some point in my career X years from now. It might be very difficult otherwise, because I'm ... wild
I know you are, but what am I?
I remember one play [when I was kid] was about this murderous mad scientist, and my whole part was to be the guy who got thrown into a vat of acid as the curtain went up. I was very pissed off at these older kids; they'd outsmarted me.
I think the first time I was on The David Letterman Show, he didn't quite know what to expect. I think people generally are just a little afraid.
We're in a situation now where fewer and fewer small films get made. People want these big giant tentpole sort of things, and I don't know, it's getting harder and harder to make a small movie.
The original suit was designed by a guy named Mr. Jay from Hollywood. But nowadays I'm having the suit duplicated. At this point I have about three good suits and about three really raggedy ones.
I'm just trying to illustrate that it's okay to be different - not that it's good, not that it's bad, but that it's all right. I'm trying to tell kids to have a good time and to encourage them to be creative and to question things,
I can sit in the room with the other writers and just keep saying no until there's something I really like or until I come up with something. In that respect the proportion of what's mine and what's other people's is controlled by me. It isn't even fair to talk about.
It's the most natural progression for me to becoming a singing sensation next. And so many people have offered to be on it. Eddie Van Halen ... and Prince, Madonna and Cyndi Lauper will probably be a backup trio.
Yeah, this is what I think was a quality of movies, is you're in a group of people. You're sharing something with people. Whether those other people make you laugh more, you're all laughing. You're all happy together. There's something ... manmade about that in a way that's - I'm not sure how that manifests itself in nature, but culturally we've set that up when we invented theater and the movies and all that stuff.
People read so much into what I do. It's fascinating to me because some of it's probably there, but I haven't thought of it.
In my experience I haven't met too many uptight black people. I'm sure they're out there. Like I'm some big authority and I've lived in the inner city and ghetto.
I'm going to try to do as many styles as I can. A salsa number, rock and roll, country ... I've talked to a million people about it. Obviously, I'd love Prince to do it. I'm sure he'll produce the whole album for me.
When I was about five my dad built a stage for me in our basement. A full stage, with a curtain, a backdrop and a dressing room. There were three colored spotlights - a red one, a white one, and a blue one. Blue was for nighttime scenes, and red was for when we were in hell. If the neighborhood kids wanted to use the stage, they had to incorporate me into the play.
There were nude pictures ... a lot of it is erotic or sexual. But I don't view my collection as dirty in any way. I view it as art.
I'd love to direct, and I think I'd be a great director, but ... I've been approved by the studio to direct, which I think is a cool jump of faith for them. Or proof that they're really stupid. But I don't think so.
But I don't know. Pee-wee just kind of popped out one day, pretty much fully fleshed-out and fully formed.
I think there's a danger that some people look at the success of my first movie as a fluke. So I want to make sure that my second film is an even bigger success. Then if I direct my third movie and it's terrible, it'll be okay.