Norton Juster Famous Quotes
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Just because you have a choice, it doesn't mean that any of them 'has' to be right.
Perhaps someday you can have one city as easy to see as Illusions and as hard to forget as Reality.
If something is there, you can only see it with your eyes open, but if it isn't there, you can see it just as well with your eyes closed. That's why imaginary things are often easier to see than real ones.
People always ask about my influences, and they cite a bunch of people I've never heard of.
Don't worry," Milo replied; "I'll just wrap one up for later," and he folded his napkin around "EVERYTHING HAPPENS FOR THE BEST.
There are no wrong roads to anywhere.
You can swim all day in the Sea of Knowledge and not get wet.
What you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.
Being lost is not a matter of knowing where you are. It's a matter of knowing where you aren't.
But it's not just learning things that's important. It's learning what to do with what you learn and learning why you learn things at all that matters.
I don't know of any wrong road to Dictionopolis, so if this road goes to Dictionopolis at all it must be the right road, and if it doesn't it must be the right road to somewhere else, because there are no wrong roads to anywhere. Do you think it will rain?
1. Milo There was once a boy named Milo who didn't know what to do with himself - not just sometimes, but always. When he was in school he longed to be out, and when he was out he longed to be in. On the way he thought about coming home, and coming home he thought about going. Wherever he was he wished he were somewhere else, and when he got there he wondered why he'd bothered. Nothing really interested him - least of all the things that should have. "It seems to me that almost everything is a waste of time," he remarked one day as he walked dejectedly home from school. "I can't see the point in learning to solve useless problems, or subtracting turnips from turnips, or knowing where Ethiopia is or how to spell February." And, since no one bothered to explain otherwise, he regarded the process of seeking knowledge as the greatest waste of time of all.
It's completely logical," explained the Dodecahedron. "The more you want, the less you get, and the less you get, the more you have. Simple arithmetic, that's all. Suppose you had something and added something to it. What would that make?"
"More," said Milo quickly.
"Quite correct," he nodded. "Now suppose you had something and added nothing to it. What would you have?"
"The same," he answered again, without much conviction.
"Splendid," cried the Dodecahedron. "And suppose you had something and added less than nothing to it. What would you have then?"
"FAMINE!" roared the anguished Humbug, who suddenly realized that that was exactly what he'd eaten twenty-three bowls of.
They never see what they're too much of a hurry to look for
Expect everything, I always say, and the unexpected never happens.
EVERYTHING HAPPENS FOR THE BEST.
But there's so much to learn," he said, with a thoughtful frown.
"Yes, that's true," admitted Rhyme; "but it's not just learning things that's important. It's learning what to do with what you learn and learning why you learn things at all that matters."
"That's just what I mean," explained Milo as Tock and the exhausted bug drifted quietly off to sleep. "Many of the things I'm supposed to know seem so useless that I can't see the purpose in learning them at all."
"You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way.
Mirages are things that aren't really there that you can see very clearly."
"How do you see something that isn't there?" ...
"sometimes it's much simpler than seeing things that are" ...
And, most important of all," added the Mathemagician, "here is your own magic staff. Use it well and there is nothing it cannot do for you."
He placed in Milo's breast pocket a small gleaming pencil which, except for the size, was much like his own.
From 2:30 to 3:30 we put off for tomorrow what we could have done today.
you must pick your words very carefully and be sure to say just what you intend to say.
They all looked very much like the residents of any small valley to which you've never been.
You can get in a lot of trouble mixing up words or just not knowing how to spell them. If we ever get out of here, I'm going to make sure to learn all about them.
Now and then, though, someone does begin to grow differently. Instead of down, his feet grow up toward the sky. But we do our best to discourage awkward things like that."
"What happens to them?" insisted Milo.
"Oddly enough, they often grow ten times the size of everyone else," said Alec thoughtfully, "and I've heard that they walk among the stars.
What a strange thing to have happen," he thought (just as you must be thinking right now). "This game is much more serious than I thought, for here I am riding on a road I've never seen, going to a place I've never heard of, and all because of a tollbooth which came from nowhere. I'm certainly glad that it's a nice day for a trip," he concluded hopefully, for, at the moment, this was the one thing he definitely knew.
But I'm afraid it can't be done."
"Certainly not; it can't be done," repeated the Humbug.
"Why not?" asked Milo.
"Why not indeed?" exclaimed the bug, who seemed equally at home on either side of an argument.
"Much too difficult," replied the king.
"Of course," emphasized the bug, "much too difficult."
"You could if you really wanted to," insisted Milo.
"By all means, if you really wanted to, you could," the Humbug agreed.
"How?" asked Azaz, glaring at the bug.
"How?" inquired Milo, looking the same way.
"A simple task," began the Humbug, suddenly wishing he were somewhere else, "for a brave lad with a stout heart, a steadfast dog, and a serviceable small automobile.
I wonder where I am," said Milo in a very worried tone.
"You're ... in ... the ... Dol ... drums," wailed a voice that sounded far away. He looked around quickly to see who had spoken. No one was there, and it was as quiet and still as one
could imagine.
"Yes ... the ... Dol ... drums," yawned another voice, but still he saw no one.
"WHAT ARE THE DOLDRUMS?" he cried loudly, and tried very hard to see who would answer this time.
"The Doldrums, my young friend, are where nothing ever happens and nothing ever changes.
What kind of a place is Expectations?" inquired Milo, unable to see the humor and feeling very doubtful of the little man's sanity.
"Good question, good question," he exclaimed. "Expectations is the place you must always go to before you get to where you're going. Of course, some people never go beyond Expectations, but my job is to hurry them along whether they like it or not.
Many of the things which can never be, often are.
There are good books and there are bad books, period, that's the distinction.
But why do only unimportant things?" asked Milo, who suddenly remembered how much time he spent each day doing them.
"Think of all the trouble it saves," the man explained, and his face looked as if he'd be grinning an evil grin
if he could grin at all. "If you only do the easy and useless jobs, you'll never have to worry about the important ones which are so difficult. You just won't have the time. For there's always something to do to keep you from what you really should be doing, and if it weren't for that dreadful magic staff, you'd never know how much time you were wasting.
Every sunrise gives you a new beginning and a new ending. Let this morning be a new beginning to a better relationship and a new ending to the bad memories. Its an opportunity to enjoy life, breathe freely, think and love. Be grateful for this beautiful day.
Whether or not you find your own way, you're bound to find some way. If you happen to find my way, please return it, as it was lost years ago. I imagine by now it's quite rusty.
AHA!" interrupted Officer Shrift, making another note in his little book. "Just as I thought: boys are the cause of everything.
And now," he continued, speaking to Milo, "where were you on the night of July 27?"
"What does that have to do with it?" asked Milo.
"It's my birthday, that's what," said the policeman as he entered "Forgot my birthday" in his little book. "Boys always forget other people's birthdays.
But I suppose there's a lot to see everywhere, if only you keep your eyes open.
There's lots to do; we have a very busy schedule - "At 8 o'clock we get up, and then we spend "From 8 to 9 daydreaming. "From 9 to 9:30 we take our early midmorning nap. "From 9:30 to 10:30 we dawdle and delay. "From 10:30 to 11:30 we take our late early morning nap. "From 11:30 to 12:00 we bide our time and then eat lunch. "From 1:00 to 2:00 we linger and loiter. "From 2:00 to 2:30 we take our early afternoon nap. "From 2:30 to 3:30 we put off for tomorrow what we could have done today. "From 3:30 to 4:00 we take our early late afternoon nap. "From 4:00 to 5:00 we loaf and lounge until dinner. "From 6:00 to 7:00 we dillydally. "From 7:00 to 8:00 we take our early evening nap, and then for an hour before we go to bed at 9:00 we waste time. "As you can see, that leaves almost no time for brooding, lagging, plodding, or procrastinating, and if we stopped to think or laugh, we'd never get nothing done.
Oh dear, all those words again," thought Milo as he climbed into the wagon with Tock and the cabinet members. "How are you going to make it move? It doesn't have a
" "Be very quiet," advised the duke, "for it goes without saying.
Perhaps you'd care for a synonym bun, suggested the duke.
How can you see something that isn't there?" yawned the Humbug, who wasn't fully awake yet.
"Sometimes, it's much simpler than seeing things that are,"he said. "For instance, if something is there, you can only see it with your eyes open, but if it isn't there, you can see it just as well with your eyes closed. That's why imaginary things are often easier to see than real ones."
"Then where is Reality?" barked Tock.
"Right here,"cried Alec, waving his arms.
Why, did you know that there are almost as many kinds of stillness as there are sounds? But, sadly enough, no one pays any attention to them these days.
Why, can you imagine what would happen if we named all the twos Henry or George or Robert or John or lots of other things? You'd have to say Robert plus John equals four, and if the four's name were Albert, things would be hopeless.
For always remember that while it is wrong to use too few, it is often far worse to use too many." - Which Macabre
Have you ever heard a blindfolded octopus unwrap a cellophane-covered bathtub?
The most important reason for going from one place to another is to see what's in between, and they took great pleasure in doing just that.
But that's just as bad," protested Milo. "You mean just as good," corrected the Humbug. "Things which are equally bad are also equally good. Try to look at the bright side of things." "I don't know which side of anything to look at," protested Milo. "Everything is so confusing and all your words only make things worse.
Why is it,' he said quietly, 'that quite often even the things which are correct just don't seem to be right?
I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.
And, most of all, of how much could be accomplished with just a little thought.
And when I'm writing, I write a lot anyway. I might write pages and pages of conversation between characters that don't necessarily end up in the book, or in the story I'm working on, because they're simply my way of getting to know the characters.
We never choose which words to use, for as long as they mean what they mean to mean, we don't care if they make sense or nonsense.
So many things are possible just as long as you don't know they're impossible.
Ah, this is fine," he cried triumphantly, holding up a small medallion on a chain. He dusted it off, and engraved on one side were the words "WHY NOT?" "That's a good reason for almost anything - a bit used perhaps, but still quite serviceable.
One of the problems you have when you read with kids is that once they like something they want you to read it a hundred times.
I warned you; I warned you I was the Senses Taker," sneered the Senses Taker. "I help people find what they're not looking for, hear what they're not listening for, run after what they're not chasing, and smell what isn't even there. And, furthermore," he cackled, hopping around gleefully on his stubby legs, "I'll steal your sense of purpose, take your sense of duty, destroy your sense of proportion - and, but for one thing, you'd be helpless yet."
"What's that?" asked Milo fearfully.
"As long as you have the sound of laughter," he groaned unhappily, "I cannot take your sense of humor - and, with it, you've nothing to fear from me.
It's bad enough wasting time without killing it.
You see, it's really quite simple. A simile is just a mode of comparison employing 'as' and 'like' to reveal the hidden character or essence of whatever we want to describe, and through the use of fancy, association, contrast, extension, or imagination, to enlarge our understanding or perception of human experience and observation.
Sometimes I find the best way of getting from one place to another is simply to erase everything and begin again.
Of course, if you've ever gotten a surprise package, you can imagine how puzzled and excited Milo was; and if you've never gotten one, pay close attention, because someday you might.
Besides, being lost is never a matter of not knowing where you are; it's a matter of not knowing where you aren't - and I don't care at all about where I'm not.
Don't you know anything at all about numbers?"
"Well, I don't think they're very important," snapped Milo, too embarrassed to admit the truth.
"NOT IMPORTANT!" roared the Dodecahedron, turning red with fury. "Could you have tea for two without the two - or three blind mice without the three? Would there be four corners of the earth if there weren't a four? And how would you sail the seven seas without a seven?"
"All I meant was - " began Milo, but the Dodecahedron, overcome with emotion and shouting furiously, carried right on.
"If you had high hopes, how would you know how high they were? And did you know that narrow escapes come in all different widths? Would you travel the whole wide world without ever knowing how wide it was? And how could you do anything at long last," he concluded, waving his arms over his head, "without knowing how long the last was? Why, numbers are the most beautiful and valuable things in the world. Just follow me and I'll show you." He turned on his heel and stalked off into the cave.
A slavish concern for the composition of words is the sign of a bankrupt intellect. Be gone, odious wasp! You smell of decayed syllables.
I never knew words could be so confusing," Milo said to Tock as he bent down to scratch the dog's ear.
"Only when you use a lot to say a little," answered Tock.
Milo thought this was quite the wisest thing he'd heard all day.
You will face many dangers on your journey, but fear not, for I have brought you this for your protection. In this box are all the words I know,' he said. 'Most of them you will never need, some you will use constantly, but with them you may ask all the questions which have never been answered and answer all the questions which have never been asked. All the great books of the past and all the ones yet to come are made with these words. With them there is no obstacle you cannot overcome.
The only thing you can do easily is be wrong, and that's hardly worth the effort.
I don't think you understand," said Milo timidly as the watchdog growled a warning. "We're looking for a place to spend the night."
"It's not yours to spend," the bird shrieked again, and followed it with the same horrible laugh.
"That doesn't make any sense, you see - " he started to explain.
"Dollars or cents, it's still not yours to spend," the bird replied haughtily.
"But I didn't mean - " insisted Milo.
"Of course you're mean," interrupted the bird, closing the eye that had been open and opening the one that had been closed. "Anyone who'd spend a night that doesn't belong to him is very mean."
"Well, I thought that by - " he tried again desperately.
"That's a different story," interjected the bird a bit more amiably. "If you want to buy, I'm sure I can arrange to sell, but with what you're doing you'll probably end up in a cell anyway."
"That doesn't seem right," said Milo helplessly, for, with the bird taking everything the wrong way, he hardly knew what he was saying.
"Agreed," said the bird, with a sharp click of his beak, "but neither is it left, although if I were you I would have left a long time ago.
As you can see, that leaves almost no time for brooding, lagging, plodding, or procrastinating, and if we stopped to think or laugh, we'd never get nothing done." "You mean you'd never get anything done," corrected Milo. "We don't want to get anything done," snapped another angrily; "we want to get nothing done, and we can do that without your help.
Very serious, very serious. You can't get in without a reason.
And Milo, full of thoughts and questions, curled up on the pages of tomorrow's music and eagerly awaited the dawn.
Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause of a room full of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're alone in the whole house? Each one is different, you know, and all very beautiful if you listen carefully.
Every time you decide something without having a good reason, you jump to Conclusions whether you like it or not.
Very serious, very serious," the gateman said, shaking his head also. "You can't get in without a reason." He thought for a moment and then continued. "Wait a minute; maybe I have an old one you can use." He took a battered suitcase from the gatehouse and began to rummage busily through it, mumbling to himself, "No ... no ... no ... this won't do ... no ... h-m-m-m ... ah, this is fine," he cried triumphantly, holding up a small medallion on a chain. He dusted it off, and engraved
I'm the official Senses Taker, and I must have some information before I can take your senses
Does everyone grow the way you do?" puffed Milo when he had caught up.
"Almost everyone," replied Alec, and then he stopped a moment and thought. "Now and then, though, someone does begin to grow differently. Instead of down, his feet grow up towards the sky. But we do our best to discourage awkward things like that."
"What happens to them?" insisted Milo.
"Oddly enough, they often grow ten times the size of everyone else," said Alec thoughtfully, "and I've heard that they walk among the stars." And with that he skipped off once again toward the waiting woods.
Time is a gift, given to you, given to give you the time you need, the time you need to have the time of your life.
What you can do is often a matter of what you will do.
How are you going to make it move? It doesn't have a – "
"Be very quiet," advised the duke, "for it goes without saying."
And, sure enough, as soon as they were all quite still, it began to move quickly through the streets, and in a very short time they arrived at the royal palace.
You see ... it's really quite strenuous doing nothing all day, so once a week we take a holiday and go nowhere, which was just where we were going when you came along. Would you care to join us?
There are other advantages," continued the child. "For instance, if one rat were cornered by nine cats, on the average, each cat would be ten percent rat and the rat would be ninety percent cat. If you happened to be a rat, you can see how much nicer it would make things.
For instance," said the boy again, "if Christmas trees were people and people were Christmas trees, we'd all be chopped down, put up in the living room, and covered in tinsel, while the trees opened our presents."
"What does that have to do with it?" asked Milo.
"Nothing at all," he answered, "but it's an interesting possibility, don't you think?
It was really written as most, I think, books are by writers - for themselves. There was something that just had to be written, in a way that it had to be written. If you know what I mean.
If you want sense, you'll have to make it yourself.
When you're very young and you learn something - a fact, a piece of information, whatever - it doesn't connect to anything.
Rhyme and reason answer all problems
Since you got here by not thinking, it seems reasonable to expect that, in order to get out, you must start thinking.
Things which are equally bad are also equally good. Try to look at the bright side of things.
- Humbug
Today people use as many words as they can and think themselves very wise for doing so. For always remember that while it is wrong to use too few, it is often far worse to use too many.
I received a grant from The Ford Foundation to write a book for kids about urban perception, or how people experience cities, but I kept putting off writing it. Instead I started to write what became The Phantom Tollbooth.
Can you spell everything?" asked Milo admiringly.
"Just about," replied the bee with a hint of pride in his voice. "You see, years ago I was just an ordinary bee minding my own business, smelling flowers all day, and occasionally picking up part-time work in people's bonnets. Then one day I realized that I'd never amount to anything without an education and, being naturally adept at spelling, I decided that -
You see, to tall men I'm a midget, and to short men I'm a giant; to the skinny ones I'm a fat man, and to the fat ones I'm a thin man.
Why, did you know that if a beaver two feet long with a tail a foot and a half long can build a dam twelve feet high and six feet wide in two days, all you would need to build Boulder Dam is a beaver sixty-eight feet long with a fifty-one-foot tail?"
"Where would you find a beaver that big?" grumbled the Humbug as his pencil point snapped.
"I'm sure I don't know," he replied, "but if you did, you'd certainly know what to do with him.
it seemed a great wonder that the world, which was so large, could sometimes feel so small and empty.
And that's why people no longer care which words they use as long as they use lots of them.
There is much worth noticing that often escapes the eye.
Is everyone with one face called a Milo?"
"Oh no," Milo replied; "some are called Henry or George or Robert or John or lots of other things."
"How terribly confusing," he cried. "Everything here is called exactly what it is. The triangles are called triangles, the circles are called circles, and even the same numbers have the same name. Why, can you imagine what would happen if we named all the twos Henry or George or Robert or John or lots of other things? You'd have to say Robert plus John equals four, and if the four's name were Albert, things would be hopeless."
"I never thought of it that way," Milo admitted.
"Then I suggest you begin at once," admonished the Dodecahedron from his admonishing face, "for here in Digitopolis everything is quite precise.
Isn't this everyone's Point of View?" asked Tock, looking around curiously.
"Of course not," replied Alec, sitting himself down on nothing. "It's only mine, and you certainly can't always look at things from someone else's Point of View. For instance, from here that looks like a bucket of water," he said, pointing to a bucket of water; "but from an ant's point of view it's a vast ocean, from an elephant's just a cool drink, and to a fish, of course, it's home. So, you see, the way you see things depends a great deal on where you look at them from.
changes are so frightening.
I wouldn't eat too many of those [half-baked ideas] if I were you. They may look good, but you can get terribly sick of them."
-Tock
Just follow that line forever," said the Mathemagician, "and when you reach the end, turn left. There you'll find the land of Infinity, where the tallest, the shortest, the biggest, the smallest, and the most and least of everything are kept."
"I don't have that much time," said Milo anxiously. "isn't there a quicker way?"
"Well, you might try this flight of stairs," he suggested, opening another door and pointing up."It goes there, too.
It has been a long trip," said Milo, climbing onto the couch where the princesses sat; "but we would have been here much sooner if I hadn't made so many mistakes. I'm afraid it's all my fault.