Jenny Erpenbeck Quotes

Her body is a city. Her heart is a large shady square, her fingers pedestrians, her hair the light of streetlamps, her knees two rows of buildings. She tries to give people footpaths. She tries to open up her cheeks and her towers. She didn't know streets hurt so much, not that there were so many streets in her to begin with. She wants to take her body on a stroll, out of her body, but she doesn't know where the key is.

Every single moment of this afternoon is too late for her to leave again

... when he slipped out of his mother's womb, he was already filled with interior spaces that didn't belong to him, and he can't just look inside to inspect his own interior.

Which means that in the end there are certain things you can take with you when you flee, things that have no weight, such as music.

Have the people living here under untroubled circumstances and at so great a distance from the wars of others been afflicted with a poverty of experience, a sort of emotional anemia? Must living in peace - so fervently wished for throughout human history and yet enjoyed in only a few parts of the world - inevitably result in refusing to share it with those seeking refuge, defending it instead so aggressively that it almost looks like war?

How much better it would be, she thinks, if the world were ruled by chance and not a God.

The end of a day on which a life has ended is still far from being the end of days.

Sometimes the price one pays for something continues to grow after the fact,becoming too expensive long after it has been paid.

Adventure is really always just subjecting yourself to something unfamiliar

Nothing is nicer than diving with your eyes open. Diving down as far as the shimmering legs of your mother and father who have just come back from swimming and now are wading to shore through the shallow water. Nothing more fun than to tickle them and to hear, muffled by the water, how they shriek because they know it will make their child happy.

Has she really come home? For two minutes she can feel the sand beneath her shoes along with a few pieces of flint and pebbles made of quartz or granite; then she takes off her shoes forever and goes to stand on the board to be shot.
..and finally, last of all, the name of the girl herself is taken back, the name no one will ever again call her by.

The Lord gave, and the Lord took away, her grandmother said to her at the edge of the grave. But that wasn't right, because the Lord had taken away much more than had been there to start with, and everything her child might have become was now lying there at the bottom of the pit, waiting to be covered up.

Everything had kept getting less, they'd had to leave behind more and more baggage, or else it was taken from them, as though they were now too weak to carry all those things that are part of life, as though someone were trying to force them into old age by relieving them of all this.

How many times, he wonders, must a person relearn everything he knows, rediscovering it over and over, and how many coverings must be torn away before he's finally able to truly grasp things, to understand them to the bone? Is a human lifetime long enough? His lifetime, or anyone else's?

A house is your third skin, after the skin made of flesh and clothing.

It would be lovely if he and his wife would succeed in dying before the matter of inherited property was finally settled. Then the person giving the speech at the funeral would be able to say that until the very end they had been able to pursue what they loved: sailing. [p. 121]

Home. When it rains, you can smell the leaves in the forest and the sand. It's all so small and mild, the landscape surrounding the lake, so manageable. The leaves and the sand are so close, it's as if you might, if you wanted, pull them on over your head. And the lake always laps at the shore so gently, licking the hand you dip into it like a young dog, and the water is soft and shallow.