Kim Weston Famous Quotes
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I think all photographers fit their vision to their personality.
Being a shy person, I always felt strange outside with my camera.
What I had to prove was that I had a dedication and a desire and a passion to do the work and everything else would fall in place because I have a vision that I want to portray and it did and I do it. I don't sell anything.
No matter how fast I could do it with the digital camera I don't think I would get the same thing out of it. The passion I have for formulating an idea stands alone. It is the important essence of what I do.
The gallery is generating work for the masses.
Growing up, I didn't give my grandfather's photography a second thought. I wasn't involved in his work, except that I helped my dad print his negatives.
I don't think at that time I realized how important it was and how important it was for me to be here and carry on that legacy in our family of being a photographer.
You work on an idea, your first interpretation is very raw and you work it and you work it and it gets polished and polished. It gets to a certain level and then it comes down off that peak.
I'm not photographing the model in the classic sense; the model is playing a part in my photographs. It's more like theater. I always work with models I know, and I let them participate in deciding how to act their part.
Uncle Brett had a definite vision that he was after, I don't think having a famous father affected him much.
I didn't want to travel. I didn't want to leave my family. I heard all these stories from Dad about not having Edward around when he was young, and I didn't want that to happen.
I don't need the money I generate from photography to support myself.
That's not to say that some day I won't go outside again, but I'm having a great time working on this process.
Galleries, and they're all the same, and rightly so, they sell work.
A lot of my work comes from my life experiences.
Any nude is a something you setup in front of the camera.
I don't know, the older I get, the more complicated I think I get, which is a hindrance.
I felt no pressure that my grandfather was famous and my uncle was famous.
The darkroom is just the means to an end.
I was always confident in my art and in myself as an artist.
The great thing about this thing we call art is that it has no rules.
I think the digital camera would record that information too fast for me.
In front of the camera I look and I see visually what I've created.