Lynne Reid Banks Quotes

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Omri refused to get involved in an argument. He was somehow scared that if he talked about the Indian, something bad would happen. In fact, as the day went on and he longed more and more to get home, he began to feel certain that the whole incredible happening - well, not that it hadn't happened, but that something would go wrong. All his thoughts, all his dreams were centered on the miraculous, endless possibilities opened up by a real, live, miniature Indian of his very own. It would be too terrible if the whole thing turned out to be some sort of mistake.
Lynne Reid Banks Quotes: Omri refused to get involved
Spring came late. For the children, shut in the dark, cold parsonage, adjusting to Aunt and getting over the death that brought her, the winter had seemed endless. But now the rough moor was flecked with racing cloud shadows; the maltreated holly tree had stopped weeping; the green mould on the graves had dried to an unsuggestive grey.
The church could never look cheerful. It was too black, and its voice, the bell, always said 'Fu - ner -al ... fu - ner- al ... ' even when it was only calling them to hear one of their Papa's dramatic sermons.
Lynne Reid Banks Quotes: Spring came late. For the
Things like this - love-relationships - need a certain minimum of proximity to keep them going.
Lynne Reid Banks Quotes: Things like this - love-relationships
The very people you trusted most could become like strangers in their longing ...
Lynne Reid Banks Quotes: The very people you trusted
That's my whole trouble. I don't seem capable of living for the moment. It's as if the future threw back a shadow - a great black shadow of years of loneliness, and it terrifies me so much that I keep lighting little futile lights to try to drive the shadow away.
Lynne Reid Banks Quotes: That's my whole trouble. I
Even to be impaled by a happy fate makes you jerk against the knowledge of inevitability, of final commitment.
Lynne Reid Banks Quotes: Even to be impaled by
If the ending is messy, one doesn't remember anything good about any of it.
Lynne Reid Banks Quotes: If the ending is messy,
You touch, I kill.
Lynne Reid Banks Quotes: You touch, I kill.
I remember the mid-'50s well. It was when my life changed, and I left acting to become one of the first female television news reporters in the U.K.
Lynne Reid Banks Quotes: I remember the mid-'50s well.
Pirates of the Caribbean, move over! Make room for a crew of mouse-privateers who will capture your hearts and stop your breath with their thrilling sea-going adventures! A wonderful story, full of bold mice, good and wicked, who will show you what courage really means.
Lynne Reid Banks Quotes: Pirates of the Caribbean, move
Charlie had been doing something to the hedge; it was not exactly trimmed, but its disorder was now angular instead of bunchy.
Lynne Reid Banks Quotes: Charlie had been doing something
The BBC is very good at period drama - world-famous for getting the details right.
Lynne Reid Banks Quotes: The BBC is very good
Work, that supposed panacea, the great Taker-of-Your-Mind-Off, proved just about as totally useless and in fact irrelevant as those 'Easy Childbirth' theories are in the face of the real thing.
Lynne Reid Banks Quotes: Work, that supposed panacea, the
There's nothing, of course, more damaging and hurtful to the psyche than that - searching grimly for things to despise and revile in a person you once loved. You may destroy the beloved image but at the same time you destroy part of the basis of your self-respect, plus a whole vital chunk out of your past. Because, if he is hateful now, what aberration once caused you to waste so much love on him?
Lynne Reid Banks Quotes: There's nothing, of course, more
I put my chin up and tried to stiffen my upper lip, but found I didn't seem to have any muscles in it.
Lynne Reid Banks Quotes: I put my chin up
When you've loved somebody for a long time, and then it stops, it's akin to an amputation in that you go on feeling the cut-off part long after it's been taken away. All sorts of nervous and emotional impulses set out to travel to their accustomed stations, and when they come up against the new, raw barrier, they're carried through it by their own impetus, and only then, finding themselves shooting through empty space, do they dwindle and die away.
Lynne Reid Banks Quotes: When you've loved somebody for
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