James Mercer Quotes

Honestly, humans are social creatures that really crave intimacy, and I think that the friends I have who are trying to somehow go it alone are suffering for it.

Humans are social creatures that really crave intimacy.

The part of modern pop music I don't know much about is hip hop.

One thing that I've struggled with has been a certain amount of animosity toward the whole human race.

I tend to write a pretty half and half split of, like, slow, morose things and then sort of more upbeat stuff.

There's not a lot of thinking that I need to do away from the studio on Broken Bells stuff.

Meeting Perry Farrel was kind of cool. He's such an icon, and I was such a fan of Jane's Addiction.

You have to keep the recording process open. If you make too many decisions before you go in, you can lose out on those serendipitous moments that can really make a record, that I think are always required in the making of a really good record.

The thing that inspires me most is empathizing with people's flaws and seeing how they deal with them. That sort of connection you feel with someone when you realize that maybe even the negative things that they've said or done are because of insecurities or injuries they've endured.

As a child, I lived in Germany at the Ramstein air force base, where my dad sang at a nightclub in Kaiserslautern. My parents couldn't afford a babysitter, so when I was, like, ten or 11, I would go with them to the bar until two in the morning.

Maybe it's just parenthood that puts you in a situation where you just have to develop a new attitude, I guess, about things.

There's no real reason for me to be so obsessed with trying to understand the true nature of things. You can live a perfectly happy life being utterly confused and not knowing.

I think that once you start writing songs, you start developing a library of ideas that you can go and take from, so it gets easier as you go.

My attempt at really doing classic sort of songwriting is Shins stuff.

I have no ethics when it comes to art. You just do what you can to make it as beautiful as you can.

The love you have for your kids is so overwhelmingly powerful that it alters your perspective. The dark things going on in the world become very poignant and vivid.

I was a regular dork. I was a kid who was scrawny and all that, and probably kind of dumb or something. I wasn't unordinary; I wasn't extraordinary.

The Shins is, in a way, a recording project that turned into a live band. So I don't really keep myself beholden to any rules when I'm in the studio for Shins. I just gotta get it done as best I can.

The way I was brought up, there was a little bit of prodding to do something more practical, and I wasted a lot of time trying to be a practical person.

I tend to [have] a lot of ideas but then just leave them in that infant form and kind of move on.

So happy that Broken Bells is a thing in my life and really cool in so many ways. Not only, like, as something to sell records and be a band and whatnot, but just to give me an outlet and give me a fresh approach on things.

I think that was going on with bands like The Strokes was that the idea of the band, a real band, was making a comeback. My brother in law is an example- before he was listening to some country music, even some of that awful nu-metal stuff , but there weren't many options really.

We played a festival in Ireland once, and in the middle of 'New Slang,' the Scissor Sisters kicked in across the field on this mega stage. It was a little distracting. It was hard to keep track of what I was supposed to sing.

I sit and write songs alone and then get together with people to help me flesh it out into a recording.

Life is sad. People, you know, are going to pass, and you know that you will one day.

I know that there are a lot of sort of silly things that one thinks as a music listener about bands. I am a fan of many bands.

I really know so little about recording, and I'm learning as I go.

I think perfect dates involve walking a lot, and not a bunch of driving around in cars. Ideally, you can walk together and go to a restaurant, and then walk from there to another nice place - this is, I guess, because of really great dates that I've had with my wife here in Portland.

For the longest time, I didn't even want to admit I was serious about music. Before the Shins, I would tell myself, 'Oh, I'm going to figure something out someday.' I had this romantic vision of being this old dude maybe making guitars or something.

I've always sort of felt like what the Shins is, I guess, is a vehicle for my writing.

I remember being in high school, and you had to draw those lines and define yourself. I don't think when I was in high school I would have been willing to admit that I liked the Shins. I was into TSOL and Black Flag. I probably would have listened to the Shins secretly in my bedroom.

I'm real happy. I've been lucky in love, and I've got a wonderful kid now, and things have been going well.

Lyrically, I think I'm frustrated with this whole process of trying to figure out what I believe about the world and life. I don't like to adopt a sort of guiding philosophy.

I kissed my first girl when I was 15, and then I lost my virginity when I was 17. So that's pretty good. It was just that when you're in high school, you're sort of forced into the normal world, where you're competing with the football players, just kind of in that world where somebody like me didn't quite fit in.

Until having kids, I had never really thought about mortality so much.

I'm trying to avoid having regrets about missing opportunities. That would be the worst thing. Like having an audience waiting, and not working hard enough, and coming out with a record that disappointed them.

I do like talking with friends about big concepts, you know, the stuff that will ruin a party. To me, the party hasn't begun until we're talking about the nonexistence of God.

Horrible dates are when you're with people who are immature and can't really be comfortable in their own skin.

The real challenge of writing songs isn't just writing a bunch of parts - like a verse, chorus, verse - but making something that flows together, that brings you back.

There is pressure that comes with everything being a big deal. I remember thinking, 'I need to survive the Shins. I don't know what I'm going to do to make a living otherwise, but I really don't want to do the Shins right now.'