Lily Cole Famous Quotes
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I found going to school when I was modeling very grounding. It's really kept my perspective on bigger things in my life.
I usually have a lip balm in my bag and mascara as well. I don't really wear much make-up, but I like mascara because I've got fair colouring.
Don't overpluck your eyebrows. A make-up artist told me this once, and I've always remembered it.
I don't personally follow trends; I don't even like the idea of trends. I think it's kind of absurd that you have to change every six months, so I always try and buy things that hopefully I'll like forever, and resonate with me.
I'm not against people buying clothes; I think clothes are wonderful, and I'm very materialistic myself - but there's a way of finding a compromise. I just think we can buy less and pay more, to make sure people aren't being exploited.
Marilyn Monroe and Vivienne Leigh are real icons of mine. In terms of visual culture, they are both so iconic. There weren't any paparazzi shots of them falling out of taxis, so they will always look so incredible.
As the generalization goes about the art industry, people can be really challenging and thought-provoking in their thinking and questioning the status quo, and it's really important that the status quo can be questioned and that there are people doing that.
If I'm anywhere close to where I can hike or swim, that's my favourite thing to do.
Giving triggers social cohesion. It's also the basis for an economy not based on money.
It's not that I don't believe in creativity and innovation and new ideas, and the creativity that comes with fashion, which I really respect. But one of my biggest concerns is just how cheap we expect everything to be.
I was of the type who gets bullied rather than the one who does the bullying, which I'm glad about. I'd rather be that than a bully.
I take my books everywhere. Plane journeys are a good opportunity to study, or also when I'm having my hair done.
America has had an influence on me, as has going out with a Cuban-American guy and having lots of American friends. But I am still fundamentally British and speak with a British accent and feel very English.
I love beautiful things; I like having nice clothes, and I can appreciate why other people do - but I've also started to learn more about the impact of what we buy: how things are made, how much you buy and the quality of everything.
It was a scandal when I did French 'Playboy' in 2008, though I was never actually nude in it. I think it's really funny that I'll have a cover of 'Playboy' to show my grandkids.
I've always cared about issues, always thought through problems. I don't know how much that comes from my personality or my mum.
I don't believe there's an afterlife - but I don't believe there's an end to life. Consciousness goes beyond the bounds of your body.
I guess I try and learn all the time from every experience in life, so my thinking is a hybrid of everything. I'd have to attribute some of that to my work in the fashion industry - in some obscure way.
It doesn't make me very happy to be on my computer all the time. I've never been drawn to that world.
There's an inherent contradiction between appreciating the beauty of clothes and creativity and individuality, and the waste around the ideas of trends and seasons.
There are so many great, great vintage clothes to find; there's a whole territory unexplored there.
The average Londoner knows just one neighbour. I travel a lot, and I'm always surprised by the strong sense of community in some countries. We've lost something fundamentally human, and we don't even realise it.
I'll always try to follow my heart into things I love, and modelling is not something I'm dreaming of pursuing forever.
Life is shining a light through a magnifying glass on me, looking for me to stumble. I think that's my biggest fear.
In British culture, redheads get teased at school. But I've grown up enough to realize I love my hair.
I part-own a bookshop for some strange coincidence of reasons, and it is one of the best things I part-own in my life, or own in my life. I do not know, it just feels great.
With acting, if I'm any good at it, my modeling career would never be a hindrance but would rather be a help. And if I'm not, then it doesn't really matter.
I started modeling at 14. It's simple. You respond to what the photographer wants and wear other people's ideas. I got bored with it, though, so I went to university.
When I was younger, I definitely did face anti-ginger prejudice. As a child, all teasing hurts, whether it's because you're fat or a different race or have red hair. I had enough comments from a couple of people to make it a sore point.
I'm just a lipgloss, blush and mascara kind of girl. I like playing with a bright lipstick or a heavy eye ... But not together!
I always used to love couture because it was more theatrical than the runways. The runways always felt more like part of the machine.
It's hard to appreciate the importance of the rainforest because it seems so far away, but it's vital to the survival of the planet as we know it.
The narrative of so many fairy tales are timeless in so many different cultures, and they have been since the dawn of man. They represent escapism, but they all feature themes that have such poignancy in a modern world.
I think models have a lot less power than they did in the '80s, when there were, like, only 10 supermodels who could dictate the rules, whereas now there's so many, and that changes the power dynamic and makes it a more insecure business.
Production chains, how consumers can drive change: all these things may seem at odds with fashion, but arguably, they're not.
As users of the Internet, we all have a role to play in defining what we want it to be.