Carl Andre Quotes

I think it was Henry Moore who was asked where he got his ideas for his sculptures, and he said something like, "I continue to do as an adult the things I did as a child." I think that's what art is about.

Art is an intersection of many human needs.

Americans understand better than the Europeans and the English that any publicity is good.

If you forge a Carl Andre, it's just another Carl Andre. It's not like a Vermeer.

Lenin thought abstract art was a conspiracy by the bourgeois to demoralize the proletariat. Yeah, socialist realism!

I believe that woman are superior to men.

When I came to New York, it was cheap!

The girls you picked up from the bars were not the girls you took home to mother.

I was one of the first post-studio artists. I used to do my works in the streets. I used to find them in the streets, and I used to leave them in the streets.

I didn't study the piano - the piano studied me.

It seems with progress you gain certain things and you lose certain things. The automobile replaced the horse and buggy but you lost all of that nice manure.

I've never been a representational artist at all. Most artists have been representational. That's when you discover yourself.

I had no place to put anything. I would give my sculpture away because I had no place to put it.

I was hanging out and drinking as long as I could afford it, or as long as somebody else could afford it.

You might say that a creative person is a person who simply has a desire to have something, to add something to the world that's not there yet, and goes about arranging fort that to happen ... when you desire a work of art and make it, you've added to the stock of art in the world. Artists are one of the people who can do that: add to the stock of things.

I grew up in a brick house. What's wrong with bricks? An Englishman took me aside and said, "You have to understand, all the bricklayers in England are Irish, and the English hate the Irish."

I was never good at painting. The great turning point came when I had a block of wood and I carved a shape into the wood and put a small piece of timber into that space - like a negative - and so it made an endless column, only inward.

I didn't like men because they were so physically competitive. Men are always making a pecking order. "I can beat you up and you can beat him up ... "

SoHo was called Hell's Hundred Acres because it was full of sweatshops - without fire escapes. Completely not up to code. Every once in a while, these buildings would burn and 26 Puerto Ricans would be killed.

My art springs from my desire to have things in the world which would otherwise never be there.

My art will reflect not necessarily conscious politics but the unanalysed politics of my life.

Why carve? It's a better sculpture that way. I'll never improve the block. So I just started using uncarved blocks.

I've often stopped working for long periods.

My works have always been unjoined. People were always making variations of my works, and I just said, "I don't want to know." You can't put limits on those pieces. You can't be there all of the time when they're installed.

The world is imperfect, and young people are always trying to perfect it and they always fail - which is a good thing. Who'd want to live in a perfect world?

Art is what we do. Culture is what is done to us. A photograph of an art object is not the art object. An essay about an artist's work is not the artist's work.

I never drove a car in my life. Given my drinking habits in those days, I would have been dead a long time ago - stumbling out of a bar at 4 a.m. and getting into a car.

People are always trading their excess for somebody else's excess. One country has a lot of aluminum so they trade aluminum for sugar. It's the law of supply and demand.

If you're any good as an artist, you have to be doing something nobody else has interest in. Nobody would be interested in my work except a few crazy people.

Once you turn something into something, its universal usage is over.

A man climbs a mountain because it is there. An artist makes a work of art because it is not there.

An artist, to achieve anything in art, has to finally do the thing that nobody else wants to do and nobody else has thought to do.

I never stopped doing what I did as a child.

The wood was better before I cut it, than after. I did not improve it in any way.

I mean, art for art's sake is ridiculous. Art is for the sake of one's needs.

New York is dead. It's too expensive.

What I made depended on what I found on the street. At least in the beginning, my materials came from the street.

I'm afraid we get a great deal of our exposure to art through magazines and through slides and I think this is dreadful, this is anti-art because art is direct experience with something in the world and photography is just a rumor, a kind of pornography of art.

Look at the chaos of European history. Europeans cannot believe in certainty. But Americans believe in certainty. Americans think this can go on like this forever. Just as it is. No change.

I'm a feminist. I've always been in favor of women.

I didn't like men, but I liked women.

Artists tend to be beyond embarrassment the way little children tend to be beyond embarrassment.

Money is a very complicated problem. The history of money is very curious.

You could own coins but you couldn't have bars of gold. We were on the gold standard. I think it was Nixon who took us off the gold standard.