Luka Sulic Famous Quotes
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Because in classical music cello is not regarded as a popular choice, it's always playing the long, boring notes.
Of course, there will always be, you know, conservative classical people who will judge you, but you know, who cares about them?
When our video of 'Smooth Criminal' came out, suddenly we started getting all kinds of offers. We were getting calls from TV shows like 'Ellen DeGeneres' and from record labels.
We were never happy with the way cello was recorded, and we wanted to experiment in the studio to make the cello rock as much as possible. On the second album, we had great help from Bob Ezrin, who helped us develop our sound even more.
I started playing when I was 5. I'm from a family of musicians.
It took us three months to finish the arrangement of 'Thunderstruck.'
We want to connect all these musical worlds together. We just improvise; we know straight away if its going to work or not. They're not covers - I hate the word cover. We do a transcription: mix it up, put our own spin on it. I think people will be surprised how powerful our show is.
A cello can sound like so many instruments, but it's only one, you know, like a guitar; it has percussive qualities. It can sing like the violin, you know, like a voice.
I like to swim a lot, while Stjepan likes to take long walks with girls. He's the very romantic type. Yes, musicians are romantic.
Now, we are still learning how to approach girls, you know, learning what to say, etc., because the practice we've had was with our other girl, the cello. If you noticed, it has the shape of a female.
Many classical musicians lack pulse and rhythmical strength and precision, so for us it was very important to acquire and learn those.
We tune differently, and we use some tricks. There's just the two of us for much of a concert, so we want a big sound. We do use some guitar effects, distortion and delay. Playing cello with distortion sounds so good.