Matt Fraction Quotes

I think continuity is the devil. I think it's constricting and restrictive, I think it's alienating and off-putting, and it inflicts an artifact of linear time as we experience it on something that exists outside of linear time as well as keeps new readership away by keeping comics a matter of trivia and history rather than actual stories.

I had at some point the epiphany that if I wanted to be a writer, maybe I should stop thinking about writing, or stop writing about writing, and actually write.

I am telling you now: I might be young, but I am good. I work hard, and I'm a good person. I know what's right. I know what's wrong. And if you give me this chance
if you just give me one shot to show you how good I can be, how hard I work, how much I believe in doing the right thing
I won't let you down. I promise.

You're gonna miss each and every shot you can't be bothered to take. That's not living life
that's just being a tourist. Take every shot, Kate. If it's worth caring about, no matter how impossible you think it is
you take the shot.

How do we define "normal?" Quite literally it comes from the Latin norma meaning "carpenter's square." Straight. And "abnormal?" That's from the Greek anomalos, and the Latin abnormis meaning "monstrosity.

I know it's a mess and it's half-taped together and it's old and busted– but it's mine. And you gotta make that work, right? You gotta make your own stuff work out.

Death to the pale-penised man-monster! Death to the pendulous-breasted harridan!

Today sucks. I'm goin' back to bed.

Because of this.
Because your funny.
Because you know Lolita.
And Nabukov and James Mason too.
Because you're cute and funny and i'm kind of sad and you haven't tried hitting on me once.
Because you weren't even trying ...

We were pregnant at the time, and while I was out there I started to realize that if I had a daughter, there would come a day when I would have to apologize to her for my profession. I would have to apologize for the way it treats and speaks to women readers, and the way it treats its female characters.

This guy.
This fucking guy.

I'm going to ejaculate sparkles into your heart!

Some days it just feels like I'm here for the shoes and the eternal hope that I shall be issued minions.

A trick I picked up from reading Frank Miller scripts: ... He tended to always start his panel caps sometimes with a general noun and a verb. 'He weeps,' and then there'd be whatever else. And a couple of collaborators of mine have always said that the first sentence of my script is for them, and everything else that comes after is for me. Which is true, that's very much how I try to write. The first line is just to get the physical action down, and then I'll kind of drift off into whatever else I see in my head and they can take it or leave it.

Sexcastle is a perfect mix of homage and comedy, action and irony, loving tribute and hilarious send-up of the great, good, and ungodly-bad action movies of the '80s. I don't remember the last time a debut book hit me this hard. Literally, this book punched me in the face. It's THAT mean.

You've invaded my erotic dojo. For this your assholes will adorn my thunderous cock like jewelry!

My kitty wishes to engulf you within her darkened delta of destruction.

I ... God, I don't even know where to start. I'm here. I'm here for you, okay? No matter what. You can scream and you can yell and be as mean and self-destructive as you want. Because I know you're going to be here for me when it's my turn to fall apart. Let them all come, Clint. Let every last one of those tracksuit-wearing sub-verbal bullying murderous scumbags come at us. Because you and me? Together? Together, Clint, I think you and me are the person we both wish we could be. And I know that person ... I know that person is worth something. I know that person can ... can pretty much do anything.

Who the hell let you animals into my office?
I'll have you know I was playing a VERY unimportant game of chess right now with a man that kept saying King me.

I'm great at boats!

Having shot Stilt Man in the taint with a bazooka
I've come to realize every character is somebody's favorite character.

You're into what you're into, I'm into what I'm into. We don't have to be into the same shit, and if you're safe, sane, and happy, then go on and get you some.

Okay ... This looks bad.
You cowboy around with the Avengers some. Guys got, what, armor. Magic. Super-powers. Super-strength. Shrink-dust. Grow-rays. Magic. Healing factors. I'm an orphan raised by carnies fighting with a stick and a string from the Paleolithic era.
So when I say this looks "bad"?
I promise you it feels worse.

Writers that pretend to be in the throes of some kind of genius-demon, some kind of possessing spirit that refuses to let them engage with Normal Life are bullshit artists of the highest degree, looking to excuse their antisocial tendencies and bad manners away with a flourish of vocabulary and the semantic waving of hands.

This is death during wartime and it is capricious as shit.

Just looking at people made me care about them more. I fell in love with everything and everyone a little bit. They were all beautiful in some way. I just had to wait and watch and I'd catch it at the right time.

I think writing comics is predicated on being a fan - there's no either/or. I'd argue I'm an even bigger fan now than when I started because I know how the hot dogs get made. And I kinda always saw the moving parts. I think I appreciate the good ones more now that I realize how lousy the production process can be, how hard it can be, and how easily something good can get crushed in its cogs.

I reject passive consumption. I reject the premise. I will have no passive consumers. Casanova will not stop and explain itself to you. It will not allow you to flip through it while you're dropping a deuce and waiting for Batman to show up.

He played Sarah McLachlan. For the rest of my life whenever I'd get a latte or see a sick dog, I'd think about my hymen.

I don't understand the feeling of, the way people speak of writing as though it were, like, some kind of djinn to be summoned or like it's the Loch Ness monster or seeing a shooting star. It's a physical act. It is a thing you do with your muscles and your body and your willpower. Watch, I'll show you: get a piece of paper. Get a pencil. Put the pencil on the paper and write the word 'something.'

If you can take something as ultimately frivolous [as a comic book] in the cosmic scale of things in the universe and what's important - people being born and dying and everything else that's gonna happen today - if one gay kid in Shawnee Mission, Kansas, reads an X-Men comic and feels for a second like maybe they're not entirely alone in the world - that's amazing. I'll take it. Whatever size victory that is, I will take.

Let my tale be a warning. Sure as blood shall be all our undoing, it is stories that set us all free. The stories are all that matter.