Lester Bangs Famous Quotes
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And doing so you can recreate yourself and you can also come up with something that is not only original and creative and artistic, but also maybe even decent, or moral if I can use words like that, or something that's like basically good.
Rock 'n' roll is an attitude, it's not a musical form of a strict sort. It's a way of doing things, of approaching things. Writing can be rock 'n' roll, or a movie can be rock 'n' roll. It's a way of living your life.
I hate Stanley Clark, but I have to admit he's playing Jazz whether I like it or not.
Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.
Like almost all of Beefheart's recorded work, [Trout Mask Replica] was not even "ahead" of its time in 1969. Then and now, it stands outside time, trends, fads, hypes, the rise and fall of whole genres eclectic as walking Christmas trees, constituting a genre unto itself: truly, a musical Monolith if ever there was one.
Realizing that life is precious the natural tendency is to trample on it, like laughing at a funeral.
A fellow writer told me that Richard [Hell] once told her that the best thing about being a rock 'n roll star would be the option of constructing his environment so that he would never have to be around anyone he didn't want to know from, which not only sounds like building your own concentration camp but is just exactly what most of the declining rockstars of the Sixties have done to themselves.
Style is originality; fashion is fascism. The two are eternally and unalterably opposed.
The great thing about The Clash of course is that they keep searching for answers beyond that.
The ultimate sin of any performer is contempt for the audience.
No I don't think it was a myth at all, anymore than what the recession that the whole country was experiencing was a myth, which obviously seems like it's going to get worse and worse.
I'm not saying that all college students are subhuman - I'm just saying that if you aim to spend a few years mastering the art of pomposity, these are places where you can be taught by undisputed experts.
Personally I feel that real rock 'n' roll may be on the way out, just like adolescence as a relatively innocent transitional period is on the way out. What we have instead is a small island of new free music surrounded by some good reworkings of past idioms and a vast sargasso sea of absolute garbage.
Basically no, I mean I think that it's very easy to like I say, smoke a joint or even to wear a Chairman Mao button, or do a lot of these things with out knowing what's behind it, and what it really means.
The Mekons are the most revolutionary group in the history of rock 'n' roll.
It's not enough just to do those things anymore; what you must do instead if you want success on any large scale is either figure out a way of getting yourself associated in the audience's mind with their pieties and their sense of 'community,' i.e. ram it home that you're one of THEM; or, alternately, deck and bake yourself into an image configuration so blatant or outrageous that you become a culture myth.
Corporations are social organizations, the theater in which men and women realize or fail to realize purposeful and productive lives.
Rock and roll, as I see it, is the ultimate populist art form, democracy in action, because it's true: anybody can do it.
At its best New Wave/punk represents a fundamental and age-old Utopian dream: that if you give people the license to be as outrageous as they want in absolutely any fashion they can dream up, they'll be creative about it, and do something good besides.
I'll probably never produce a masterpiece, but so what? I feel I have a Sound aborning, which is my own, and that Sound if erratic is still my greatest pride, because I would rather write like a dancer shaking my ass to boogaloo inside my head, and perhaps reach only readers who like to use books to shake their asses, than to be or write for the man cloistered in a closet somewhere reading Aeschylus while this stupefying world careens crazily past his waxy windows toward its last raving sooty feedback pirouette.
Rock is for everybody; it should be so implicitly anti-elitist that the question of whether somebody's qualified to perform it should never even arise.
I can guarantee you one thing, we will never agree on anything as we agreed on Elvis.
Most of them are pretty down records, pretty unhappy, pretty confused. Which only reflects how people in general were feeling, I mean really the sense that you get is society running down.
It's much easier to wear a Chairman Mao button and shake your fists in the air and all that, then to actually read the Communist manifesto and things like that and actually become involved in politics.
The only questions worth asking today are whether humans are going to have any emotions tomorrow, and what the quality of life will be if the answer is no.
John Lennon at his best despised cheap sentiment and had to learn the hard way that once you've made your mark on history those who can't will be so grateful they'll turn it into a cage for you.
When kids can't afford to see it anymore maybe we'll have a whole resurgence of garage bands all over America and this New Wave thing will start to mean something on a grass roots level.
The whole point of American culture is to pick up any old piece of trash and make it shine with more facets than the Hope Diamond.
I mean it's easier to be in a demonstration if it's a trip that's one of the reasons why the whole thing fell apart in 1971, because it wasn't a trip any longer.
But since death is inevitable we don't have to deal with it (it'll deal with us when it decides to). What we do have to deal with is the psychic, physical, and fusion diseases wrought during our so-called lives as byproducts of the elemental clash. In other words we're all terminally psychotic and no doctor, hospital, pill, needle, book or guru holds the cure. Because the disease is called life and there is no cure for that but death and death's just part of the set-up designed to keep you terrified and thus in bondage from the cradle to the crypt so ha ha the joke's on you except there's no punchline and the comedian forgot you ever existed as even a comma.
The first mistake of art is to assume that it's serious.
No, I see it as meaning very little at the moment because none of the groups are about anything.
If the main reason we listen to music in the first place is to hear passion expressed- as i've believed all my life-then what good is this music going to prove to be? what does that say about us? what are we confirming in ourselves by doting on art that is emotionally neutral? and, simultaneously, what in ourselves might we be destroying or at least keeping down?
All humans are the same sex, except albinos.
Nothing ever quite dies, it just comes back in a different form.
I've always believed the New Left is rank.
I don't see that there are any particular changes in popular music.
A young woman is dead. I don't care. You probably don't care. The police don't care. The papers don't care. The punks for the most part don't care. The only people that care are (I suppose) her parents and (I'm almost certain) the boy accused of murdering her.
Music, you know, true music not just rock 'n' roll, chooses you.