Masha Tupitsyn Famous Quotes
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At any moment I could give up, but I haven't because love for me is an indispensable structure for being.
You have to have an eye and a feeling for where things go. Writing visually, writing textually, writing sonically. Text is visual for me and images are textual. There is power in the way ideas are arranged, not just developed rhetorically. Form is everything.
I was never really satisfied with writing only text or with the way my texts looked when they were published. Most online journals have a pretty lame sense of typography - bad font, counter-intuitive margins and line spacing - that it makes me sour on my writing.
The digital age is for me in many ways about temporal wounding. It's really messed up our ontological clocks.
I'm a discursive thinker, so quotation has played an active role in the structure and content of my books from the beginning.
Love is an active construction, and choice, not just an encounter that happens by chance.
Love has been the ontological pattern for me. And also the withholding pattern.
Both cinematic culture and the culture at large have changed profoundly. We're now in post-cinematic digital culture, and the internet has obviously usurped movies, which are no longer central to our lives, at least not as a collective spectator experience.
Not only is true love rare and true rebellion rare, real love is itself a radical form of rebellion - engagement, thinking, and being - and therefore happens in the context of a larger project of justice, liberation, and critical thinking.
One of the liberating things about having a blog is the total vision it allows.
We don't experience things collectively or cathartically anymore. Viewing has become an intensely private, fetishistic, compulsive process that happens separately from others, and that reflects not only our relation to cinema as a space of possibility, belief, and imagination. But more generally, of what could be, of readiness, which is what the movies have historically been about - the ability to act on things and change.
The digital artwork is characterized not by the technology which delivers it, but by the "passage" itself.
In the digital economy, everything is archived, catalogued, readily available, and yet nothing really endures.