Kevin Drew Quotes

I have great relationships with all my exes, and everyone in my life, because I honor the time and the love and the energy of those relationships. I'm happy to say that I can have everybody over for dinner.

I could be dramatic and go "He saved my life!", but sometimes you just need to see it again. Sometimes you need to see that person want it so badly for all the right reasons, and it makes you realize that no matter what you do you already won.

Everybody has their own ways of wanting to do things.

Rules are what governs us as humans, but it was wonderful to meet a man who said "There are no rules. You gotta be what you gotta be and you gotta believe in it." I know that's a feeling I used to feel a lot at a younger age, and through the sense of responsibility and working with so many and taking on so many duties and actions, you lose if you don't stay on top of it. So that's what I love about this man, that there are no rules.

The new solo album sounds like me: I'm singing about bad business transactions, bodily fluids, and courage.

There's an interesting story around that ["Heaven Without a Gun"], because the girl I was dating at the time got into a bike accident and couldn't make it into the studio, and the gentleman Dave Hamlin who worked on this record along with Ohad sort of took it, rearranged it. Dave went and sonically changed it and changed the keys so that Andy could sing it better. All these pieces came together that suddenly displayed that the song was meant for Andy [Kim] to sing. And he always said, "I'll never understand it, but I'll sing it with all my heart."

I got a little lost in "Law & Order" and "Luther" and all those shows where it's basically women dying all the time, I had to stop watching that stuff because it fills me with anxiety. And I joined a gym.

I didn't retire, I became irrelevant - there is a big difference.

It's very hard for me to say "Do I have favorite?" because I find that each song represents a different sounds different emotions in Andy's [Kim] life. Particularly "Sister OK", 'cos that started everything.

I wanted to make a very cohesive-sounding album. Anyone who has listened to me and brought me into their living rooms and their bedrooms - I am making this for them.

It's hard: you get older, you have a career, the normal frustrations that come with what you do when you wear your heart on your sleeve and you try really heard. I was exhausted, and I couldn't quite see the magic of creating at that time. That's all. I couldn't get into it, and Andy [Kim] slowly resuscitated me, and that's how I made Darlings.

We do have to remain true to the idea of honesty within what you want to do.

You're not going out there to make a living out of it by selling records. You want acclaim and you want to know people are listening.

What inspires me is anxiety and the quest to try to change things in my life ... I got addicted to endings and beginnings and to the idea of always moving around ... Obviously, whenever you're going through something that's the best time to create, if you're going through something amazing, or horrible, or nothing at all you should be creating. Unfortunately the songwriters of today generally torture themselves to make sure they're writing good songs and take it a little too seriously.

You should never leave something with a feeling of defeat.

There's nothing better than striving to be a better man.

The great thing about "Shoot 'Em Up, Baby" is that it's the first song that we went and recorded [with Andy Kim].

I am 36 years old, I can't change. I have tried, trust me, but I can't. It's nice to get over yourself and just do it.