Lyle Lovett Quotes

Records are very powerful promotional tools to go out and be able to play on the road, but you do have to think about it as a way of sustaining itself at some point.

I don't know where creativity comes from, but I think everybody has the ability to be creative. I think what's important about creativity starts when you're very young and how we're allowed to experience our imagination. The people who bring us up and teach us are fundamental in either encouraging creativity or discourging creativity. My imagination was always encouraged.

She was ugly from the front, and I said ugly, ugly, ugly, ugly, ugly. Well, I could handle it behind her.

Both my parents worked, so I was home alone a lot, and I would listen to their records. They belonged to the Columbia House record club, so they had records!

Beyond hoping that someone will like one of my songs, I don't think about how a song will be received. I just hope that, when somebody hears one of my songs, they'll want to hear it again.

The loss of Jerry Garcia feels like the end of an era in the same way it felt when Elvis died and John Lennon was killed.

I am limited by what I can think of to do-my choices are not so great.

Everybody's career is different. In this new age of being able to talk to the whole world at once, the possibilities are staggering, really, to be able to do things yourself. But I've always enjoyed my relationship with the record company.

I'm not really a competitive person, and I'm not naturally comfortable in front of people.

You're saying something with your appearance whether you mean to or not, so you may as well mean to.

Wear what you want to wear. Do what you want to do. Be who you are. Pick out your own clothes. Be a man. And if that's too much to ask, as it almost always is for me, think of someone you consider to be a man and pretend to be like him. I pretend to be like my dad.

If you forget the words to your own song, you can always claim artistic license. Forget the words to the national anthem, and you're screwed.

I'm not the kind of writer that can wake up and say, "Okay, I'm gonna write a song today," and have that song be the kind I would want to record. The songs of mine that I end up liking are songs that come from real experience. They're like chapter titles in my life.

Helen Hunt is terrific, and I got to do a couple of guest spots with Helen and Paul Reiser on 'Mad About You.'

Writin songs is like a mystery. The most difficult thing to do is have a good idea. If you have a decent idea, the songs are the easy part. Actually having something to say is the hard part. If you get an idea for a song, then it pulls you along. There are just some ideas that you get that are really hard to edit out; it's hard to stop thinking about some bad ideas. So you just finish it and you end up putting it on a record.

The most important thing you can do as a performer is to be yourself, or be an onstage version of yourself. If you're not being true to yourself, and somebody likes that other version of you, you're kind of stuck.

I'm a very lucky man. I get to do the thing I want most in life, write songs and sing them for people, and ride bikes. I love my family. I love my home. I get to work with people I've admired my whole life. It's a pretty good life.

If Ford is to Chevrolet what Dodge is to Chrysler,
what Corn Flakes are to Post Toasties,
what the clear blue sky is to the deep blue sea,
what Hank Williams is to Neil Armstrong -
can you doubt we were made for each other?

I married her just because she looks like you.

I've just always written songs in a style that appeal to me personally.

It's important to be successful enough to be able to keep doing what you love.

If someone gives you a belt buckle, it's like a piece of jewelry. It has the same sort of emotional significance. It would be something you would intend to keep forever.

Tipping your hat to a lady is good form. If you're at a dinner table, you'd most certainly take your hat off - cowboy hat, baseball hat, or otherwise.

You don't have to have anything in common with people you've known since you were five. With old friends, you've got your whole life in common.

I sort of cringe when I hear myself say the word 'work.' Getting to do something you love to do never really feels like work.

Women always go through the door first. Even ardent feminists would admit it's nice. It's not an acknowledgment of women as the weaker sex; it's perhaps an acknowledgment of women as the stronger sex.

It's really a lot easier to write about things that are problematic. Who wants to hear how happy you are?

One of my favorite things is when people will ask for a song that I hadn't planned to play. It is really fun to see if you can remember something, and you don't always. I mean, sometimes it's just crash and burn.

What would we do if we didn't try? We have to try.

When someone tells me what he or she was doing the first time they heard a song of mine, then I've done a good job. If my song becomes about your life, then I'm successful.

My music has always been sort of in between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.

As a songwriter, you try your best to write a good song, and you like nothing better than hearing a good song. It's easy to admire a great song, and you want to share out of enthusiasm.

When you have a solid upbringing and a strong sense of place, that sustains you. My sense of home never leaves me.

When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.

I've been lucky to be able to make the records I've wanted to make. The record company has never pressured me to cut certain songs.

If it's not too late, make it a cheese-burger

I'm really just trying to do things that I enjoy. I'm trying to play music that I like to play and like to listen to. I just have to think if I like those different kinds of music, there are other people who aren't so different from me.

Kemo Sabe, kiss my ass.

Growing up, the last thing I ever thought I'd do is be an entertainer.

Dad often told me, 'My job is to help my boss do his job and make him look good.' That was my dad's objective. Everything about the way he conducted himself was to communicate support for his superiors and respect for his coworkers. The way he dressed was his starting point in that communication.

It's difficult to get started-when it comes to dealing with an unknown quantity, people are reluctant to trust their own opinion. It helps if two or three people give you a boost.

I've always worked with people who have been supporters of me creatively.

I've always thought that writing isn't really that hard. It's having a good idea that's hard.

I've never been ready to do a single thing I've ever done in my life. I haven't been prepared enough, haven't studied enough, haven't known enough. You can never be ready. There's just so much to know.

Horses teach you patience and how to do things the right way so you can get the right result.

You have to be really good to get away with smashing a guitar.

In school, I didn't speak up often in class. I was never the person to yell out an answer. If I knew it, I might whisper it to my buddy and let him answer. I kept quiet.

I like my audience. I always feel when up on stage performing that I could enjoy having a cup of coffee with any one of them.

A woman comes to a table, and you're supposed to get up. Period. But I don't always do it. In general, you're supposed to do it every time. But sometimes you're seated against the wall, and it's awkward.

Every crowd is different. But that's something that I enjoy, and you can feel it in the first few seconds when you walk out on stage. You know, how a crowd is.

The first time I toured with the 'Large Band' in 1988, I got so tired. If I just stood still anywhere, I could go to sleep. I was that tired. But I had to perform. And I did, and after that tour, I was much less fretful about going out onstage.